A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
In the western frontier town of Cross Creek storekeeper George Temple is a polite and soft spoken man with a secret past.When three bank robbers on the lam stop in town to change horses George Temple's past comes back to haunt him.
Crude and uncivilized backwoods trapper Jed Cooper and his two partners sign up as scouts in a remote Oregon army fort, manned chiefly by untrained rookie soldiers. Jed, flirting with the ... See full summary »
A Union ex-officer plans to sell up to Anchor Ranch and move east with his fiancee, but the low price offered by Anchor's crippled owner and the outfit's bully-boy tactics make him think ... See full summary »
Edward G. Robinson
Two friends return home after their discharge from the army after the Civil War. However, one of them has had deep-rooted psychological damage due to his experiences during the war, and as ... See full summary »
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. ... See full summary »
The epic saga of a frontier family, Cimarron starts with the Oklahoma Land Rush on 22 April 1889. The Cravet family builds their newspaper Oklahoma Wigwam into a business empire and Yancey Cravet is the adventurer-idealist who, to his wife's anger, spurns the opportunity to become governor since this means helping to defraud the native Americans of their land and resources. Written by
In the scene where Jessie Rickey is using a letterpress to print "wanted" posters of the Cherokee Kid and his gang, even though he handed a "fresh" copy to Yancey Cravat, he is running the press dry which would yield no printed impressions - on letterpresses of that type, ink would be applied to the lead type with a roller before the paper is laid down to be run through the press. Plus, he is taking the finished copies off and without looking placing them face down - any printer worth his salt would inspect every print for quality before setting it aside. See more »
One of the few pre-1965 westerns with depth, without being preachy
To sum up a in a sentence, this movie is about what happens with a couple in an early pioneer town of Oklahoma, where a man gets to do what he wants and a woman must do what she must. This is one of those movies that, unlike 90% of the "westerns" before the realist period (1965-present), has a lot more realism than one would expect from one produced in 1960. Not only does it depict violent racism, 19th century views on women, wayward youth, etc., it also depicts the nuances prevalent in a man desiring to give up, but incapable of burying, his wanderlust ideals (men are just boys with bigger toys) for the sake of his family. Just when one thinks the plot has died a death of boredom, another wrinkle of interest pushes it's way to the viewing screen provoking an astute viewer's enthusiasm for the story. Cimarron is one of those movies with just enough realism that it is a welcoming bridge from the 1950s 'cowboys & Indians' saccharine period to the ultra-realist, albeit minimalist, "spaghetti" westerns. If one doesn't fall in love (not in an amorous way) with Maria Schell in this movie then they haven't much of a heart anyway. This is a great western-genre movie with lots of characters to care about lovingly or with disdain.
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