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The Grass Is Greener (1960)

Approved | | Comedy, Drama, Romance | 27 February 1961 (Sweden)
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »

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Writers:

(screenplay), (screenplay) (as Margaret Williams) | 2 more credits »
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Nominated for 2 Golden Globes. Another 2 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Lady Hilary Rhyall
...
Charles Delacro
...
Hattie Durant
Moray Watson ...
Trevor Sellers, the Butler
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Storyline

Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant gets involved and they have a good old fashioned love triangle. Written by Tim Kearns <tskearns@aol.com>

Plot Summary | Add Synopsis

Taglines:

The trouble with house parties is you never can tell which parties will end up playing house! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

|

Language:

Release Date:

27 February 1961 (Sweden)  »

Also Known As:

La mujer que quiso pecar  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (VHS)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Originally Cary Grant turned down the role of Victor. Afterwards the role was subsequently offered to his friend Rex Harrison and he accepted. However right before production began, Harrison's wife fell gravely ill and he was forced to leave the production in order to tend to her. Grant, out of respect for cast and crew, and to keep the filming running according to schedule, decided then to finally take the part. See more »

Quotes

Trevor Sellers, the Butler: I wonder if I might have a word with you Mylord.
Victor Rhyall, Earl: So do I, so we're both probably right. Now what's the matter, Sellers?
Trevor Sellers, the Butler: As I told you Mylord, I haven't any work to do.
Victor Rhyall, Earl: What about your novel, why aren't you working at that?
Trevor Sellers, the Butler: I'm stuck badly. Nearly tore the whole thing up last night.
Victor Rhyall, Earl: Oh now now, you mustn't do that! What's the trouble?
Trevor Sellers, the Butler: Almost certainly the basic trouble is myself. I'm fundamentally happy and contented. That's bad enough of course. But on top of that, I'm normal. And that's fatal.
Victor Rhyall, Earl:
Trevor Sellers, the Butler:
Victor Rhyall, Earl:
[...]
See more »

Crazy Credits

Babies, some of them naked, on a lawn, are shown as if they were the cast and crew. For example, as the camera crew's names are shown, the babies are seen trying to work a camera; the "editor" is a baby tugging on a film strip, and so on. See more »

Connections

Featured in Silhouettes: The James Bond Titles (2000) See more »

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User Reviews

 
Cast Sparkles
1 December 2002 | by (Cleveland, Ohio) – See all my reviews

Drawing room comedies seem to be a thing of the past. Their demise was apparently one reason Cary Grant decided to thin down his late career: his kind of parts just weren't being written anymore.

By the time this film version of a stage hit came out in 1960, the genre had just about run its course.

How fortunate to have four full-fledged stars take on the leading roles. What is Robert Mitchum doing in an English castle, interacting with "upper class royalty"?

For one thing, he plays a Texas millionaire--an impressive entree most places. Then, the rest of the cast are all transported Brits, so long established in America as to be de facto Americans. They can still deliver their clipped English lines, thought, with great flair.

("So, now you're a millionare, and I'm growing mushrooms . . . oh well, that's the way the world wags.")

Deborah Kerr is bright and vulnerable, Jean Simmons, pert and sophisticated, Robert Mitchum, cool and crafty, and Cary Grant urbane and witty. It's fun to see this quartet trading double entendres and quaint quips.

Stanley Donnen does his best with a stagy script, relying on his experienced cast to carry off the humor and action. It succeeds nicely, and its downright fun to follow their stylish jousts.

Tea, brandy, or champagne?


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