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La Dolce Vita (1960)
"La dolce vita" (original title)

 -  Comedy | Drama  -  19 April 1961 (USA)
8.1
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Ratings: 8.1/10 from 36,396 users   Metascore: 93/100
Reviews: 150 user | 92 critic | 12 from Metacritic.com

A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

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(story), (story), 6 more credits »
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Title: La Dolce Vita (1960)

La Dolce Vita (1960) on IMDb 8.1/10

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Top 250 #248 | Won 1 Oscar. Another 8 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Maddalena (as Anouk Aimee)
Yvonne Furneaux ...
Emma
...
Fanny (as Magali Noel)
Alain Cuny ...
Annibale Ninchi ...
Il padre di Marcello
Walter Santesso ...
...
Robert - marito di Sylvia
Jacques Sernas ...
Il divo
Nadia Gray ...
Nadia
Valeria Ciangottini ...
Paola
Riccardo Garrone ...
Riccardo
Ida Galli ...
Debuttante dell'anno
Audrey McDonald ...
Jane (as Audey McDonald)
Edit

Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The Sweet Life See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Country:

|

Language:

| | |

Release Date:

19 April 1961 (USA)  »

Also Known As:

La Dolce Vita  »

Box Office

Gross:

$19,516,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

(Western Electric)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Producer Dino De Laurentiis left the project when director Federico Fellini refused to cast Paul Newman in the lead. See more »

Goofs

The aircraft which brings Sylvia to Rome is an Alitalia Vickers Viscount as it comes in to land, but is both a Douglas DC-7C and DC-6B when it is on the ground. See more »

Quotes

Steiner: We must get beyond passions, like a great work of art. In such miraculous harmony. We should love each other outside of time... detached.
See more »

Connections

Featured in Valentino: The Last Emperor (2008) See more »

Soundtracks

I'm Goin' Away
(uncredited)
Written by Alan Greene
See more »

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User Reviews

my favorite fellini -
23 April 2004 | by (usa) – See all my reviews

I first saw this movie probably over 25 years ago when I was quite a bit younger. At that point I enjoyed it for its party scenes, sense of joy and life and vitality and....Marcello Mastroianni. Now that I'm older myself and have just recently seen the movie again, I find that I have a much deeper understanding of it. Maybe it takes some age to find some meaning. In a nutshell, Marcello is at a crossroads in his life, he's unable to settle down or move foreward into any direction - he's a diletante with aspirations but no real goals. He's wrapped up in himself and in projecting rather dreamy ideals onto other people. But as he keeps projecting on to others he comes to find in each situation that he doesn't really know the person and they are a mystery and probably a disappointment to him. certainly steiner is the biggest disappointment and disillusions him to a degree that he is apparently lost to a life of corruption and decadence as a result. but it's not that these people are difficult to understand to someone other than marcello - i think we can see that anita ekberg's character really is just a big good-natured blond and not the mysterious goddess marcello makes her out to be; his father is again - the typical traveling salesman and perhaps not the paternal figure that marcello would like him to be. his amour maddelena lives up to her name even as marcello starts believing himself in love with her - he's literally seduced by nothing more than an image he creates in his own mind. his friend steiner seems to have it all to marcello and to be the renaissance man that he would like to be - but, of course, he is dissatisfied and disturbed and we see what the end is. the only one whom marcello forms a somewhat realistic connection with is his girlfriend whom he treats badly and neglects despite her obvious love for him. he refuses to actually work on the one relationship that he could actually succeed at - he would rather dream about possibilities than actualize something.

marcello cannot communicate with others because he cannot see them as the people they really are - he just sees them as projections of his own needs, aspirations, desires and goals. when he finds out what they're really like, he either turns away or falls apart. this is an outstanding movie - 10 out of 10 and beautifully photographed. if you don't get it now, try again in 10 years - it will wait for you to catch up.


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Message Boards

Recent Posts
poor movie omar_sy
the young blond girl from the restaurant gabypanama
The ENDLESS party scene GiantTurtleBoy
You hated Dolce but loved another Fellini's? svallee-5
Interesting how your views on Marcello's life may change over time... crawsh
The sequence with the father... gustavocec
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