Seventy-something Don Anselmo, a retired minister, becomes obsessed with owning a motorized wheelchair and fakes infirmity to get it.

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Cast

Cast overview:
José Isbert ...
Pedro Porcel ...
Carlos Proharán
José Luis López Vázquez ...
Alvarito
María Luisa Ponte ...
Matilde
Antonio Gavilán ...
Don Hilario
Lepe ...
Chus Lampreave ...
Yolanda (as María Jesús Lampreave)
Ángel Álvarez ...
Álvarez
Carmen Santonja ...
Julita (as Mari Carmen Santonja)
Antonio Riquelme ...
Doctor
María Isbert
Jesusa de Castro
Antonio Jiménez Escribano
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Storyline

Septuagenarian Don Anselmo Proharan, a retired government minister, finds himself sharing living space with his son, a penurious, bourgeoisie solicitor and his family. Don Anselmo, a widower, is restricted to one room of the house, and his social life has narrowed to attending wakes, funerals, and visiting the cemetery. When his paraplegic friend Don Lucas, gets a motorized wheelchair, Proharan accompanies him to his wife's grave to leave flowers. Don Anselmo soon becomes obsessed with getting his own "little coach" and joining the subculture of other "cochetito" owners. However, when his tight-fisted son refuses to buy a chair for him, the old man tries several gambits to get one. Written by duke1029@aol.com

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Genres:

Comedy | Drama

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Release Date:

29 June 1987 (USA)  »

Also Known As:

The Little Coach  »

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1.66 : 1
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Quotes

Don Hilario: [to Don Anselmo] After all, by the year 2000 no one will use their legs... except soccer players, of course. But everyone else will go around in coaches.
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Connections

Featured in The Story of Film: An Odyssey: European New Wave (2011) See more »

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User Reviews

 
Marco Ferreri debuts for me
26 October 2008 | by (Portland, Oregon, USA) – See all my reviews

"El cochecito" ("The Little Coach" in English) is the first Marco Ferreri movie that I've ever seen. And it's certainly a good one. Ferreri was Italian, but this black comedy is Spanish-made, focusing on an elderly handicapped Madrilenian and his acquaintances. This is one of the only looks that I've had directly into Franco-era Spain (although little if anything focuses on Franco's rule). The protagonist feels ostracized by society, but has some surprises in store for everyone.

So, I don't know if I would call this a great movie. I got the feeling that the content, which did in fact have trouble with the censors, may have influenced Pedro Almodovar. But that's just conjecture, so don't quote me. Either way, a pretty good movie.


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