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The Goddess (1960)
"Devi" (original title)

7.9
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Ratings: 7.9/10 from 868 users  
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Devi focuses on a young woman, who is deemed a goddess when her father-in-law, a rich feudal landlord, envisions her as the Goddess Kali.

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Title: The Goddess (1960)

The Goddess (1960) on IMDb 7.9/10

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Cast

Complete credited cast:
Sharmila Tagore ...
Doyamoyee
Soumitra Chatterjee ...
Umaprasad (as Soumitra Chattopadhyay)
Chhabi Biswas ...
Kalikinkar Roy
Karuna Bannerjee ...
Harasundari (as Karuna Bandyopadhyay)
Purnendu Mukherjee ...
Taraprasad (as Purnendu Mukhopadhyay)
Arpan Chowdhury ...
Khoka, child (as Shriman Arpan Chowdhury)
Rest of cast listed alphabetically:
Anil Bag
Khagesh Chakravarti ...
Kaviraj
Anil Chatterjee ...
Bhudeb (as Anil Chattopadhyay)
Arabinda Kumar Chowdhury
Shanta Devi ...
Sarala
Mohammed Israil ...
Nibaran
Nagendranath Kabyabyakarantirtha ...
Priest
Bholanath Koyal ...
(as Bholanath Kayal)
Anil Mitra
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Storyline

Devi focuses on a young woman, who is deemed a goddess when her father-in-law, a rich feudal landlord, envisions her as the Goddess Kali. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

19 February 1960 (India)  »

Also Known As:

Devi  »

Box Office

Gross:

$93,215 (USA)
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Featured in The Story of Film: An Odyssey: Episode #1.11 (2011) See more »

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User Reviews

 
Perhaps now more relevant than ever
14 January 2014 | by (United Kingdom) – See all my reviews

In 1860's Bengal, wealthy, powerful, yet mentally fragile landowner Kalikinkar (Chhabi Biswas) dreams that his daughter-in-law Doyamoyee (Sharmila Tagore) is the avatar of the Goddess of destruction, Kali. He falls to his knees in front of her, claiming that she embodies the living spirit of the much-feared deity. When his son Umaprasad (Soumitra Chatterjee) returns from Calcutta after his school exams, he is horrified to see that his wife is being worshipped by floods of people that have travelled to pray. He is unable to convince his father of his folly, and Kalikinkar's influence eventually manages to convince Doya herself.

Bengali director Satyajit Ray's sterling film shows the danger of idol worship, and how easy this influence can spread to people in need of escapism. When a dying child is brought to her, the small boy miraculously awakens apparently healed, convincing everyone apart from her husband and the women of the household of Doya's power. The women remain unconvinced, but as Kalikinkar is head of the household, they have no choice but to worship, exposing Indian's heavily matriarchal society, and women's role as the 'Mother'. Kalikinkar refers to Doya as 'mother' before his dream, and a beautiful song is heard from outside, singing of adoration for the mother.

The standout scene of Devi (meaning 'The Goddess') captures Umaprasad's utter horror at the sight of Doya, fitted out like a deity and confused at the new role flung upon her. There is little to no dialogue in the scene, but Ray understands the power of silence in film. As Doya, Tagore is so beautiful that you could almost mistake her for a goddess, and she carries her performance (at aged just 14 at time of filming) with remarkable maturity. As Umaprasad enters the room and sees her for the first time, they converse with their eyes, and Doya gives a simple and subtle shake of the head. With fundamentalism so commonplace amongst most religions these days, Devi is perhaps more relevant than ever, and with that heartbreaking and memorable final shot, still as powerful as it ever was.

www.the-wrath-of-blog.blogspot.com


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