In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as ... See full summary »
A psychotherapist attempts to rehabilitate a convict in his home after he breaks in. The criminal cooperates rather than being handed over to the police. The therapist's wife becomes ... See full summary »
Hélène, who has just broken up with Raoul, a dentist, lets herself be seduced (though not without great resistance) by the obstinate Serge. Raoul, a modern Don Juan, now focuses on charming... See full summary »
Lucky Jo and his three friends are little criminals, who try to live from small burglaries. But they never have luck - ever so often something inpredictable happens to Jo and gets one of ... See full summary »
Brothers Francis and Douglas Oberon, find themselves cut off from the family fortune by their late grandmother's will. Their distant cousin (once removed), maidservant Antoinette "Toni" ... See full summary »
I'm really surprised that no one commented about this film. "Ce Soir ou Jamais" (Tonight or Never) is an early film by Michel Deville, unfortunately the only Michel Deville film that I've watched. I saw it a long time ago and don't remember much. "Ce Soir ou Jamais" tells the story of a group of young friends (mostly couples) their relationships, their crises. It all culminates in a long party where games are played and feelings explode. The film is "Nouvelle Vague" at its best. The action flows, dialogues are natural, the cinematography and acting are outstanding and Deville doesn't try to reach conclusions or preach morals. We see people with their doubts and their social disguises, in short, life is shown as it is.
Anna Karina is the light that shines in "Ce Soir ou Jamais". She smiles, she dances, she's ecstatic, she's sad, she cries and has nervous breakdowns - all in one. She's a wonderful actress and human being and it's very interesting seeing Anna Karina in a film not directed by Godard.
Anyway this is an excellent film, maybe not an intellectual one. "Ce Soir ou Jamais" could be called perhaps light comedy, but it is in reality a film that makes us think about ourselves and our relationship with the others.
4 of 6 people found this review helpful.
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