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The Apartment (1960)

Not Rated | | Comedy, Drama, Romance | 16 September 1960 (France)
A man tries to rise in his company by letting its executives use his apartment for trysts, but complications and a romance of his own ensue.

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Top Rated Movies #108 | Won 5 Oscars. Another 19 wins & 8 nominations. See more awards »
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Cast

Complete credited cast:
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Joe Dobisch
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Mrs. Mildred Dreyfuss
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Karl Matuschka
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The Blonde
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Mr. Vanderhoff
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Mr. Eichelberger
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Miss Olsen
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Storyline

As of November 1, 1959, mild mannered C.C. Baxter has been working at Consolidated Life, an insurance company, for close to four years, and is one of close to thirty-two thousand employees located in their Manhattan head office. To distinguish himself from all the other lowly cogs in the company in the hopes of moving up the corporate ladder, he often works late, but only because he can't get into his apartment, located off of Central Park West, since he has provided it to a handful of company executives - Mssrs. Dobisch, Kirkeby, Vanderhoff and Eichelberger - on a rotating basis for their extramarital liaisons in return for a good word to the personnel director, Jeff D. Sheldrake. When Baxter is called into Sheldrake's office for the first time, he learns that it isn't just to be promoted as he expects, but also to add married Sheldrake to the list to who he will lend his apartment. What Baxter is unaware of is that Sheldrake's mistress is Fran Kubelik, an elevator girl in the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

He lent his flat for love - of his job ! [UK] See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 September 1960 (France)  »

Also Known As:

Das Appartement  »

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Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$18,600,000

Cumulative Worldwide Gross:

$25,000,000, 31 January 1970
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jack Lemmon signed onto the film after Billy Wilder told him the story but before he ever saw a line of the script. "I'd have signed even if he said he was going to do the phone book," the actor noted. See more »

Goofs

When Sheldrake is on the phone requesting Baxter's home phone number, he tells the person he's talking to that Baxter is in ordinary premium accounting, which is not true, as baxter was promoted to an executive by Sheldrake weeks earlier. See more »

Quotes

[first lines]
C.C. Baxter: [narrating] On November 1st, 1959, the population of New York City was 8,042,783. If you laid all these people end to end, figuring an average height of five feet six and a half inches, they would reach from Times Square to the outskirts of Karachi, Pakistan. I know facts like this because I work for an insurance company - Consolidated Life of New York. We're one of the top five companies in the country. Our home office has 31,259 employees, which is more than the entire population ...
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Connections

Referenced in The Facts of Life: The Apartment (1986) See more »

Soundtracks

Adeste Fideles (O Come All Ye Faithful)
(1782) (uncredited)
Music by John Francis Wade
English lyrics by Frederick Oakeley (1852)
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Frequently Asked Questions

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User Reviews

 
Likewise, it's a love-fest Lemmon-wise
28 June 2001 | by See all my reviews

One of the finest examples of smart, satiric comedy-drama ever created for the screen. Jack Lemmon (in amazing comic form) plays a working stiff in Corporate America--via New York City--whose bachelor apartment inadvertently becomes a love-nest for amorous, married executives. The film is extremely modern for 1960 and features a non-stop barrage of funny, clever talk. Lemmon is a mad genius at frenzied (yet sympathetic) characterization, and "The Apartment" catches him at his professional peak in the movies. Working alongside huggable neurotic Shirley MacLaine (also at her peak) and shady Fred MacMurray (parlaying his slimeball role with curt persuasion), Lemmon creates a new kind of acting: screwball realism. **** from ****


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