The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked on "Stars and Stripes" when he met Marion and Helen. He would marry and be happy ... See full summary »
Beautiful Gloria Wandrous, a New York fashion model engages in an illicit affair with married socialite Weston Liggett. However, Gloria's desire for respectability causes her to reconsider her lifestyle. Written by
Before Elizabeth Taylor could start Cleopatra (1963) for a $1 million salary, she was legally bound to finish her MGM contract by doing this film, which she hated, for her standard $125,000 salary. See more »
During the car chase scene at the end, there are cars driving behind Liggett, visible through the rear window from inside the car. When the shot changes to a view of both cars on the highway, there is no-one behind him. See more »
Call girl Elizabeth Taylor (playing Gloria Wandrous-!!) pines for love in this glossy, empty claptrap from John O'Hara's flimsy novel. Lots of bitchy banter, a neon-lit love clinch, but no real characters and not much interest beyond the rather tacky glamor. The movie does begin well, with an elongated opening set-up featuring Liz leaving a married man's apartment, taking a mink and scrawling a missive on the mirror. But the film is so poky and lethargic, and Taylor looks so sleepy, that one waits in vain for the director to shake off the cobwebs. Even sleepier is Eddie Fisher, in a confusingly written role as Liz's...what? guy-pal? For those who stick with it, the ending has to be seen to be believed. Taylor surely didn't buy it, not even when she won the Best Actress Oscar (everyone knew it was because she had been so sick). *1/2 from ****
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