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L'Avventura (1960)

L'avventura (original title)
Not Rated | | Drama, Mystery | 4 March 1961 (USA)
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A woman disappears during a Mediterranean boating trip. During the search, her lover and her best friend become attracted to each other.

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(story), (screenplay) | 2 more credits »
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Nominated for 2 BAFTA Film Awards. Another 6 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Giulia
Renzo Ricci ...
Anna's Father
James Addams ...
Corrado
Dorothy De Poliolo ...
Gloria Perkins
Lelio Luttazzi ...
Raimondo
Giovanni Petrucci ...
Prince Goffredo
Esmeralda Ruspoli ...
Patrizia
Enrico Bologna
Jack O'Connell ...
Old man on the island
Franco Cimino
Prof. Cucco ...
Ettore
Giovanni Danesi
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Storyline

A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find Anna, the main character up to this point, has gone missing. Sandro, Anna's boyfriend, and Claudia, Anna's friend, try without success to find her. While looking for the missing friend, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, and all but forget about the missing Anna. Written by Dork <tkarapit@gpu.srv.ualberta.ca>

Plot Summary | Add Synopsis

Taglines:

A new adventure in filmmaking...

Genres:

Drama | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Language:

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Release Date:

4 March 1961 (USA)  »

Also Known As:

L'Avventura  »

Company Credits

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Technical Specs

Runtime:

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Sound Mix:

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

During its notorious first showing at Cannes, one scene in particular drew specific derision. It is the scene when Monica Vitti rushes down a corridor looking for someone. Audience members were repeatedly shouting "Cut" during this lengthy scene. See more »

Goofs

During the sequence in which Sandro and the newspaper reporter cross a street, the shadows of the camera and the crew are clearly and prolongedly visible on the actors and on the street surface. See more »

Quotes

Patrizia: Do you like scuba diving?
Raimondo: I simply loath it, yet I must conform, what can you do?
See more »

Connections

Referenced in The Bourne Identity (2002) See more »

Soundtracks

Mai
(uncredited)
Performed by Mina
[sung along to by Monica Vitti]
See more »

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User Reviews

The "Adventure" of Existence
17 April 2000 | by (Out there in the dark) – See all my reviews

Just looking over the other comments on this page gives an indication of how rich yet elusive this masterpiece of Antonioni is. The seemingly limitless number of interpretations and reactions the film elicits are testimony to its success in conveying its theme. For Antonioni, life is an "adventure" a quest for identity and meaning.

It is no accident that the initial group of characters seem to forget all about their friend who suddenly vanishes on a barren volcanic island. The unexpected absence seems to open a void of speculation, which the balance of the film proceeds to explore.

It should always be remembered that the VISUAL aspect in Antonioni is as important as the verbal; and, often, it is more important. The characters continuously gaze at a landscape, run their hands along a rock or some other surface as if trying to see or feel what is under the veneer. There is something almost Eastern in Antonioni's aesthetic. His films seem to view the material world as an enormous surface illusion. People, the director has said, have lost touch with their true origin, as part of the natural world. Large cities and technology have cut us off, and isolated us from nature. The modern individual is constantly in search of a primal connection. This explains the preoccupation with sex in some characters, something Antonioni calls "serial monogamy". Since sexuality, as Huxley has said, is the only remaining link to the mystery of life, humans turn more and more to it as their world achieves greater sophistication and technological advancement.

Were Antonioni not an artist, such speculations could be either dull or off-putting. But through a poetic use of image and spare dialogue, he creates a world of strangely compelling and sympathetic characters. The viewer is compelled along with them on their "avventura".

In addition, this film makes beautiful case for black and white cinematography.




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