| Photos (See all 13 | slideshow) |
| Cary Grant | ... | Victor Rhyall, Earl | |
| Deborah Kerr | ... | Lady Hilary Rhyall | |
| Robert Mitchum | ... | Charles Delacro | |
| Jean Simmons | ... | Hattie Durant | |
| Moray Watson | ... | Trevor Sellers, the Butler | |
| rest of cast listed alphabetically: | |||
| Joan Benham | ... | Hairdresser's Receptionist (uncredited) | |
| Elisabeth Orion | ... | Fair-Haired Woman (uncredited) | |
| Gwen Watford | ... | Hairdresser's Receptionist (uncredited) | |
Directed by | |||
| Stanley Donen | |||
Writing credits | ||
| Hugh Williams | (screenplay) and | |
| Margaret Vyner | (screenplay) (as Margaret Williams) | |
| Hugh Williams | (play) and | |
| Margaret Vyner | (play) (as Margaret Williams) | |
Produced by | |||
| Stanley Donen | .... | producer | |
| James H. Ware | .... | associate producer (as James Ware) | |
Cinematography by | |||
| Christopher Challis | (director of photography) | ||
Film Editing by | |||
| Jim Clark | (as James Clark) | ||
Art Direction by | |||
| Paul Sheriff | |||
Makeup Department | |||
| Eric Allwright | .... | makeup artist | |
| Gordon Bond | .... | hair stylist | |
| John O'Gorman | .... | makeup artist | |
Production Management | |||
| Richard B. Goodwin | .... | unit manager (as Richard Goodwin) | |
Second Unit Director or Assistant Director | |||
| Roy Stevens | .... | assistant director | |
Art Department | |||
| Vernon Dixon | .... | set dresser | |
Sound Department | |||
| Maurice Askew | .... | sound recordist | |
| John Cox | .... | sound supervisor | |
| John W. Mitchell | .... | sound recordist | |
| Peter Musgrave | .... | dubbing editor | |
Camera and Electrical Department | |||
| Austin Dempster | .... | camera operator | |
Costume and Wardrobe Department | |||
| Hardy Amies | .... | clothes: Miss Kerr | |
| John Wilson-Apperson | .... | wardrobe supervisor (as John Wilson Apperson) | |
Editorial Department | |||
| Mary Kessel | .... | assistant editor | |
Music Department | |||
| Douglas Gamley | .... | music arranger | |
| Muir Mathieson | .... | conductor | |
| Len Stevens | .... | music arranger | |
| Noel Coward | .... | composer: original theme (uncredited) | |
| Douglas Gamley | .... | composer: additional music (uncredited) | |
Other crew | |||
| Shirley Barnes | .... | continuity girl | |
| Maurice Binder | .... | title designer: main title | |
| Maurice Landsberger | .... | assistant production accountant (uncredited) | |
| Una Pearl | .... | double (uncredited) | |
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| Cousin Bette | Dodsworth | Lackawanna Blues | Total Eclipse | Stevie |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
This delightful morsel is even more impressive given the bare post-Eisenhower era of its release. While we tend to view 1960 as the beginning of the JFK cultural renaissance, in fact the decade dawned with Ike in the White House and Nixon on the horizon. Extramarital hijinks, dealt with adult sophistication, tolerance and forgiveness are rare enough, but the Bible-thumpers must have bust a gut on this one. I disagree with those who chastise the title, I think it's perfect. That such a topic is explored without losing the light comedic magic of Grant, the earnest angst of Kerr, the irreverent sexuality of Simmons and the brooding strength of Mitchum is testament to the ability of Stanley Donen to guide without herding. It all fits, wonderfully, in a movie that glows brighter with the passage of time, and the tsunami of trash that was to follow.