"Meghe Dhaka Tara" tells the tragic story of the beautiful daughter of a middle-class refugee family from East Pakistan, living in the outskirts of Calcutta under modest circumstances. ... See full summary »
The first story is about Nanda, a young man who leaves Calcutta to work as a postmaster in an isolated malaria-infested village. The postmaster is looked after by a young orphan girl, Ratan... See full summary »
After months of unemployment, recent college graduate Somnath enters business as a middleman, but he finds out when success means finding a client's weak spot, the price is more than mere ... See full summary »
Shyamalendu (Barun Chanda) is a successful executive at a fan company where he is expecting a promotion shortly. His life revolves around his work and socialising with colleagues along with... See full summary »
Untouchable shoemender Dukhi comes to the Brahmin's and asks him to arrange his daughter's engagement. The Brahmin belongs to a higher caste. He wants Dukhi to work for him (and for free) ... See full summary »
Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (... See full summary »
"Devi" (Hindi, 1960): Directed by Satyajit Ray, and banned in India until the intercession of Nehru, this is the story of a lovely 17 year old wife, who is suddenly labeled as a "Goddess" (while her husband is absent to complete his final exams in college), due to a dream ("vision") by her father-in-law. What follows is a fascinating, multi-angled look at the transitional Indian culture (and MOST cultures, frankly). Is this any different, any worse, or any more desperate than seeing the face of Jesus in a grilled cheese sandwich or the grain of a wooden door? Is her overnight change in status unique? Are the people who have confused motives, hopelessness, or malleable minds any less vulnerable here and now? The quality of the video copy I viewed was rough a copy of a copy of a copy yet even then, the power of Ray's vision shines through. This is a serious, beautiful, insightful, tragic film. (It has something of a "cousins" relationship to the film "Anchoress".)
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