A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by
In the beach house sequence, when the woman asks Marcello if he was a 'writer once,' and Marcello announced he's now a publicity agent,' the young woman reads frm a magazine 'he has a Greek profile, but the modernity of his expression brings him to the most modern actor of our time - Paul Newman.' She reads the quote - and the actor's name with disappointment, which is an intentional sly reference to Paul Newman, as Paul Newman was Dino De Laurentis' choice for the lead - which Marcello Mastroiani eventually took. See more »
When Marcello and Madalena arrive at the appartment of the prostitute, a long electric cable (light?) can be seen attached to the right rear of the car, moving along untill the car stops. See more »
By 1965 there'll be total depravity. How squalid everything will be.
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To appreciate this film you need to appreciate film. I'm saddened that so many have commented negatively on it and cast dispersions upon those who enjoyed it. It is not Titanic, or Armageddon. It is a long film that attempts to show more than a hackneyed plot about some simple people. It is a beautiful exploration about life that does not preach or try to tell you what to think. I understand why many are frustrated with it. It seems to go nowhere at times, but thats the point. And most importantly the scenery on this trip to nowhere is beautiful.
So, if you are the type that does not like to watch films that are art, do not watch this. Watch Coyote Ugly. It will entertain you. Other films to avoid: Last Year at Marienbad, The Seventh Seal, The 400 Blows, etc. Go see something with a gun on the cover instead.
For those who like a challenge rather than simple escapism, this is a film that engages you.
Different films for different people. People seem very threatened when they don't like a film that is widely regarded as a classic. The reason is simple, it's not your kind of film. But don't assume its a film for no one. Makes sense right?
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