Set in the near future, Paula, a leftist writer, goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to... See full summary »
In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a ... See full summary »
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist ... See full summary »
Cellist Gaspard is living in a big house in the country with his son and three nieces. He likes being quiet. One day, his modest car bumps into a Rolls-Royce, driven by Felicia, a young, ... See full summary »
"Les quatre vérités" aka "The Four Truths" is a movie anthology that consists of four segments, all loosely parodying fables from the 17th-century French poet Jean de la Fontaine. The US cut usually features only 3 segments.
A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as ... See full summary »
I'm really surprised that no one commented about this film. "Ce Soir ou Jamais" (Tonight or Never) is an early film by Michel Deville, unfortunately the only Michel Deville film that I've watched. I saw it a long time ago and don't remember much. "Ce Soir ou Jamais" tells the story of a group of young friends (mostly couples) their relationships, their crises. It all culminates in a long party where games are played and feelings explode. The film is "Nouvelle Vague" at its best. The action flows, dialogues are natural, the cinematography and acting are outstanding and Deville doesn't try to reach conclusions or preach morals. We see people with their doubts and their social disguises, in short, life is shown as it is.
Anna Karina is the light that shines in "Ce Soir ou Jamais". She smiles, she dances, she's ecstatic, she's sad, she cries and has nervous breakdowns - all in one. She's a wonderful actress and human being and it's very interesting seeing Anna Karina in a film not directed by Godard.
Anyway this is an excellent film, maybe not an intellectual one. "Ce Soir ou Jamais" could be called perhaps light comedy, but it is in reality a film that makes us think about ourselves and our relationship with the others.
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