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La Dolce Vita (1960)

La dolce vita (original title)
Not Rated | | Comedy, Drama | 19 April 1961 (USA)
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A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

Director:

Writers:

(story), (story) | 5 more credits »
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4,130 ( 183)
Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Maddalena (as Anouk Aimee)
...
Emma
...
Fanny (as Magali Noel)
Alain Cuny ...
...
Il padre di Marcello
Walter Santesso ...
Valeria Ciangottini ...
Paola
Audrey McDonald ...
Jane
Riccardo Garrone ...
Riccardo
Polidor ...
Pagliaccio
Ida Galli ...
Debuttante dell'anno
Enrico Glori ...
Ammiratore di Nadia
Rest of cast listed alphabetically:
...
Robert - marito di Sylvia
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Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The world's most talked about movie today! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| | |

Release Date:

19 April 1961 (USA)  »

Also Known As:

La Dolce Vita  »

Box Office

Gross:

$19,516,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

(Western Electric)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Credit for the creation of Steiner goes to co-screenwriter Tullio Pinelli. Having gone to school with Italian novelist Cesare Pavese, Pinelli had closely followed the writer's career and felt that his over-intellectualism had become emotionally sterile, leading to his suicide in a Turin hotel in 1950. This idea of a "burnt-out existence" is carried over to Steiner in the party episode where the sounds of nature are not to be experienced first-hand by himself and his guests but in the virtual world of tape recordings. See more »

Goofs

In the castle, Marcello lights a match to view some ancestral paintings. A spotlight is used to enhance the light of this match, but does not follow the actor's movements very closely and gives the illusion away. See more »

Quotes

Marcello Rubini: [to Emma] A man who agrees to live like this is a finished man, he's nothing but a worm! I don't believe in your aggressive, sticky, maternal love! I don't want it, I have no use for it! This isn't love, it's brutalization!
See more »

Connections

Referenced in Corman's World: Exploits of a Hollywood Rebel (2011) See more »

Soundtracks

Ready Teddy
(uncredited)
Written by John Marascalco and Robert 'Bumps' Blackwell (as Robert Blackwell)
See more »

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User Reviews

life imitates art? art imitates life? a bit of both?
30 November 2004 | by (Dobbs Ferry, NY) – See all my reviews

I just saw a new print of this wonderful film after not having seen it for maybe 20 years and it is still spellbinding. Fellini sums up an era and an attitude here, and succeeds in doing something that ought to be impossible: he makes a full and meaningful film about empty and meaningless lives. Mastroianni seems to have been to Fellini what DeNiro has been to Scorsese--a perfect embodiment of a personal vision. What a wonderful actor he was--brilliant in his youth and in his age. Many other performers are hardly less fine here, and the cinematography and composition are stunning throughout. There are so many indelible images from this film, images that have become iconic over the decades: Ekberg in the Fontana di Trevi, the statue of Christ flying over Rome, the astonishing, candlelit procession at the castle, to name a few. It seems plot less and yet it isn't plot less at all; Marcello's ultimately fruitless search for meaning, a search that he abandons in the end, as he stares across a slight and yet unbridgable abyss on the beach at a lovely young girl who seems to possess the knowledge and understanding that is denied to him. I'm astonished at the number of people who don't get this movie, who seem to think that Fellini expects us to admire the bizarre characters who people the film, or who think that a movie about worthless individuals must be a worthless movie, or who don't seem to understand that movies that are full of what become clichés usually do so because they capture an important vision. Fellini made several exceptional films: 81/2, La Strada, Amarcord, and The Nights of Cabiria come to mind, but La Dolce Vita may be, when all is said and done, his masterwork.


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What was it that Steiner felt he lacked in life? jophassa
Is Nico in this movie? pattijane-55226
the young blond girl from the restaurant gabypanama
poor movie omar_sy
The ENDLESS party scene GiantTurtleBoy
You hated Dolce but loved another Fellini's? svallee-5
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