El cochecito (1960)Seventy-something Don Anselmo, a retired minister, becomes obsessed with owning a motorized wheelchair and fakes infirmity to get it. Director:Marco Ferreri |
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El cochecito (1960)Seventy-something Don Anselmo, a retired minister, becomes obsessed with owning a motorized wheelchair and fakes infirmity to get it. Director:Marco Ferreri |
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José Isbert | ... |
Don Anselmo Proharán
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Pedro Porcel | ... |
Carlos Proharán
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José Luis López Vázquez | ... |
Alvarito
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María Luisa Ponte | ... |
Matilde
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Antonio Gavilán | ... |
Don Hilario
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Lepe | ... |
Don Lucas
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Chus Lampreave | ... |
Yolanda
(as María Jesús Lampreave)
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Ángel Álvarez | ... |
Álvarez
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Carmen Santonja | ... |
Julita
(as Mari Carmen Santonja)
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Antonio Riquelme | ... |
Doctor
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María Isbert |
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Jesusa de Castro |
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Antonio Jiménez Escribano |
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Septegenarian Don Anselmo Proharan, a retired government minister, finds himself sharing living space with his son, a penurious, bourgeoisie solicitor and his family. Don Anselmo, a widower, is restricted to one room of the house, and his social life has narrowed to attending wakes, funerals, and visiting the cemetery. When his paraplegic friend Don Lucas, gets a motorized wheelchair, Proharan accompanies him to his wife's grave to leave flowers. Don Anselmo soon becomes obsessed with getting his own "little coach" and joining the subculture of other "cochetito" owners. However when his tight-fisted son refuses to buy one for him, the old man tries several gambits to get one. Written by duke1029@aol.com
Only the fusion of two genius -the director Marco Ferreri and the script writer Rafael Azcona- could have created this magnificent movie. If we add to this duet the acting of Pepe Isbert (possibly one of the best Spanish actors ever) the combination could not have been better. This is a dark movie about characters usually scorned by the society. Characters normally separated by the rest just because they are old or handicapped. All this tension developed between this two poles of the society ends in a brutal and nonsense murder. This chapter of the movie was censored by the Franco´s regime who could not bear such brutality. In any case the result is a dark movie who lets us see how were the darker years of the Spanish recent history.