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La Dolce Vita (1960)
"La dolce vita" (original title)

Not Rated  |   |  Comedy, Drama  |  19 April 1961 (USA)
8.1
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Ratings: 8.1/10 from 43,919 users   Metascore: 93/100
Reviews: 161 user | 114 critic | 12 from Metacritic.com

A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

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Writers:

(story), (story), 6 more credits »
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Title: La Dolce Vita (1960)

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Top 250 Movies #242 | Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Maddalena (as Anouk Aimee)
Yvonne Furneaux ...
Emma
...
Fanny (as Magali Noel)
Alain Cuny ...
Annibale Ninchi ...
Il padre di Marcello
Walter Santesso ...
...
Robert - marito di Sylvia
Jacques Sernas ...
Il divo
Nadia Gray ...
Nadia
Valeria Ciangottini ...
Paola
Riccardo Garrone ...
Riccardo
Ida Galli ...
Debuttante dell'anno
Audrey McDonald ...
Jane (as Audey McDonald)
Edit

Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The Sweet Life See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| | |

Release Date:

19 April 1961 (USA)  »

Also Known As:

La Dolce Vita  »

Box Office

Gross:

$19,516,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

(Western Electric)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the beach house sequence, when the woman asks Marcello if he was a 'writer once,' and Marcello announced he's now a publicity agent,' the young woman reads frm a magazine 'he has a Greek profile, but the modernity of his expression brings him to the most modern actor of our time - Paul Newman.' She reads the quote - and the actor's name with disappointment, which is an intentional sly reference to Paul Newman, as Paul Newman was Dino De Laurentis' choice for the lead - which Marcello Mastroiani eventually took. See more »

Goofs

When Marcello is typewriting in a restaurant on the beach and talking to the blonde young girl, the bar of the typewriter is centered on the machine. In the next take, it is displaced to the left of the typewriter. See more »

Quotes

Steiner: Don't be like me. Salvation doesn't lie within four walls. I'm too serious to be a dilettante and too much a dabbler to be a professional. Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected.
See more »

Connections

Referenced in Gronk's Tormenta: A Method (2009) See more »

Soundtracks

Jingle Bells
(uncredited)
Written by James Pierpont (as James Lord Pierpont)
See more »

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User Reviews

 
Brilliant - Italian film making at its zenith
8 February 1999 | by (sunnyvale, ca) – See all my reviews

From so many perspectives, this film is a true artistic masterpiece, and happily, a commercial success. Those vehement in their dislike are simply wrong; their criticism does not hold up. Fellini and some few others, unlike most critics, completely understood that film derives NOT from the world of plays but from PAINTING. First time viewers - if the plot seems confusing, should just sit back and enjoy the staggering accomplishments of lighting, cinematography and staging. And that is leaving out of course, acting, writing directing!

Briefly, the film follows seven aimless days and nights in the life of Marcello Rubini, a world weary Roman "reporter" who writes for gossip magazines. Yes, it does document the slow self-destruction of an unfulfilled writer, it is really a dire warning that the banality and sheer boredom of the late 20th Century were (are) likely to bore us ALL to death ... and Fellini hit the mark with perfect precision, the world's best bullseye, if you will ...

The acting is first rate, Mastroianni is so masterful, that when he uses one or two of his cliches - they stick out like sore thumbs in a towering performance. (We forgive him for those tiny imperfections!) Likewise, all the players - from leads to bit roles are brilliant.

A film then, not in this world, or really even of it, but an oblique reflection of the coming decade (the movie was shot in 1959) the details of which, Fellini already seemed to know! Staggeringly hip and modern - well, a Masterpiece!


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Is Nico in this movie? pattijane-55226
What was it that Steiner felt he lacked in life? jophassa
poor movie omar_sy
the young blond girl from the restaurant gabypanama
The ENDLESS party scene GiantTurtleBoy
You hated Dolce but loved another Fellini's? svallee-5
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