Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find Anna, the main character up to this point, has gone missing. Sandro, Anna's boyfriend, and Claudia, Anna's friend, try without success to find her. While looking for the missing friend, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, and all but forget about the missing Anna. Written by
At its premiere at the 1959 Cannes Film Festival, this was booed so much to the extent that Michelangelo Antonioni and Monica Vitti fled the theater. However, after the second screening there was a complete turn around in how it was perceived and it was awarded the Special Jury Prize, going on to become a landmark of European cinema. See more »
During the sequence in which Sandro and the newspaper reporter cross a street, the shadows of the camera and the crew are clearly and prolongedly visible on the actors and on the street surface. See more »
Giulia is like Oscar Wilde. Give her all the luxuries and she will manage without the little necessities.
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I know, I know, I just didn't "get" it. That's always the line of apologists for movies that lie there like 3 day old fish. I don't fall for it myself.
The movie is great to look at, and there are some good performances and interesting sequences, but it doesn't add up to a good movie.
Problem numero uno--it's a movie about bored people which does not completely avoid the trap of being dull as a consequence.
Problem numero due--the people are conflicted and restless and troubled, but almost totally unable to convey their thoughts or feelings. This comes to have the effect of severing the viewer's interest in said people. Claudia remains the most interesting because she is really the only person who seems alive and responsive to the moment, but she is not enough to make the movie a good one.
Problem numero tre--there is no there there. Every positive review I have seen of this film involves the reviewer bringing most of the refreshments to the party, then saying it is a great celebration. It's nice to be delighted with one's own cleverness in "helping" a movie by filling in all the many missing elements, but that's no reason to tell other people it's a great movie. It is not all up there on the screen. I am not averse to bringing my participation to the movie experience, but I don't expect a movie to be like MadLibs in which I am expected to supply all the verbs.
So, a much anticipated "classic" that disappoints; that's my review.
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