Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls ... See full summary »

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Nominated for 1 Oscar. Another 1 win & 4 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Larry Hastings
Eddie Foy Jr. ...
J. Otto Prantz
...
Sue
Ruth Storey ...
Gwynne
...
Inspector Barnes
...
Blake Barton
...
Francis
...
Olga
Bernard West ...
Dr. Joe Kitchell (as Bernie West)
Steve Peck ...
Gangster (as Steven Peck)
Gerry Mulligan ...
Ella's Blind Date
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Storyline

Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls "Mom." Written by Will Gilbert

Plot Summary | Add Synopsis

Taglines:

The screen is singing M.G.M. is bringing Broadway's Bell-Ringer of a Musical to the World!


Certificate:

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Details

Country:

Language:

|

Release Date:

14 November 1960 (Sweden)  »

Also Known As:

Esta rubia vale un millón  »

Box Office

Budget:

$2,203,123 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print) (copyright length)

Sound Mix:

(Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Judy Holliday recreated her Broadway role as Ella Peterson. Others who recreated their Broadway roles in the movie were Jean Stapleton as Sue, Dort Clark as Inspector Barnes, Bernard West as Dr. Joe Kitchell and Doria Avila as Carl. The original Broadway production opened at the Shubert Theater (moving later to the Alvin Theater) on November 29, 1956 and played for 924 performances through March 7, 1959. The musical was nominated for the 1957 Tony Award for Best Musical. See more »

Goofs

When Ella first visits Jeff's apartment, she produces a cup of coffee from her purse despite that she dropped the purse to the floor after first seeing him. Also, the purse gets caught on Jeff's feet when he rolls over to go back to sleep and falls to the floor a second time. See more »

Quotes

Ella: I'm in love with a man - Plaza Oh- Double four- Double Three. What a perfect relationship - I can't see him, he can't see me!
See more »

Crazy Credits

Joan Staley in the credits as " Blonde in Susanswerphone Ad". See more »

Connections

Referenced in Studio 60 on the Sunset Strip: The Long Lead Story (2006) See more »

Soundtracks

Better Than a Dream
(1956) (uncredited)
Music by Jule Styne
Lyrics by Betty Comden and Adolph Green
Performed by Judy Holliday and Dean Martin
See more »

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User Reviews

Happy Holliday
26 October 2000 | by See all my reviews

Made late in the cycle of great MGM musicals, with the reliable producer-director combo of Arthur Freed and Vincente Minnelli, this is a fairly clunky adaptation of a Broadway hit. Despite some location filming, it looks stagebound, and the stylized playing and jerrybuilt musical-comedy plot look false as hell. Some excellent musical numbers from the original are badly truncated or left out entirely, and what's left is grotesquely over-orchestrated. One senses that Minnelli, in particular, didn't trust the material--look at how quickly he dispenses with the "Mu-Cha-Cha" number, seemingly embarrassed by its musical-comedy silliness--and the supporting cast seems to be playing to the second balcony.

That's the bad news; now we get, thank heaven, to Judy Holliday. Having played this part on Broadway for two years and toured with it longer, she looks amazingly spontaneous. Given her health problems at the time, she looks happy and healthy. And while we can't expect to experience her legendary warmth and charisma as stage audiences did, it's an incomparable performance. Every reaction, every inflection, every seemingly improvised movement rings true and lends depth and poignancy to a paper-thin character traipsing around in a contrived plot. What a lesson for any young actor in transforming everyday material into something memorable. My favorite moment comes early, when she's reclining on a sofa and looks up dreamily and starts singing, a capella and with perfect naturalism, "I'm in love..." I'm in love, too, Judy. We miss you.


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