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La Dolce Vita (1960)

La dolce vita (original title)
Not Rated | | Comedy, Drama | 19 April 1961 (USA)
A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

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Writers:

(story), (story) | 5 more credits »
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3,865 ( 49)

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Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Maddalena (as Anouk Aimee)
...
Emma
...
Fanny (as Magali Noel)
...
Robert - marito di Sylvia
...
Il padre di Marcello
Walter Santesso ...
...
Il divo
Riccardo Garrone ...
Riccardo
Valeria Ciangottini ...
Paola
...
Nadia
Alain Cuny ...
Ida Galli ...
Debuttante dell'anno
Audrey McDonald ...
Jane
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Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The world's most talked about movie today! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| | |

Release Date:

19 April 1961 (USA)  »

Also Known As:

La Dolce Vita  »

Box Office

Gross:

$19,516,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

(Western Electric)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Italian censorship visa # 31070 delivered on 21-1-1960. See more »

Goofs

When Marcello and Madalena arrive at the appartment of the prostitute, a long electric cable (light?) can be seen attached to the right rear of the car, moving along untill the car stops. See more »

Quotes

Steiner: We must get beyond passions, like a great work of art. In such miraculous harmony. We should love each other outside of time... detached.
See more »

Connections

Referenced in De slimste mens ter wereld: Episode #5.17 (2015) See more »

Soundtracks

Toccata and Fugue in D Minor: Toccata and Fugue in D Minor, BWV 565
(uncredited)
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Alain Cuny
See more »

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User Reviews

 
Stunning Fellini and Mastroianni
15 April 2007 | by (United States) – See all my reviews

Long, episodic film by Federico Fellini about the conceits and facades of life: fame, intellect, sex, friendship, despair, innocence, etc.

Marcello Mastroianni is perfect as the shallow tabloid reporter who joyfully follows around Rome a blonde movie star from Sweden (Anita Ekberg) as she prowls around the city's bars and bistros. He is also having an affair with a woman (Anouk Aimee) while his girl friend (Yvonne Furnaux) seems to be going nuts.

But as Marcello moves through the city following the movie star, the miracle of the virgin, a few parties, etc. we see that his life is very empty because the things he reports on are meaningless drivel. We see that fame and fortune and the trappings of success are meaningless.

Marcello starts to realize that the movie star is a vapid airhead, the miracles are a sham, and his friend's (who seemed quite happily married) ghastly murder and suicide show the futility of life itself.

The Fellini themes are common to many of his films, but what makes La Dolce Vita so memorable are the cynical tone, the Nina Rota music, and the string of terrific visual images.

The opening scene is of a helicopter hauling a gilded plaster statue through the air across Rome. The flying saint is a bizarre image but serves to set up the movies which is all about images and events that are never what they seem to be.

Notable are the scenes of statuesque Ekberg in that terrific strapless black dress with the voluminous skirts as she swishes around dancing and eventually wading through a city fountain. The party scenes are also notable. The first because of the intolerable intellectuals who sits around and talk and talk but never do anything. The last party has the indelible image of Mastroianni "riding" a drunken blonde woman as though she were a horse. The final image of the giant dead fish is quite unsettling as it symbolizes their bloated lives.

Fellini is brilliant in filling scenes with odd people as extras, usually hideously dressed or wearing ugly glasses. The "gallery" of people who inhabit the city is one of grotesques, vapid fashion slaves, the rich, hangers on, etc.

A long film, but highly recommended and very memorable.


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