Near the Baie de la Seine swamps, opposite the Port of Le Havre, Auguste Maroilleur, an elderly farmer, exploits 400 hectares of crop land with the help of his family, over which he rules ... See full summary »
When US radar installations in Greece are jammed and an undercover NATO security man is killed, suspicion falls on his widow, who sets out to find the real culprits and prove herself ... See full summary »
At 24, Asima lives with her father and works as an office girl, watching men get promoted and having their pick of the young women in the steno pool. She appears removed from it all, but ... See full summary »
Rosalie is amicably divorced, dividing her time between her mother's house, with her siblings and small daughter, and César's. He's self made, a scrap iron king, outgoing, amiable, in love ... See full summary »
A middle-aged and slightly conservative businessman meets a band of rowdy youths and is smitten by one named Francesca. He is pursuaded to join their party and even pay for most of it, as ... See full summary »
Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his ... See full summary »
Five short comic sketches, all unrelated to each other, except that they are all expressions of Italian sexual humor. In one sketch, Marty Feldman plays a bodyguard, hired by her father to ... See full summary »
Francesca, a seventeen-year-old Roman, is finally sure she has found love. Almost sure. She spends the day observing other lovers' behaviors and considering whether she is ready to jump. Her age notwithstanding, this movie is more about coming of age than about improper or illegal romantic relationships.
If Catherine Spaak, beautiful and innocent, acts with brio, the quality of the supporting cast makes the movie. From a fifty-year-old indebted socialite who is having too much fun for her daughter's taste to a jaunty gigolo who turns out to be eaten by unreciprocated love, the minor characters entertain, delight, and subtly teach valuable lessons to both Francesca and the audience.
This film's unpredictability is refreshing. Whether written or filmed, coming-of-age stories often fail to surprise or intrigue the audience. In I Dolci Inganni, most characters seem at first to be crazily entertaining walking clichés, but they later astonish the audience by revealing their depth and their inner struggles. If love is widely accepted as a common human need, it can be expressed in mysterious, unsettling, incomprehensible ways. The variety of its forms in the movie gives the spectator an opportunity to reflect on his or her own endeavors and dreams.
This movie will seem slow paced to Gen-Xers, but anybody interested in human nature should see it.
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