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Storyline
Goliath II is a 6-inch-tall elephant (son of the huge Goliath). He's a big disappointment to his father, but mom is proud of Goliath II anyway. Goliath II is constantly getting into trouble because he's so small. In particular, the tiger Raja looks for every opportunity to try a bite-size taste of elephant. After one incident where he ran away and his mother scolded him, he runs away. After he's rescued, the rest of the elephants are terrified of a mouse, but Goliath II stands his ground. Written by
Jon Reeves <jreeves@imdb.com>
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Trivia
First
Walt Disney production fully animated by the Xerox process for transferring pencil drawings to cells.
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Quotes
[
the mouse has scared all of the elephants away and into the river, except Goliath II, who doesn't budge]
Mouse:
[
to Goliath II]
What's the trouble, buster? Scared stiff?
Goliath II:
I'm not scared at all.
Mouse:
You're not?
Goliath II:
I'm just as big as you are.
Mouse:
But that's not the point, kid. I'm a mouse! You're an elephant. At least you look like one. You got a trunk.
[
he pulls on Goliath's trunk]
Mouse:
Flappy ears!
[
he tugs and flaps on Goliath's big ears]
Mouse:
Ho-ho-ho! Baggy pants!
[...]
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Connections
Edited from
Peter Pan (1953)
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A Walt Disney Cartoon.
Tiny GOLIATH II is a disgrace to the rest of the elephant herd - until he encounters a bullying mouse...
This two-reeler was based on a story by the celebrated children's author Bill Peet. Various elements of the animation will invariably remind viewers of DUMBO (1941) and the forthcoming JUNGLE BOOK (1967). The film is helped immeasurably by the narration of Sterling Holloway.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.