La Dolce Vita (1960)
"La dolce vita" (original title)

A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story),

Stars:

Marcello Mastroianni, Anita Ekberg, Anouk Aimée

Top 250 #249 | Won 1 Oscar. Another 8 wins & 12 nominations.

Cast

Cast overview, first billed only:
Marcello Mastroianni	...	Marcello Rubini
Anita Ekberg	...	Sylvia
Anouk Aimée	...	Maddalena (as Anouk Aimee)
Yvonne Furneaux	...	Emma
Magali Noël	...	Fanny (as Magali Noel)
Alain Cuny	...	Steiner
Annibale Ninchi	...	Il padre di Marcello
Walter Santesso	...	Paparazzo
Valeria Ciangottini	...	Paola
Riccardo Garrone	...	Riccardo
Ida Galli	...	Debuttante dell'anno
Audrey McDonald	...	Jane (as Audey McDonald)
Polidor	...	Pagliaccio
Alain Dijon	...	Frankie Stout
Enzo Cerusico	...	Fotografo

Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.

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Plot Keywords:

journalist | writer | prostitute | party | gossip columnist | 

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Taglines:

The Roman Scandals - Bound to shock with its truth!

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Genres:

Comedy | Drama

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Certificate:

Not Rated

Details

Official Sites:

Official site

Country:

Italy France

Language:

Italian English French German

Release Date:

19 April 1961 (USA)

Also Known As:

The Sweet Life

Filming Locations:

Bassano Romano, Viterbo, Lazio, Italy

Box Office

Gross:

$19,516,000 (USA)

Company Credits

Production Co:

Riama Film, Gray-Film, Pathé Consortium Cinéma

Technical Specs

Runtime:

174 min 177 min (premiere) 165 min (re-release) 180 min (premiere)

Sound Mix:

Mono (Western Electric)

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

It seems that term "paparazzo" was coined by Federico Fellini himself. Paparazzo means "sparrow" in one Italian dialect (in normal usage the Italian for "sparrow" is "passero"). Fellini explained that the photographers hopping and scurrying around celebrities reminded him of sparrows.

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Goofs

The aircraft which brings Sylvia to Rome is an Alitalia Vickers Viscount as it comes in to land, but is both a Douglas DC-7C and DC-6B when it is on the ground.

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Quotes

Steiner: We must get beyond passions, like a great work of art. In such miraculous harmony. We should love each other outside of time... detached.

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Connections

Referenced in Good Bye Lenin! (2003)
The scene with the helicopter carrying lenin, like the helicopter carrying jezus in la dolce vita

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Soundtracks

"Patricia"
Performed by Perez Prado

User Reviews

Bitterness Of The Sweet Life

LA DOLCE VITA presents a series of incidents in the life of Roman tabloid reporter Marcello Rubini (Marcello Mastroianni)--and although each incident is very different in content they create a portrait of an intelligent but superficial man who is gradually consumed by "the sweet life" of wealth, celebrity, and self-indulgence he reports on and which he has come to crave.

Although the film seems to be making a negative statement about self-indulgence that leads to self-loathing, Fellini also gives the viewer plenty of room to act as interpreter, and he cleverly plays one theme against its antithesis throughout the film. (The suffocation of monogamy vs. the meaninglessness of promiscuity and sincere religious belief vs. manipulative hypocrisy are but two of the most obvious juxtapositions.) But Fellini's most remarkable effect here is his ability to keep us interested in the largely unsympathetic characters LA DOLCE VITA presents: a few are naive to the point of stupidity; most are vapid; the majority (including the leads) are unspeakably shallow--and yet they still hold our interest over the course of this three hour film.

The cast is superior, with Marcello Mastroianni's personal charm particularly powerful. As usual with Fellini, there is a lot to look at on the screen: although he hasn't dropped into the wild surrealism for which he was sometimes known, there are quite a few surrealistic flourishes and visual ironies aplenty--the latter most often supplied by the hordes of photographers that scuttle after the leading characters much like cockroaches in search of crumbs. For many years available to the home market in pan-and-scan only, the film is now in a letterbox release that makes it all the more effective. Strongly recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer