Summer, 1943: wealthy youth in the Riccione district of Rimini play while the war gets closer. Carlo Caremoli, a young man who follows the crowd, has found ways to avoid military service. ... See full summary »
Annamaria Montorsi, ex prostituta, è in vacanza al mare con la figlia : per sfuggire ai pettegolezzi si finge vedova. E' pacata e riservata, e questo la rende benvoluta da tutti, in ... See full summary »
Purif, young peasant of the South Italy, is considered from the people a possessed one and a witch. All of the village is hostile to its activity magical and sorceress. The girl will be ... See full summary »
Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »
In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his ... See full summary »
In the harsh granite mountains of the center of the island of Sardinia in the Mediterranean Sea, an old people live at the town of Orgòsolo. Between the rocks and the oak woods, shepherds ... See full summary »
In order to convince Raimonda, a wealthy noble woman, to finance his project for a holiday resort, Saverio gets engaged to Clotilde, her mentally-disturbed and sex-obsessed adolescent ... See full summary »
Teresa Ann Savoy,
Francesca, a seventeen-year-old Roman, is finally sure she has found love. Almost sure. She spends the day observing other lovers' behaviors and considering whether she is ready to jump. Her age notwithstanding, this movie is more about coming of age than about improper or illegal romantic relationships.
If Catherine Spaak, beautiful and innocent, acts with brio, the quality of the supporting cast makes the movie. From a fifty-year-old indebted socialite who is having too much fun for her daughter's taste to a jaunty gigolo who turns out to be eaten by unreciprocated love, the minor characters entertain, delight, and subtly teach valuable lessons to both Francesca and the audience.
This film's unpredictability is refreshing. Whether written or filmed, coming-of-age stories often fail to surprise or intrigue the audience. In I Dolci Inganni, most characters seem at first to be crazily entertaining walking clichés, but they later astonish the audience by revealing their depth and their inner struggles. If love is widely accepted as a common human need, it can be expressed in mysterious, unsettling, incomprehensible ways. The variety of its forms in the movie gives the spectator an opportunity to reflect on his or her own endeavors and dreams.
This movie will seem slow paced to Gen-Xers, but anybody interested in human nature should see it.
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