Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls ...
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Gladys Glover has just lost her modelling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on ... See full summary »
In order to get back into the good graces with his wife with whom he has had a misunderstanding, a young chemistry professor concocts a wild story that he is an undercover FBI agent. To ... See full summary »
In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
At an exclusive psychiatric clinic, the doctors and staff are about as crazy as the patients. The clinic head, Dr. Stewart McIver, thinks that it would be good therapy for his patients to ... See full summary »
Writer Nick and his wife Emily are expecting their first child. When a necessary home repair proves too costly to afford, Nick must swallow his pride and visit his father, a proud immigrant... See full summary »
Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls "Mom." Written by
Sydney Chaplin won the 1957 Tony Award (New York City) for Supporting or Features Actor in a Musical for "Bells are Ringing" for his portrayal of Jeff Moss. See more »
During the "gathering of the bookies" scene in a basement, Eddie Foy Jr.'s speech is backed up with the hissing of steam and the clinking of pipes. As soon as the pre-recording of "A Simple Little System" begins, all vestiges of the hissing of steam and the clinking of pipes miraculously cease until the final fade-out. See more »
I'm in love with a man - Plaza Oh- Double four- Double Three. What a perfect relationship - I can't see him, he can't see me!
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Joan Staley in the credits as " Blonde in Susanswerphone Ad". See more »
A Mediocre Musical That I Would Still Recommend Seeing
First, let me say that I am a fan of Judy Holliday. She displays her broad array of talents in this film, but that is about all this film has going for it. See "Born Yesterday" for a vehicle that better uses her abilities. In that movie, Judy's romantic interest was William Holden, and the chemistry was there. In "Bells are Ringing" her romantic interest is Dean Martin. I felt no magnetism between the two. And I felt that he was unsuited for this role. It was interesting that Dean's character, a writer named Jeffrey Moss, was afraid of failure in the wake of losing his former partner, with whom he had success. Dean himself was only 3 years beyond his split with Jerry Lewis, and must have wondered--at first--if he could duplicate the tremendous successes they had as a team.
Jeffrey Moss, when we first meet him, is in his bachelor flat, surrounded by used glasses, presumably used for alcohol consumption. And he has three cigarettes smoking at the same time. He is obviously used to drinking around the clock and seems to have little if any genuine affection for the numerous women in his life. He is a writer frozen with fear of failure and looks to be on the road to achieving that end.
The concept that Ella, played by Judy, interjects herself into his life and becomes his muse is a good one. But their relationship works only on that professional level. No sparks ensue. Martin's character did not even seem to know anything about Ella, let alone have any deep feelings for her as a woman.
The story itself is very dated, but interesting because of that. The conventions of 1960 as sometimes funny, sometimes ridiculous. Note that the men from Vice equate modeling and a red dress with prostitution, though film standards prevent them from using that word. New York City is caricatured as an emotionally cold city, where buildings from the past are destroyed to make way for buildings of steel and neon lights. It was probably totally believable because it was partially true.
I noted the movie sign for "Gigi", which--like this film--was an Arthur Freed production.
Frank Gorshin got to use his Brando impersonation, delightfully, in his role as the aspiring actor Blake Barton.
Some of the off-screen voices that Ella converses with sound like they could have been voiced by Judy herself.
I thought I detected similarities to "Guys and Dolls" (1955) and "Li'l Abner" (1959)), which is no criticism, just an observation. And Judy's performance makes me wonder if Streisand ("Funny Girl" in 1965) might have seen her performance.
I read elsewhere online that one viewer thought the dance in the park by Martin and Holliday was the best part of the film. For me, the number was painful to watch, in part due to their lack of emotional attachment, in part because it seemed so contrived.
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