| Vittorio De Sica | ... | Victorio Emanuele Bardone / Grimaldi | |
| Hannes Messemer | ... | S.S. Colonel Mueller | |
| Vittorio Caprioli | ... | Aristide Bianchelli | |
| Nando Angelini | |||
| Herbert Fischer | ... | Sergeant | |
| Mary Greco | ... | Vera (the madam) | |
| Bernardo Menicacci | |||
| Lucia Modugno | ... | Partisan girl | |
| Luciano Pigozzi | |||
| Kurt Polter | ... | German officer | |
| Giuseppe Rosetti | ... | Pietro Valeri | |
| Kurt Selge | ... | Schrantz | |
| Linda Veras | ... | German attendant | |
| Sandra Milo | ... | Valeria | |
| Giovanna Ralli | ... | Olga | |
| Anne Vernon | ... | Clara Fassio | |
| Ester Carloni | |||
| rest of cast listed alphabetically: | |||
| Armando Annuale | ... | Bit part (uncredited) | |
| Gianni Baghino | ... | Scalise (uncredited) | |
| Baronessa Bazzani | ... | Contessa Bianca Maria Della Rovere (uncredited) | |
| Clarissa Corner | ... | (uncredited) | |
| Lina De Rossi | ... | (uncredited) | |
| Ivo Garrani | ... | Partican chief (uncredited) | |
| Franco Interlenghi | ... | Antonio Pasquali (uncredited) | |
| Piero Pastore | ... | Prisoner (uncredited) | |
| Roberto Rossellini | ... | Man in Gestapo office (uncredited) | |
Directed by | |||
| Roberto Rossellini | |||
Writing credits(in alphabetical order) | ||
| Sergio Amidei | writer | |
| Diego Fabbri | writer | |
| Indro Montanelli | novel | |
| Indro Montanelli | screenplay | |
| Roberto Rossellini | writer | |
Produced by | |||
| Moris Ergas | .... | executive producer | |
Original Music by | |||
| Renzo Rossellini | |||
Cinematography by | |||
| Carlo Carlini | |||
Film Editing by | |||
| Cesare Cavagna | |||
| Anna Maria Montanari | |||
Production Design by | |||
| Piero Zuffi | |||
Art Direction by | |||
| Piero Zuffi | |||
Costume Design by | |||
| Piero Zuffi | |||
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| Dieci italiani per un tedesco (Via Rasella) | Army of Shadows | Rome, Open City | Miracle at St. Anna | Baciami piccina |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Vittorio de Sica stars as a petty gambler and con artist near the end of the Second World War. His gambling losses are so bad that he has to swindle friends for money; oftentimes he does so with the promise of freeing imprisoned loved ones (and sometimes he even succeeds at doing so). One swindle goes wrong, and the victim informs the Nazis of what De Sica is doing. Instead of simply imprisoning him, they make a deal: if in prison he poses as General della Rovere, who was killed in an escape attempt, and root out a certain partisan leader, they will pay him off and ship him to Switzerland. De Sica is no great man, but he is also no spy. But, initially, he does what the Nazis tell him to do. This film should probably be much better than it is, but it just lacks the passion of Rossellini's earlier films. Sure, they were overly melodramatic, but I don't think the way to fix them is flatten out all the emotions of the film. Rossellini did make a nearly perfect film after his strictly neorealistic period in Stromboli, and General della Rovere, a decade later, is a huge step in the wrong direction. There are a few excellent scenes, but nowhere near enough. It helps that it ends so well. It certainly hinders the project that the whole swindling part of the film lasts for almost half the film, at around an hour. De Sica's character isn't very consistent between the two halves, either. Blame that on the script, though, because De Sica is generally great throughout the entire film. Sandra Milo, who would later co-star in Fellini's 8½ and Juliette of the Spirits, has a small role. 6/10.