Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find Anna, the main character up to this point, has gone missing. Sandro, Anna's boyfriend, and Claudia, Anna's friend, try without success to find her. While looking for the missing friend, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, and all but forget about the missing Anna. Written by
The rocky Aeolian island on which the first portion of the film was made - its name is Lisca Bianca - didn't have electricity or running water and was subject to violent weather, including a tornado. At one point, the crew found themselves completely stranded on the island. See more »
During the sequence in which Sandro and the newspaper reporter cross a street, the shadows of the camera and the crew are clearly and prolongedly visible on the actors and on the street surface. See more »
Giulia is like Oscar Wilde. Give her all the luxuries and she will manage without the little necessities.
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The circular story, the emphasis on isolation and futility, and the symbolic use of Sicilian landscape returned with greater strength in "L'Avventura," the first film in a free trilogy ("La Notte" and "L'Eclisse" followed) about restless, disillusioned unhappy women and sensitive, unreliable, soft men...
Some way into the movie and without a careful explanation, a central affluent character disappears without a trace from a yachting trip... Few of the group of socialiteswealthy, elegant, boredcome in sight bothered by what has occurred, and while the girl's neglectful sweetheart and her best friend (Monica Vitti) pair off in a search around a remote, uninhabited island, they embark on a spontaneous exciting intimacy
The story is simple, but the greatness of the film, however, is in two parts... First, it analyzes the psychology of the two main characters in keen and penetrating yet doubtful tones... Second, unconcerned with the reasons for the girl's unexpected disappearance, Antonioni instead concentrates on the moral discomfort that drives forward their closest knowledge to betray her memory...
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