| Jerry Lewis | ... | Stanley / Himself | |
| Alex Gerry | ... | Mr. Novak, Hotel Manager | |
| Bob Clayton | ... | Bob, Bell Captain | |
| Sonnie Sands | ... | Sonnie, Bellboy (as Sonny Sands) | |
| Eddie Shaeffer | ... | Eddie, Bellboy | |
| Herkie Styles | ... | Herkie, Bellboy | |
| David Landfield | ... | David, Bellboy | |
| Bill Richmond | ... | Stan Laurel | |
| Larry Best | ... | Apple Man | |
| Cary Middlecoff | ... | Himself | |
| Art Terry | ... | Himself (as The Novelites) | |
| Frankie Carr | ... | Himself (as The Novelites) | |
| Joe Mayer | ... | Himself (as The Novelites) | |
| Stanley Allan | ... | Hotel Guest | |
| Duke Art Jr. | ... | Minor Role | |
| Eddie Barton | ... | Doorman | |
| Murray Barton | ... | Murray - Bellboy | |
| Howard Brooks | ... | Minor Role | |
| Ricki Dunn | ... | Hotel Guest | |
| Jack Durant | ... | Ferdinand Manville | |
| Jimmy Gerard | ... | Man Fighting with Wife in Lobby | |
| Matilda Gerard | ... | Woman Fighting with Husband in Lobby | |
| Paul Gray | ... | Paul - Assistant Manager | |
| H.S. Gump | ... | Gangster | |
| Jack Henkins | ... | Hotel Guest | |
| Elise Jayne | ... | Miss Winkley | |
| Dick Lynn | ... | Desk Clerk (as Dick Lynne) | |
| Pat Mack | ... | Thin Mrs. Hartung | |
| John G. Morgan | ... | Hotel Guest | |
| Larry K. Nixon | ... | Bell Captain Who Tells About the Union Meeting | |
| B.S. Pully | ... | Steve - Head Gangster | |
| Guy Rennie | ... | Mr. Carter | |
| Max 'Slapsie Maxie' Rosenbloom | ... | Maxie - Gangster (as Maxie Rosenbloom) | |
| Benny Ross | ... | Hotel Guest | |
| Joe E. Ross | ... | Joey, Gangster | |
| Frankie Scott | ... | Hotel Guest | |
| Roy Sedley | ... | Mr. Sedley - Man with Sunburn | |
| Sammy Shore | ... | Hotel Guest | |
| Sarah Smith | ... | Fat Mrs. Hartung | |
| Art Stanley | ... | Bell Captain | |
| Hal Winters | ... | Hal - Desk Clerk | |
| Mike Letz | ... | Gangster Bodyguard (as Mike Zetz) | |
| rest of cast listed alphabetically: | |||
| Milton Berle | ... | Himself / Bellboy (uncredited) | |
| Bobby Byron | ... | Texan (uncredited) | |
| Sheila Caplan | ... | Autograph Hound (uncredited) | |
| Ron Corsi | ... | Autograph Hound (uncredited) | |
| Alberta Dee | ... | Autograph Hound (uncredited) | |
| Isobel Elsom | ... | Hotel Guest (uncredited) | |
| Leon Fields | ... | Leon - Member of Entourage (uncredited) | |
| Paul Gerard | ... | Hotel Guest (uncredited) | |
| Tilly Gerrard | ... | Fighting Woman (uncredited) | |
| Ernest D. Glucksman | ... | Herman (uncredited) | |
| Sid Gould | ... | Gin Player (uncredited) | |
| Paul Grayson | ... | Hotel Guest (uncredited) | |
| Jay W. Jensen | ... | Hotel Guest (uncredited) | |
| Jack Keller | ... | Golfer - Cary Middlecoff's Opponent (uncredited) | |
| Jack Kruschen | ... | Jack E. Mulcher, President of Paramount Pictures (uncredited) | |
| Bill Matuza | ... | Autograph Hound (uncredited) | |
| Del Moore | ... | Golf announcer (voice) (uncredited) | |
| Ben Novak | ... | Owner of Fontainebleau Hotel (uncredited) | |
| Danny Rogers | ... | Gin Player (uncredited) | |
| Bartley Shank | ... | Golf announcer (voice) (uncredited) | |
| Walter Winchell | ... | Narrator (uncredited) (voice) | |
| Ned Wynn | ... | Bellhop (uncredited) | |
| Sam Younghans | ... | Desk Clerk (uncredited) | |
Directed by | |||
| Jerry Lewis | |||
Writing credits | ||
| Jerry Lewis | (written by) | |
Produced by | |||
| Ernest D. Glucksman | .... | associate producer | |
| Jerry Lewis | .... | producer | |
Original Music by | |||
| Walter Scharf | |||
Cinematography by | |||
| Haskell B. Boggs | (director of photography) (as Haskell Boggs) | ||
Film Editing by | |||
| Stanley E. Johnson | (as Stanley Johnson) | ||
Art Direction by | |||
| Henry Bumstead | |||
| Hal Pereira | |||
Set Decoration by | |||
| Robert R. Benton | (as Robert Benton) | ||
| Sam Comer | |||
Makeup Department | |||
| Jack Stone | .... | makeup supervisor | |
| Wally Westmore | .... | makeup supervisor | |
Production Management | |||
| William Davidson | .... | production manager (as Bill Davidson) | |
Second Unit Director or Assistant Director | |||
| Ralph Axness | .... | assistant director | |
| James A. Rosenberger | .... | second unit director (as James Rosenberger) | |
| Maurice Lessay | .... | assistant director (uncredited) | |
| William R. Poole | .... | assistant director (uncredited) | |
| Larry Powell | .... | assistant director (uncredited) | |
Art Department | |||
| John Jensen | .... | sketch artist | |
Sound Department | |||
| Charles Grenzbach | .... | sound recordist | |
| Gene Merritt | .... | sound recordist | |
| Howard Beals | .... | supervising sound editor (uncredited) | |
| John Smirch | .... | mike grip (uncredited) | |
Special Effects by | |||
| Douglas Pettibone | .... | special effects propmaker (uncredited) | |
Visual Effects by | |||
| John P. Fulton | .... | special photographic effects | |
Stunts | |||
| Hal Bell | .... | stunt double: Jerry Lewis (uncredited) | |
Camera and Electrical Department | |||
| Bruce Denney | .... | video assist operator (uncredited) | |
| Bud Fraker | .... | still photographer (uncredited) | |
| Bernard P. Keever | .... | best boy grip (uncredited) | |
| Howard Kelly | .... | gaffer (uncredited) | |
| Lewis Kirkpatrick | .... | rigging best boy electric (uncredited) | |
| James Knott | .... | camera operator (uncredited) | |
| Bob Mundell | .... | rigging gaffer (uncredited) | |
| Walter Newman | .... | key rigging grip (uncredited) | |
| Dave Perry | .... | electrician (uncredited) | |
| Glen E. Richardson | .... | still photographer (uncredited) | |
| Herbert Romey | .... | grip (uncredited) | |
| Gus Ryden | .... | camera loader (uncredited) | |
| Joe Schuster | .... | best boy electric (uncredited) | |
| Jack Sherman | .... | rigging grip (uncredited) | |
| Darrell Turnmire | .... | key grip (uncredited) | |
| Buck Walters | .... | dolly grip (uncredited) | |
| Paul Weddell | .... | assistant camera (uncredited) | |
| Paul Whitson | .... | generator operator (uncredited) | |
Casting Department | |||
| Edward R. Morse | .... | casting: Hollywood | |
| Wally Wanger | .... | casting: Miami | |
Costume and Wardrobe Department | |||
| John A. Anderson | .... | wardrobe: men (as John Anderson) | |
| Pat Barto | .... | wardrobe supervisor: women | |
| Sy Devore | .... | wardrobe: men, Hollywood | |
| Mickey Hayes | .... | wardrobe: men, Miami | |
| Grace Harris | .... | wardrobe: women (uncredited) | |
Editorial Department | |||
| Herman Freedman | .... | assistant editor (uncredited) | |
| Jack Harnish | .... | assistant editor (uncredited) | |
Music Department | |||
| Nick Castle | .... | stager: musical numbers | |
| Walter Scharf | .... | conductor | |
| Jack Hayes | .... | orchestrator (uncredited) | |
| Jerry Lewis | .... | composer: theme song (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
| Van Cleave | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Al Latta | .... | transportation coordinator (uncredited) | |
| Russ Welch | .... | driver (uncredited) | |
Other crew | |||
| Claire Behnke | .... | script supervisor | |
| Arthur P. Schmidt | .... | assistant to producer | |
| Marvin Weldon | .... | dialogue coach | |
| Russ Brown | .... | technical supervisor (uncredited) | |
| Rita Dillon | .... | production secretary (uncredited) | |
| Marvin Levy | .... | physician: Mr. Lewis (uncredited) | |
| Homer Mendenhall | .... | dailies projectionist (uncredited) | |
| Jim Merrick | .... | unit publicist (uncredited) | |
| Carl Skelton | .... | production accountant (uncredited) | |
| Doris Turner | .... | secretary: Mr. Lewis (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Jerry Lewis wrote, produced, directed, and stars in this collection of skits centering around a put-upon bellhop at a Miami Beach hotel. Having just completed "Cinderfella" for a mid-year release, Lewis suggested to Paramount Pictures they hold off showing that film until Christmas and gave them this one in its place (put together in near-record time). Short and relatively painless, the film benefits from Haskell Boggs' sharp black-and-white cinematography, Walter Scharf's bright score, and of course the snazzy locale. Lewis, making his directorial debut, smoothly segues from one sight-gag to the next, and his low-key performance is actually one of his best. **1/2 from ****