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La Dolce Vita (1960)
"La dolce vita" (original title)

 -  Comedy | Drama  -  19 April 1961 (USA)
8.1
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Ratings: 8.1/10 from 38,912 users   Metascore: 93/100
Reviews: 155 user | 101 critic | 12 from Metacritic.com

A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

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(story), (story), 6 more credits »
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Title: La Dolce Vita (1960)

La Dolce Vita (1960) on IMDb 8.1/10

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Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Maddalena (as Anouk Aimee)
Yvonne Furneaux ...
Emma
...
Fanny (as Magali Noel)
Alain Cuny ...
Annibale Ninchi ...
Il padre di Marcello
Walter Santesso ...
...
Robert - marito di Sylvia
Jacques Sernas ...
Il divo
Nadia Gray ...
Nadia
Valeria Ciangottini ...
Paola
Riccardo Garrone ...
Riccardo
Ida Galli ...
Debuttante dell'anno
Audrey McDonald ...
Jane (as Audey McDonald)
Edit

Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The Roman Scandals - Bound to shock with its truth! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| | |

Release Date:

19 April 1961 (USA)  »

Also Known As:

La Dolce Vita  »

Box Office

Gross:

$19,516,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

(Western Electric)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The famous scene in the Trevi Fountain was shot in March, when nights were still cold. According to Federico Fellini (in an interview with Costanzo Costantini), Anita Ekberg stood in the cold water in her dress for hours without any trouble. Marcello Mastroianni, on the other hand, had to wear a wetsuit beneath his clothes, and even that wasn't enough. Still freezing, he downed an entire bottle of vodka, so that he was completely drunk while shooting the scene. See more »

Goofs

In the castle, Marcello lights a match to view some ancestral paintings. A spotlight is used to enhance the light of this match, but does not follow the actor's movements very closely and gives the illusion away. See more »

Quotes

Marcello Rubini: You are the first woman on the first day of creation. You are mother, sister, lover, friend, angel, devil, earth, home.
See more »

Connections

Featured in Reel Radicals: The Sixties Revolution in Film (2002) See more »

Soundtracks

Patricia
Music by Dámaso Pérez Prado and lyrics by Bob Marcus
Performed by Dámaso Pérez Prado
See more »

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User Reviews

life imitates art? art imitates life? a bit of both?
30 November 2004 | by (Dobbs Ferry, NY) – See all my reviews

I just saw a new print of this wonderful film after not having seen it for maybe 20 years and it is still spellbinding. Fellini sums up an era and an attitude here, and succeeds in doing something that ought to be impossible: he makes a full and meaningful film about empty and meaningless lives. Mastroianni seems to have been to Fellini what DeNiro has been to Scorsese--a perfect embodiment of a personal vision. What a wonderful actor he was--brilliant in his youth and in his age. Many other performers are hardly less fine here, and the cinematography and composition are stunning throughout. There are so many indelible images from this film, images that have become iconic over the decades: Ekberg in the Fontana di Trevi, the statue of Christ flying over Rome, the astonishing, candlelit procession at the castle, to name a few. It seems plot less and yet it isn't plot less at all; Marcello's ultimately fruitless search for meaning, a search that he abandons in the end, as he stares across a slight and yet unbridgable abyss on the beach at a lovely young girl who seems to possess the knowledge and understanding that is denied to him. I'm astonished at the number of people who don't get this movie, who seem to think that Fellini expects us to admire the bizarre characters who people the film, or who think that a movie about worthless individuals must be a worthless movie, or who don't seem to understand that movies that are full of what become clichés usually do so because they capture an important vision. Fellini made several exceptional films: 81/2, La Strada, Amarcord, and The Nights of Cabiria come to mind, but La Dolce Vita may be, when all is said and done, his masterwork.


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Message Boards

Recent Posts
poor movie omar_sy
The ENDLESS party scene GiantTurtleBoy
the young blond girl from the restaurant gabypanama
You hated Dolce but loved another Fellini's? svallee-5
Interesting how your views on Marcello's life may change over time... crawsh
The sequence with the father... gustavocec
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