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Cimarron (1960)

Approved | | Drama, Western | 24 March 1961 (West Germany)
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0:36 | Trailer

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The Oklahoma Land Run of April 1889 sets the stage for an epic saga of a frontier family and its friends.

Directors:

, (uncredited)

Writers:

(screenplay), (novel)
Reviews
Nominated for 2 Oscars. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Tom Wyatt
...
William Hardy / The Cherokee Kid
...
Mrs. Sarah Wyatt
...
Wes Jennings
...
Sam Pegler
...
Bob Yountis
...
Jesse Rickey (as Henry {Harry} Morgan)
...
Aline MacMahon ...
Mrs. Mavis Pegler
Lili Darvas ...
...
Judge Neal Hefner
...
Mrs. Neal Hefner
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Storyline

The epic saga of a frontier family, Cimarron starts with the Oklahoma Land Rush on 22 April 1889. The Cravet family builds their newspaper Oklahoma Wigwam into a business empire and Yancey Cravet is the adventurer-idealist who, to his wife's anger, spurns the opportunity to become governor since this means helping to defraud the native Americans of their land and resources. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

The Story Of A Man, A Land and A Love! See more »

Genres:

Drama | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 March 1961 (West Germany)  »

Also Known As:

Edna Ferber's Cimarron  »

Box Office

Budget:

$5,421,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

There is a truly excellent Sfx sequence when Glenn Ford runs across the street outside his office to rescue his son from a galloping horse. The proximity of Ford and the little boy to the horse on close inspection reveals a masterful traveling matte which can only be discerned by the fact that the horse's shadow doesn't pass over Ford and the boy and for the very last frames does not seem to touch the ground as it runs by the camera. See more »

Goofs

In the scene where Jessie Rickey is using a letterpress to print "wanted" posters of the Cherokee Kid and his gang, even though he handed a "fresh" copy to Yancey Cravat, he is running the press dry which would yield no printed impressions - on letterpresses of that type, ink would be applied to the lead type with a roller before the paper is laid down to be run through the press. Plus, he is taking the finished copies off and without looking placing them face down - any printer worth his salt would inspect every print for quality before setting it aside. See more »

Connections

Spoofed in Support Your Local Sheriff! (1969) See more »

Soundtracks

Cimarron
Lyrics by Paul Francis Webster
Music by Franz Waxman
Sung by Roger Wagner Chorale (as The Roger Wagner Chorale)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Enjoyable pioneer saga
14 August 2005 | by (London) – See all my reviews

I admit to not having read the book (but will now go to abe.com to find it!) or seen the earlier film, but find it interesting to compare this enjoyable movie with 'Giant'(Stevens, 1956), which incidentally also had Mercedes McCambridge in it, also concerned an essentially ill-matched couple, prejudice, mixed-race marriage, early oil-barons, and also takes in a number of years in which we see the characters grow older.

Unlike the other reviewers here, I did NOT find Maria Schell's accent annoying in the least. She makes a wonderfully believable pioneer (note: the accent is genuine, which also sets her apart from many other Hollywood 'foreigners') and she has a pleasingly natural acting style. She shines beautifully when she is interacting with other women, be it the wildcat and part-time prostitute Anne Baxter in one of the finest scenes of the film (smouldering and feisty but underused I think) or the earthy and magnificent McCambridge, whose subtle but hilarious Southern accent is expertly modulated and a joy to the ear. So many scenes between women in Westerns of this time are somewhat flat and stagey, but I think they're superb here and set this film apart.

Glenn Ford is good, and although the film rather tries to do too much (as does Giant, in my opinion), it's really a fun way to spend a rainy afternoon or even a hot afternoon. Plenty happens along the way and it has something to say.


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