Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls ... See full summary »
After eight years of marriage, Robert and Nina divorce. He takes up with his womanising Navy buddy Charlie Nelson while she looks to her interfering mother for guidance. Both start dating ... See full summary »
Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the good times they have had hoping that the ... See full summary »
Captain Wade Hunnicutt is the wealthiest and most powerful citizen in his Texan town; he is also a notorious womanizer, which has turned his wife Hannah against him. She has brought up ... See full summary »
In order to get back into the good graces with his wife with whom he has had a misunderstanding, a young chemistry professor concocts a wild story that he is an undercover FBI agent. To ... See full summary »
In this musical-comedy, Dean Martin plays an American hotel mogul who becomes smitten with a young Italian woman (Anna Maria Alberghetti) when buying a hotel in Rome. To marry this gal, he has to get her three older sisters married off.
Anna Maria Alberghetti,
Tom Lee is a sensitive boy of 17 whose lack of interest in the "manly" pursuits of sports, mountain climbing and girls labels him "sister-boy" at the college he is attending. Head master ... See full summary »
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing ... See full summary »
Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls "Mom." Written by
The building that housed the phone answering service was a unique old building that was the only one on the block. Steven Spielberg used it 25 years later for the setting of *batteries not included (1987) which was supposedly owned by the only holdout in the middle of a construction project. See more »
When Jeffrey cleans a spot on the mirror, his left hand is leaning on the wall next the mirror. In the following shot his left arm is by his side. See more »
I'm going back where I can be me, at the Bonjour Tristese Brassiere Company!
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Since the play, "Laurette," was never realized, the movie version of "Bells are Ringing" serves as Judy Holliday's "final" performance.
It's to her credit that she comes off as well as she does. The film is extremely stagey, and looks contrived and bloated, despite a most competent cast and director.
Yet Holliday is buoyant, full of fun, and energetic--all hallmarks of her theatrical persona.
I've read Holliday's complete bio, and am amazed she was able to overcome the tremendous obstacles she endured, from her sad childhood and family relationship through the communist "witch hunt" period--which left her saddled with protest pickets that followed her around--to failed marriages, lack of employment, and care giving responsibilities for her child and parent. All the while working wherever she could and keep smiling.
In many respects her career is quite similar to that of Montgomery Clift. Both apparently gave their best work on the stage, night after night before live audiences, rather than on film. Had both stayed in the theatre, their respective careers and lives might have remained more stable and healthy--and be alive today.
"Bells are Ringing" is a final tribute to a great talent, an Oscar-winning actress and comedienne who graced the stage and screen with a radiant presence and winning demeanor. Fortunately, as long as her films are shown, Judy Holliday will live and be rediscovered by future generations.
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