Cimarron (1960)

Director:

Anthony Mann

Writers:

Arnold Schulman (screenplay)
Edna Ferber (novel)

Release Date:

December 1960 (USA)

Genre:

Drama | Western

Tagline:

Story of a VAST and VIOLENT LAND!

Plot:

The epic saga of a frontier family, Cimarron starts with the Oklahoma Land Rush on 22 April 1889. The...

Plot Keywords:

Oklahoma | Newspaper | Hostage | Hanging | Old Flame

Awards:

Nominated for 2 Oscars. Another 1 win

Cast

Glenn Ford	...	Yancey 'Cimarron' Cravat (editor, 'Oklahoma Wigwam')
Maria Schell	...	Sabra Cravat born Venable
Anne Baxter	...	Dixie Lee (owner, Dixie's Social Club)
Arthur O'Connell	...	Tom Wyatt
Russ Tamblyn	...	William Hardy / The Cherokee Kid
Mercedes McCambridge	...	Mrs. Sarah Wyatt
Vic Morrow	...	Wes Jennings (Cherokee Kid gang)
Robert Keith	...	Sam Pegler (owner, 'Oklahoma Wigwam')
Charles McGraw	...	Bob Yountis
Harry Morgan	...	Jessie Rickey (printer) (as Henry {Harry} Morgan)
David Opatoshu	...	Sol Levy (shopkeeper)
Aline MacMahon	...	Mrs. Mavis Pegler
Lili Darvas	...	Felicia Venable (Sabra's mother)
Edgar Buchanan	...	Judge Neal Hefner
Mary Wickes	...	Mrs. Neal Hefner

Also Known As:

Edna Ferber's Cimarron (USA) (complete title)

Runtime:

147 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

4-Track Stereo

Certification:

West Germany:12 (f) | Australia:PG | Finland:K-16 | Sweden:15 | USA:Approved (PCA #19510) | Argentina:13 | UK:U

Filming Locations:

Arizona, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

Director Anthony Mann was fired near the end of filming and replaced by Charles Walters.

Goofs:

Factual errors: In the scene where Jessie Rickey is using a letterpress to print "wanted" posters of the Cherokee Kid and his gang, even though he handed a "fresh" copy to Yancey Cravat, he is running the press dry which would yield no printed impressions - on letterpresses of that type, ink would be applied to the lead type with a roller before the paper is laid down to be run through the press. Plus, he is taking the finished copies off and without looking placing them face down - any printer worth his salt would inspect every print for quality before setting it aside.

Movie Connections:

Referenced in Long Ranger and Tonton (Shooting Stars of the West) (1989)

Soundtrack:

Cimarron

In defense of a much maligned remake

Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.