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L'Avventura (1960)
"L'avventura" (original title)

 -  Drama | Mystery  -  4 March 1961 (USA)
7.9
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Ratings: 7.9/10 from 14,029 users  
Reviews: 89 user | 80 critic

A woman disappears during a Mediterranean boating trip. But during the search, her lover and her best friend become attracted to each other.

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(story), (screenplay), 2 more credits »
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Title: L'Avventura (1960)

L'Avventura (1960) on IMDb 7.9/10

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Nominated for 2 BAFTA Film Awards. Another 6 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Dominique Blanchar ...
Giulia
Renzo Ricci ...
Anna's Father
James Addams ...
Corrado
Dorothy De Poliolo ...
Gloria Perkins
Lelio Luttazzi ...
Raimondo
Giovanni Petrucci ...
Prince Goffredo
Esmeralda Ruspoli ...
Patrizia
Jack O'Connell ...
Old man on the island
Angela Tommasi Di Lampedusa ...
The Princess
Franco Cimino
Prof. Cucco ...
Ettore
Giovanni Danesi
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Storyline

A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find Anna, the main character up to this point, has gone missing. Sandro, Anna's boyfriend, and Claudia, Anna's friend, try without success to find her. While looking for the missing friend, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, and all but forget about the missing Anna. Written by Dork <tkarapit@gpu.srv.ualberta.ca>

Plot Summary | Add Synopsis

Taglines:

A new adventure in filmmaking...

Genres:

Drama | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

4 March 1961 (USA)  »

Also Known As:

L'Avventura  »

Company Credits

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Technical Specs

Runtime:

| (cut)

Sound Mix:

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

At its premiere at the 1959 Cannes Film Festival, this was booed so much to the extent that Michelangelo Antonioni and Monica Vitti fled the theater. However, after the second screening there was a complete turn around in how it was perceived and it was awarded the Special Jury Prize, going on to become a landmark of European cinema. See more »

Goofs

During the sequence in which Sandro and the newspaper reporter cross a street, the shadows of the camera and the crew are clearly and prolongedly visible on the actors and on the street surface. See more »

Quotes

Sandro: [Admiring the buildings of a small town from a roof top] Such imagination. Such movement. They were concerned with the architectural aesthetics. Such extraordinary freedom. I must go ahead and leave Ettore. I'd like to work on design again. I used to have ideas of my own, you know.
Claudia: Why did you stop?
Sandro: Why, why, why? Because it isn't easy to admit that a red floor suits a room when you are thinking exactly the opposite. But the lady wants it red. Because there is always a lady... or a man... and so...
[...]
See more »

Connections

Referenced in At the Movies: Cannes Film Festival 2009 (2009) See more »

Soundtracks

Mai
(uncredited)
Performed by Mina
[sung along to by Monica Vitti]
See more »

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User Reviews

 
Innovative study on alienation
1 March 2006 | by (Nis, Serbia) – See all my reviews

L'Avventura (1960)****

Young woman (Lea Massari) suddenly disappears during a boating trip on an inhabited island. Shortly afterward, her boyfriend (Gabriele Ferzetti) and her best friend (Monica Vitti) became attracted to each other.

However, don't expect the mystery. This is a study of emotional isolation, moral decay, lack of the communication and emptiness of rich people in contemporary (then) society. You can easily be bored by the slow pace and the lack of dramatics of this movie unless you capture its true purpose. This is "state of mind" or experience film rather than conventional plot film. Antonioni practically discovered the new movie language in L'Avventura. By using formal instruments he is expressing emotions of the characters (loneliness, boredom, emptiness and emotional detachment) and the viewer is forced rather to feel this same emotions himself than to be involved in the story and its events. These formal instruments are: slow rhythm, real-time events, long takes, visual metaphors like inhabited island(s), fog, extreme long shots (small characters in panorama) and putting protagonists on inhabited streets or large buildings and landscapes.

Great cinematography. Forms trilogy with La Notte (1961) and L'Eclisse (1962).


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