Albert is an inn owner who vowed never to drink again if he and his wife survived the war. They did, and the reformed alcoholic keeps his vow. But times have changed and soon after the war,... See full summary »
"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from ... See full summary »
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre ... See full summary »
At 73, France's ex-president, Emile Beaufort, faces declining health, but he still plays a vigorous role behind the scenes as a philosopher and, potentially, as a power broker. In ... See full summary »
Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various ... See full summary »
Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy ... See full summary »
Saw this 8/26/15 in an unsubtitled version in French. Gabin offers a memorable take on aging aristocracy in a film released the same year as "Breathless". But where Godard's movie delights in the tacky, demotic, and the just plain sloppy, Gabin's baron never loses sight of who he is and what he stands for, whether mixing with cunning rustics after his boat breaks down (thus the title) or winning at the tables at Deauville. The baron is everything Melville's Bob Le Flambeur dreams of becoming at a similar stage of life. The machinery of the script hums along nicely, and it would be hard to ask for a more able cast Micheline Presle, Blanchette Brunoy, Jean Desailly, with the operation ably helmed by Jean Delannoy. The version I saw was clear, the photography evocative of a time and place long gone. Then again, that last comment applies to every aspect of the movie, a cinematic artifact I am grateful to have seen. Jean Gabin's Hollywood phase did not last too long, but it did give us his English language performance as Bobo in 1942's "Moontide". Micheline Presle made an impression on me when I saw her in "Les Jeux Sont Faits" (1947), scripted by Jean-Paul Sartre and directed by Delannoy.
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