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Esther and the King (1960) -- Esther and the King

Overview

User Rating:
4.8/10   175 votes
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Directors:
Raoul Walsh
Mario Bava
Writers:
Raoul Walsh (screenplay) and
Michael Elkins (screenplay)
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Contact:
View company contact information for Esther and the King on IMDbPro.
Release Date:
14 December 1960 (USA) more
Genre:
Drama more
User Comments:
Another underappreciated work more (11 total)

Cast

  (Complete credited cast)
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Additional Details

Also Known As:
Esther e il Re (Italy)
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Runtime:
109 min
Country:
Italy | USA
Language:
English
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
4-Track Stereo (Westrex Recording System)
Certification:
West Germany:12 (nf) | USA:Approved (certificate #19742) | Finland:K-16
Company:
Galatea Film more

Fun Stuff

Quotes:
King Ahasuerus: Now I will stem the ambitions of that young Macedonian upstart. Whar's his name?
Haman: Alexander.
King Ahasuerus: That's it.
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Movie Connections:
Version of "Greatest Heroes of the Bible: The Story of Esther" (1979) more

FAQ

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9 out of 11 people found the following comment useful.
Another underappreciated work, 13 April 2004
Author: heliopause from Baltimore, Maryland

Like other Italian works of this era, underappreciated and cynically criticized for what it is not, this is a work of art, beautifully woven together in music, mood, and cinematography leaving the viewer in the end fulfilled in the desire to escape from the modern world into a place inaccessible, and, yes, surrealistic.

The music, written by the Italian master Francesco Lavagnino, one of the great movie music composers of the 20th century, commands the mood of each scene and spans the range of moods in the work, from the march of soldiers to the Queen in the flower garden to her love scene with the King to the mystic mood in the ruins where Simon hides. It is a fine piece of composition.

The words in the script are, in some scenes, not meant to be ordinary conversation, but rather noble thoughts, royal council, and human aspirations, and thus are written and delivered as such. When mental burdens weigh heavily on the King, he is told by his friend Mordecai that "... by lifting the burdens of others one can lift one's own burden ... " Such thoughts are actually quite profound, that in some cases depressed moods arise from self-centered thinking and self-victimization, and that by helping others in a selfless way one can relieve one's own burdens. In the garden, Mordecai councils Esther that " .. the King is attracted to her sense of justice and loyalty, the same qualities that bind her still to Simon, her previous love, and that may turn the King against her in jealousy..."

The cinematography in the scene of the death of Simon, where the camera rises above Simon and the queen to the Star of David, which then appears on the wall of the next scene, is very well done. In another scene, the King is asked whom he had chosen to be his queen, and as he replies "A girl named Esther", the camera pans past the concerned face of Haman to reveal the quite different satisfied expression of Mordecai.

There is much to appreciate in the music, words, and visual presentation of this work. Of course this is not meant to be a documentary, a faithful retelling of an ancient story. Criticism should be directed at how it fails in its own intent as a melancholic, romantic, and introspective fantasy, rather than based on the viewer's expectations. If my understanding of its intent is near the mark, then my conclusion is that this work, like the Raoul Walsh epic The Big Trail made 30 years earlier, succeeds very well.

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