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Women love handsome Antonio because they think of him as the perfect lover. But he has problems to fullfill this ideal and Barbara only notices his failures when they are married. When the ... See full summary »
Marius has left, signed up for a five year hitch on a ship bound for the Indian Ocean. In his few letters to his father César, he hardly mentions Fanny. When she finds she is pregnant, she ... See full summary »
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
Una notte di due balordi, Scintillone e Ruggero, a cui si aggiunge in seguito un terzo, Bellabella, che dopo un furto vengono a loro volta derubati. Tentano poi di rubare un'apparecchio ... See full summary »
In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of ... See full summary »
Enrico Maria Salerno
The original Italian is La Viaccia (the name of the family farm which motivates the plot). The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando ... See full summary »
Marisa é giovane, Marisa è bella, Marisa veste in modo provocante, Marisa è orfana e vende gelati alla stazione, Marisa ha tanti ammiratori e aspiranti fidanzati: Luigi, Luccicotto, il ... See full summary »
the best of the films made based in a script by Pasolini
Imagine a black-and-white film about the lower class of Rome with a screenplay written by Pasolini before he becames a director himself. That's "Una giornata balorda". His director, Mauro Bolognini, is the same of "La notte brava" and "Il bello Antonio" - both also written by Pasolini, and was also a pretty good director. Here you can see the pasolinian proletarian world filmed as a good commercial product of the italian cinema of the early 60's. Says the legend that Pasolini decides to became a filmaker to avoid the glamourous professional actors of the period, and so did "Accatone", his first feature. Of course, Franco Citti who protagonized this one, is much more convincing than Jean Sorel, the star of "Una giornata..." but of course, not so good-looking (Sorel was one of the most beautifull men in the world at this time).It's a problem of style: glamour versus authenticity, etc etc. Enjoy it.
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