The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
In 19th century England, captain George Brummell is an upper-class dandy. He has to leave the army after having insulted the crown prince. This gives him the opportunity to start a smear ... See full summary »
The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
Beautiful Gloria Wandrous, a New York fashion model engages in an illicit affair with married socialite Weston Liggett. However, Gloria's desire for respectability causes her to reconsider her lifestyle. Written by
Average Shot Length = ~11.3 seconds. Median Shot Length = ~10.8 seconds. See more »
In the scene where Legget is Trap Shooting with his wife Emily, it is evident that she is unfamiliar with loading a shotgun. Emily can be seen loading another shotgun shell into the chamber of a Remmington shot gun with the brass forward, opposite the way a shotgun shell is loaded. In simple terms, backwards. See more »
Call girl Elizabeth Taylor (playing Gloria Wandrous-!!) pines for love in this glossy, empty claptrap from John O'Hara's flimsy novel. Lots of bitchy banter, a neon-lit love clinch, but no real characters and not much interest beyond the rather tacky glamor. The movie does begin well, with an elongated opening set-up featuring Liz leaving a married man's apartment, taking a mink and scrawling a missive on the mirror. But the film is so poky and lethargic, and Taylor looks so sleepy, that one waits in vain for the director to shake off the cobwebs. Even sleepier is Eddie Fisher, in a confusingly written role as Liz's...what? guy-pal? For those who stick with it, the ending has to be seen to be believed. Taylor surely didn't buy it, not even when she won the Best Actress Oscar (everyone knew it was because she had been so sick). *1/2 from ****
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