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The most fervent of the detractors of the Hollywood Foreign Press Assn. prefer to obsess over the group’s Golden Globes balloting lapses, while obstinately overlooking the org’s real awards voting history.
For every Pia Zadora, there are dozens of Globes winners that consistently demonstrate a seriousness of purpose that regularly matches or surpasses the Academy’s Oscar champions.
The HFPA’s track record of rewarding edgier, more demanding achievements in the dramatic film category is ironically the benefit of the group’s recognition of comedies and musicals.
Cynics will say having both film drama and comedy/musical Golden Globes categories means more stars on the HFPA’s red carpet and awards TV broadcast and more tables sold to the producers. Those are certainly byproducts, but the more significant impact of the acknowledgement of lighter efforts is the ability to double-down on rewarding the more demanding serious fare.
- Steven Gaydos
Interview and feature by Michael Lizarraga.
From torturous, crude surgeons to urban legends of the Black Eyed Kids, Screamfest 2015 yet again un-vaulted a flurry of diabolic short horror films at its recent 15th annual fright festival in Hollywood, California. But if there was one piece of work that teemed with terror amongst this mausoleum of madness, it was Gabriel Olson‘s 14-minute film The Bridge Partner.
Unlike other shorts presented, The Bridge Partner relies on mannerism and emotion rather than conventional gore and guts to bring about squirms, a true “classroom” for today’s young filmmaker in tapping into the more psychological approach to horror that has given rise to such padded-cell classics as Psycho, Silence Of The Lambs, and Misery.
- Holly Interlandi
Murtada here.The Writers Guild of America released their list of the 101 funniest screenplays of all time. The screenplays were voted on by members of both the East and West coast branches of the WGA. The eligible screenplays had to be in English and at least one hour in length.
Woody Allen is by far the most popular name on the list. He has seven titles including the WGA’s top pick Annie Hall (1977) which he co-wrote with Marshall Brickman. Compartively Billy Wilder only has two titles on the list, The Apartment (1960) and Some Like it Hot (1959). Other writers scoring multiple films include Mel Brooks, Preston Sturges, Christopher Guest, Charlie Chaplin, the Coen Brothers and surprisingly Harold Ramis.
Perhaps to ward off criticism about the lack of representation of women and people of color, the WGA acknowledged the list’s heavy “white bro dudeness”:
"Comedy screenwriting has long been »
- Murtada Elfadl
“Annie Hall” has been named the funniest screenplay in voting by the members of the Writers Guild of America.
The script by Woody Allen and Marshall Brickman topped “Some Like it Hot,” “Groundhog Day,” “Airplane!” and “Tootsie,” which make up the rest of the top five. “Young Frankenstein,” “Dr. Strangelove,” “Blazing Saddles,” “Monty Python and the Holy Grail” and “National Lampoon’s Animal House” rounded out the top 10.
The awards for the 101 funniest screenplays were announced at the Arclight Cinerama Dome in Hollywood at the conclusion of two hours of panel discussions and clips, hosted by Rob Reiner. He noted that his “This Is Spinal Tap” script had finished at the No. 11 spot — a coincidence that recalled the “go to 11” amplifier joke in the film.
- Dave McNary
Do you groan when a romantic comedy ends with one lead character making a mad dash in pursuit of the other? The "race for your love" denouement (as classified by TV Tropes) is definitely overused in the movies, but it's also so common now that it's almost more of an expected convention rather than a problematic cliche. That doesn't mean it's not great fodder for parody, however. Below, check out the latest spoof on the trope, in which talk show host Seth Meyers goes after guest Anne Hathaway to ask a question (or two) for a cute Late Night With Seth Meyers sketch. After that, we've selected a few favorite actual examples of protagonists racing for their loves. The Apartment: Fran (Shirley MacLaine) decides not to be...
- Christopher Campbell
'Sunset Blvd.': Gloria Swanson as Norma Desmond. The Charles Brackett Diaries: Gay Rumors quashed, troubled Billy Wilder partnership discussed in Q&A with Anthony Slide See previous post: “Charles Brackett Diaries: Politics and Gossip During the Studio Era.” First of all, how did you become involved in this Charles Brackett project? And what did your editorial job entail? I discovered the diaries about six years ago when I was asked by Brackett's grandson, Jim Moore, to place a financial value on them during the process of his donating them to the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences. It was clear to me that these diaries had not only considerable financial worth, but also, and perhaps more importantly, they were primary resources in the study of Hollywood history. Happily, Charles Brackett's family (who own the copyright) gave permission for me to edit the diaries, »
- Andre Soares
Charles Brackett ca. 1945: Hollywood diarist and Billy Wilder's co-screenwriter (1936–1949) and producer (1945–1949). Q&A with 'Charles Brackett Diaries' editor Anthony Slide: Billy Wilder's screenwriter-producer partner in his own words Six-time Academy Award winner Billy Wilder is a film legend. He is renowned for classics such as The Major and the Minor, Double Indemnity, Sunset Blvd., Witness for the Prosecution, Some Like It Hot, and The Apartment. The fact that Wilder was not the sole creator of these movies is all but irrelevant to graduates from the Auteur School of Film History. Wilder directed, co-wrote, and at times produced his films. That should suffice. For auteurists, perhaps. But not for those interested in the whole story. That's one key reason why the Charles Brackett diaries are such a great read. Through Brackett's vantage point, they offer a welcome – and unique – glimpse into the collaborative efforts that resulted in »
- Andre Soares
Billy Wilder directed Sunset Blvd. with Gloria Swanson and William Holden. Billy Wilder and Charles Brackett movies Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). More detailed information further below. Post-split years Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as the classic comedy Some Like It Hot (1959), the Best Picture Oscar winner The Apartment (1960), and One Two Three (1961), notable as James Cagney's last film (until a brief comeback in Milos Forman's Ragtime two decades later). Although some of these movies were quite well received, Wilder's later efforts – which also included The Seven Year Itch »
- Andre Soares
David Opie sits down with director David Spaltro to talk about his new horror movie In the Dark…
David Opie: Hi David. Thanks for talking to us at Flickering Myth. In the Dark is a great indie horror, something’s that all too rare these days. What inspired you to make a horror film for your third feature?
David Spaltro: It was sort of just fortuitous timing, really. I had been in development on a third feature film Wake Up in New York, and slated to go into production in Spring 2014, but that Winter hit a financing snag that sort of put the breaks on it at the time. I was a little burned out after all that work, and not sure if I should take a break and go back to trying to get that back up again, or look at a different project, when I was contacted »
- David Opie
'The Beginning or the End' 1947 with Robert Walker and Tom Drake. Hiroshima bombing 70th anniversary: Six movies dealing with the A-bomb terror Seventy years ago, on Aug. 6, 1945, the U.S. dropped the first atomic bomb over the city of Hiroshima. Ultimately, anywhere between 70,000 and 140,000 people died – in addition to dogs, cats, horses, chickens, and most other living beings in that part of the world. Three days later, America dropped a second atomic bomb, this time over Nagasaki. Human deaths in this other city totaled anywhere between 40,000-80,000. For obvious reasons, the evisceration of Hiroshima and Nagasaki has been a quasi-taboo in American films. After all, in the last 75 years Hollywood's World War II movies, from John Farrow's Wake Island (1942) and Mervyn LeRoy's Thirty Seconds Over Tokyo (1944) to Steven Spielberg's Saving Private Ryan (1998) and Michael Bay's Pearl Harbor (2001), almost invariably have presented a clear-cut vision »
- Andre Soares
By Lee Pfeiffer
The Warner Archive has released the 1951 comedy Callaway Went Thataway. The film is a low-key but delightful tale that has more than a wisp of Frank Capra in its story line. The movie opens with a montage of scenes showing young boys and girls glued to their television sets as they watch the adventures of singing cowboy Smoky Callaway (Howard Keel). They don't realize they are actually viewing old "B" movies from the 1930s. Not that it matters. Callaway has found a new audience with a younger generation and they have made him America's favorite TV hero in these early days of the medium.(Since so many households did not have televisions in 1951, the film shows a common sight during this era: people crowded around department store windows to watch TV broadcasts). Network brass and sponsors immediately want to keep the gold train rolling by initiating more new films starring Smoky. »
- email@example.com (Cinema Retro)
Theodore Bikel. Theodore Bikel dead at 91: Oscar-nominated actor and folk singer best known for stage musicals 'The Sound of Music,' 'Fiddler on the Roof' Folk singer, social and union activist, and stage, film, and television actor Theodore Bikel, best remembered for starring in the Broadway musical The Sound of Music and, throughout the U.S., in Fiddler on the Roof, died Monday morning (July 20, '15) of "natural causes" at the UCLA Medical Center in Los Angeles. The Austrian-born Bikel – as Theodore Meir Bikel on May 2, 1924, in Vienna, to Yiddish-speaking Eastern European parents – was 91. Fled Hitler Thanks to his well-connected Zionist father, six months after the German annexation of Austria in March 1938 ("they were greeted with jubilation by the local populace," he would recall in 2012), the 14-year-old Bikel and his family fled to Palestine, at the time a British protectorate. While there, the teenager began acting on stage, »
- Andre Soares
BBC Culture has this week unveiled a new list of the top 100 American films, as voted for by a pool of international film critics from across the globe. The format of the poll was that any film that would make the list had to have recieved funding from a Us source, and the directors of the films did not need to be from the USA, nor did the films voted for need to be filmed in the Us.
Critics were asked to submit their top 10 lists, which would try to find the top 100 American films that while “not necessarily the most important, but the greatest on an emotional level”. The list, as you may have guessed, is very different to the lists curated by say the BFI or AFI over the years, so there are certainly a few surprises on here, with Steve McQueen’s 12 Years A Slave (2013), Terrence Malick »
- Scott J. Davis
First off, let's make one thing clear. We're not scratching our heads at Spike Lee's "Do The Right Thing" making the BBC's 100 greatest American films. That movie, of which an image accompanies this post, not only made the list, but ranked appropriately at no. 25. It's the rest of the selections that have us scratching and, yes, shaking our heads in disbelief. A wonderful page view driver, these sorts of lists make great fodder for passionate movie fans no matter what their age or part of the world they hail from. There is nothing more entertaining than watching two critics from opposite ends of the globe try to debate whether "The Dark Knight" should have been nominated for best picture or make a list like this. Even in this age of short form content where Vines, Shapchats and Instagram videos have captured viewers attention, movies will continue to inspire because »
- Gregory Ellwood
Leave it to the Brits to compile a list of the best American films of all-time. BBC Culture has published a list of what it calls "The 100 Greatest American Films", as selected by 62 international film critics in order to "get a global perspective on American film." As BBC Culture notes, the critics polled represent a combination of broadcasters, book authors and reviewers at various newspapers and magazines across the world. As for what makes an American filmc "Any movie that received funding from a U.S. source," BBC Culture's publication states, which is to say the terminology was quite loose, but the list contains a majority of the staples you'd expect to see. Citizen Kane -- what elsec -- comes in at #1, and in typical fashion The Godfather follows at #2. Vertigo, which in 2012 topped Sight & Sound's list of the greatest films of all-time, comes in at #3 on BBC Culture's list. »
- Jordan Benesh
Every now and then a major publication or news organisation comes up with a top fifty or one hundred films of all time list - a list which always stirs up debate, discussion and often interesting arguments about the justifications of the list's inclusions, ordering and notable exclusions.
Today it's the turn of BBC Culture who consulted sixty-two international film critics including print reviews, bloggers, broadcasters and film academics to come up with what they consider the one-hundred greatest American films of all time. To qualify, the film had to be made by a U.S. studio or mostly funded by American money.
Usually when a list of this type is done it is by institutes or publications within the United States asking American critics their favourites. This time it's non-American critics born outside the culture what they think are the best representations of that culture. Specifically they were asked »
- Garth Franklin
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1. Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous »
- Andre Soares
The Seven Year Itch, 1955.
Directed by Billy Wilder.
Married man, Sherman, has to contend with the gorgeous woman upstairs when his family are away over the summer.
That shot. A train whirrs past beneath the vent and wind blows her dress up as she struggles to hold it down. She doesn’t move away from the revealing situation and instead tells he male companion, “isn’t it delicious?”. Her white, pleated dress design and platinum blonde hair means that this is Marilyn Monroe. A crowd had gathered, between 52nd and 53rd Street in New York City. Billy Wilder is in production of The Seven Year Itch, and photographer Sam Shaw is snapping the icon of the 1950’s. This became the moment that became a 26ft tall statue by Seward Johnson in Chicago, California and New Jersey, in Forever Marilyn. It is also the unforgettable, »
- Simon Columb
Mel Gibson, whom I interviewed for Venice Magazine in late 2000, was my first real childhood hero I sat down with. If you were a Gen-x male, Mel Gibson was the closest thing we had to Paul Newman, Steve McQueen and Sean Connery: a guy's guy whom guys wanted to emulate and women wanted to copulate. If you were a guy who liked girls, the math in the previous equation was pretty simple: be like Mel. Sadly, Gibson's life has taken a very public turn for the worse in the last decade, since his personal legal and troubles stemming from a 2006 DUI arrest in Malibu were made public, one from which his image has yet to fully recover. It was an unfortunate fall from grace for a guy who literally had Hollywood, and the world, in the palm of his hand after sweeping the 1995 Oscars with his box office smash "Braveheart. »
- The Hollywood Interview.com
An ambitious young man finds himself tending to his boss's girlfriend -- his married boss's secret girlfriend -- who's in despair. It sounds like the middle of The Apartment, but it's actually the focus of Night Owls, a feature that premiered at SXSW and just screened at the Hill Country Film Festival, where it won the Cinema Dulce Best of Fest award. The indie owes a large debt to the 1960 Billy Wilder film without feeling like a remake or tribute.
The movie opens with Madeline (Rosa Salazar) taking Kevin (Adam Pally) home for a boozy one-night stand ... or so Kevin thinks. It's only after their brief liaison that Kevin, about to slip out of the house, realizes in stages that a) it's not her house, it belongs to his boss; b) Madeline's been involved with his boss in some way; and c) she's out cold in the bathroom after overdosing on something unknown. »
- Jette Kernion
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