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La Dolce Vita (1960)

La dolce vita (original title)
Not Rated | | Comedy, Drama | 19 April 1961 (USA)
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A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

Director:

Writers:

(story), (story) | 5 more credits »
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4,130 ( 183)
Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Maddalena (as Anouk Aimee)
...
Emma
...
Fanny (as Magali Noel)
Alain Cuny ...
...
Il padre di Marcello
Walter Santesso ...
Valeria Ciangottini ...
Paola
Audrey McDonald ...
Jane
Riccardo Garrone ...
Riccardo
Polidor ...
Pagliaccio
Ida Galli ...
Debuttante dell'anno
Enrico Glori ...
Ammiratore di Nadia
Rest of cast listed alphabetically:
...
Robert - marito di Sylvia
Edit

Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The Roman Scandals - Bound to shock with its truth! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| | |

Release Date:

19 April 1961 (USA)  »

Also Known As:

La Dolce Vita  »

Box Office

Gross:

$19,516,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

(Western Electric)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The film contributed the term "paparazzo" to the language. The term derives from Marcello's photographer friend Paparazzo. Federico Fellini took the name "Paparazzo", as he explained in a later interview, from the name of someone he met in Calabria (Southern Italy) where Greek names are still common. "Paparazzi" is the plural meaning. See more »

Goofs

When the two children see the Madonna, the time of day is stated as 7:00. However, the very short shadows of the characters reveal that it is midday. See more »

Quotes

Steiner: Don't be like me. Salvation doesn't lie within four walls. I'm too serious to be a dilettante and too much a dabbler to be a professional. Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected.
See more »

Connections

Featured in How Strange to Be Named Federico (2013) See more »

Soundtracks

Toccata and Fugue in D Minor: Toccata and Fugue in D Minor, BWV 565
(uncredited)
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Alain Cuny
See more »

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User Reviews

 
Brilliant - Italian film making at its zenith
8 February 1999 | by (sunnyvale, ca) – See all my reviews

From so many perspectives, this film is a true artistic masterpiece, and happily, a commercial success. Those vehement in their dislike are simply wrong; their criticism does not hold up. Fellini and some few others, unlike most critics, completely understood that film derives NOT from the world of plays but from PAINTING. First time viewers - if the plot seems confusing, should just sit back and enjoy the staggering accomplishments of lighting, cinematography and staging. And that is leaving out of course, acting, writing directing!

Briefly, the film follows seven aimless days and nights in the life of Marcello Rubini, a world weary Roman "reporter" who writes for gossip magazines. Yes, it does document the slow self-destruction of an unfulfilled writer, it is really a dire warning that the banality and sheer boredom of the late 20th Century were (are) likely to bore us ALL to death ... and Fellini hit the mark with perfect precision, the world's best bullseye, if you will ...

The acting is first rate, Mastroianni is so masterful, that when he uses one or two of his cliches - they stick out like sore thumbs in a towering performance. (We forgive him for those tiny imperfections!) Likewise, all the players - from leads to bit roles are brilliant.

A film then, not in this world, or really even of it, but an oblique reflection of the coming decade (the movie was shot in 1959) the details of which, Fellini already seemed to know! Staggeringly hip and modern - well, a Masterpiece!


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