Bells Are Ringing (1960)

Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls ... See full summary »

Director:

Vincente Minnelli

Writers:

Betty Comden (screenplay), Adolph Green (screenplay),

Stars:

Judy Holliday, Dean Martin, Fred Clark

Nominated for 1 Oscar. Another 1 win & 4 nominations.

Cast

Complete credited cast:
Judy Holliday	...	Ella Peterson
Dean Martin	...	Jeffrey Moss
Fred Clark	...	Larry Hastings
Eddie Foy Jr.	...	J. Otto Prantz
Jean Stapleton	...	Sue
Ruth Storey	...	Gwynne
Dort Clark	...	Inspector Barnes
Frank Gorshin	...	Blake Barton
Ralph Roberts	...	Francis
Valerie Allen	...	Olga
Bernard West	...	Dr. Joe Kitchell (as Bernie West)
Steve Peck	...	Gangster (as Steven Peck)
Gerry Mulligan	...	Ella's Blind Date

Storyline

Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls "Mom."

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Plot Keywords:

playwright | answering service | writer's block | police surveillance | makeover | 

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Genres:

Comedy | Musical | Romance

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Details

Country:

USA

Language:

English French

Release Date:

14 November 1960 (Sweden)

Also Known As:

Det ringer, det ringer

Filming Locations:

East Village, Manhattan, New York City, New York, USA

Box Office

Budget:

$2,203,123 (estimated)

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

126 min 126 min (Turner library print) (copyright length)

Sound Mix:

4-Track Stereo (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

A song written for the picture, "My Guiding Star" (music by Jule Styne, lyrics by Betty Comden and Adolph Green), sung by Dean Martin, was deleted. The vocal as filmed still exists and is featured on the DVD from Warner Home Video.

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Goofs

When Jeffrey cleans a spot on the mirror, his left hand is leaning on the wall next the mirror. In the following shot his left arm is by his side.

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Quotes

Ella: I'm going back where I can be me, at the Bonjour Tristese Brassiere Company!

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Connections

Featured in 100 Years of Comedy (1997)

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Soundtracks

"It's a Perfect Relationship"
(1956) (uncredited)
Music by Jule Styne
Lyrics by Betty Comden and Adolph Green
Performed by Judy Holliday

User Reviews

Happy Holliday

Made late in the cycle of great MGM musicals, with the reliable producer-director combo of Arthur Freed and Vincente Minnelli, this is a fairly clunky adaptation of a Broadway hit. Despite some location filming, it looks stagebound, and the stylized playing and jerrybuilt musical-comedy plot look false as hell. Some excellent musical numbers from the original are badly truncated or left out entirely, and what's left is grotesquely over-orchestrated. One senses that Minnelli, in particular, didn't trust the material--look at how quickly he dispenses with the "Mu-Cha-Cha" number, seemingly embarrassed by its musical-comedy silliness--and the supporting cast seems to be playing to the second balcony.

That's the bad news; now we get, thank heaven, to Judy Holliday. Having played this part on Broadway for two years and toured with it longer, she looks amazingly spontaneous. Given her health problems at the time, she looks happy and healthy. And while we can't expect to experience her legendary warmth and charisma as stage audiences did, it's an incomparable performance. Every reaction, every inflection, every seemingly improvised movement rings true and lends depth and poignancy to a paper-thin character traipsing around in a contrived plot. What a lesson for any young actor in transforming everyday material into something memorable. My favorite moment comes early, when she's reclining on a sofa and looks up dreamily and starts singing, a capella and with perfect naturalism, "I'm in love..." I'm in love, too, Judy. We miss you.