Good-for-Nothing (1960)
"Rokudenashi" (original title)

Director:

Yoshishige Yoshida

Writer:

Yoshishige Yoshida

Stars:

Hizuru Takachiho, Masahiko Tsugawa, Yûsuke Kawazu

Cast

Credited cast:
Hizuru Takachiho
Masahiko Tsugawa
Yûsuke Kawazu
Rest of cast listed alphabetically:
Kakuko Chino	...	Hisako Makino
Masao Mishima	...	Kensaku Kitajima
Isao Sasaki	...	Singer
Junichiro Yamashita	...	Morishita
Shôji Yasui	...	Shinichi Makino

Storyline

Details

Country:

Japan

Language:

Japanese

Release Date:

6 July 1960 (Japan)

Also Known As:

Good-for-Nothing

Company Credits

Production Co:

Shochiku Ofuna

Technical Specs

Runtime:

88 min

Color:

Black and White

Did You Know?

Connections

References The Man with the Golden Arm (1955)

User Reviews

Enjoyable first effort

Yoshida is considered to be a leading figure of the Japanese New Wave, along with Nagisa Oshima and Shohei Imamura.

Yoshida's first film was this "Good for Nothing", directed in 1960 for Shochiku Studios. The story is centered on a group of wealthy young students whose lives are spent pretty much in emptiness and boredom. Jun, a disenchanted and poor young man, has become absorbed by this little gang. The youngsters plan a sort of prank crime by kidnapping the secretary of a large corporation which is owned by the father of the gang's leader. While Jun falls in love with Makino, the young woman, she starts to sense good in Jun and tries to lead him on the right path...

Yoshida demonstrates his talent in this early feature, showing for example great mastery of lighting and composition. "Good for Nothing" was strongly influenced by the French New Wave (in some respects, it could be regarded as a Japanese version of Godard's "Breathless") with perhaps a few nods to Oshima's "Cruel Story of Youth". The dynamic black and white cinematography announces the non-conventional mise en scène and fluid camera movements which would become the signature of Yoshida's later films. Although the director is renowned for works like "Akitsu Springs" or "Eros Plus Massacre", I prefer this early effort as it is much less "high brow" and more direct. Yoshida's fans certainly think that his later films are much more elaborate. Not a masterpiece? True. However, I enjoyed this as a well-narrated,well-played, well-filmed story, with beautiful shots of Tokyo streets. Not to mention the musical background (yes, jazz!) and the numerous references to French culture which were quite amusing. You know what?... Sometimes all this is more than enough!