After viewing an unusual film about murder and the irony of fate, a man deliberately steps in front of a slow-moving vehicle, planning to use the minor accident which should result as an ... See full summary »
The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with persistent nude swimmers, but even more with his teenage daughter, who's trying to impress her rich ... See full summary »
Louis de Funès,
Il maresciallo Topponi si presenta una mattina nel grande negozio di tessuti del cavalier Pezzella, per un accertamento fiscale. Su consiglio del consulente fiscale, il negoziante tenta di ... See full summary »
The frozen body of Paul Fournier is discovered in Greenland where he had disappeared during a scientific expedition in 1905. Perfectly conserved he is brought back to life in the 1960s. His... See full summary »
Louis de Funès,
Entertaining, colorful romp from a much-filmed source including three versions by distinguished film-makers: in 1929 (directed by Alberto Cavalcanti; available on DVD from Image), 1943 (directed by Abel Gance) and 1990 (directed by Ettore Scola; I actually watched this one some time ago, and I recall it being more of a meditative fantasy on role-playing than the unassuming romantic swashbuckler the 1961 film under review emerges to be!).
Jean Marais looks more at home here than he did in PONTIUS PILATE (1961), which preceded this viewing: he's typically dashing and athletic and, despite being 48 years old, is said to have done all his own stunts. Since the plot revolves around a traveling theatrical troupe and culminates in a revelation which links one of its members to the villain of the piece, it probably influenced Rafael Sabatini's classic "Scaramouche" (itself filmed numerous times, and whose titular figure even makes a fleeting appearance at one point in the film!). This version, then, suffers from generally uninspired handling (it doesn't help that I'm not at all familiar with the director) though the plentiful action sequences are admittedly energetic.
Leading lady Genevieve Grad is decent enough (although the supporting role of the gypsy girl Chiquita, played by Joelle La Tour, is a far more interesting character) and Gerard Barray appropriately slimy as Marais' nemesis. The supporting cast, luckily, features a number of reliable character actors among others, Philippe Noiret, Louis De Funes, Riccardo Garrone (his duel at night with Marais is a definite highlight) and Jean Rochefort; interestingly enough, rather than showing the film's happy ending in full, all four actors are involved in a mocking re-enactment of it!
Finally, however, the film is overlong since we also get too many subplots and contrived situations for instance, Chiquita (who, with her lover, had intended to rob the troupe) and a couple of hired assassins (Garrone and Rochefort) conveniently reform and decide to help in the hero's cause!
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