| Photos (See all 41 | slideshow) | Videos (see all 3) |
Directed by | |||
| John Wayne | |||
Writing credits | ||
| James Edward Grant | (original screenplay) | |
Produced by | |||
| James Edward Grant | .... | associate producer | |
| John Wayne | .... | producer | |
| Michael Wayne | .... | associate producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| William H. Clothier | (director of photography) | ||
Film Editing by | |||
| Stuart Gilmore | |||
Casting by | |||
| Frank Leyva | (uncredited) | ||
Art Direction by | |||
| Alfred Ybarra | |||
Set Decoration by | |||
| Victor A. Gangelin | (set decorations) | ||
Costume Design by | |||
| Frank Beetson Jr. | (as Frank C. Beetson) | ||
| Ron Talsky | (uncredited) | ||
Makeup Department | |||
| Web Overlander | .... | makeup supervisor | |
| Fae M. Smith | .... | hair stylist | |
Production Management | |||
| Tom Andre | .... | unit manager (as Thomas J. Andre) | |
| Nate H. Edwards | .... | production manager | |
| George Coleman | .... | production manager (uncredited) | |
Art Department | |||
| Joe LaBella | .... | property master (as Joseph LaBella) | |
Sound Department | |||
| Don Hall | .... | sound editor (as Don Hall Jr.) | |
| Fred Hynes | .... | sound recording supervisor | |
| Gordon Sawyer | .... | sound recording supervisor | |
| Jack Solomon | .... | sound | |
Special Effects by | |||
| Lee Zavitz | .... | special effects | |
| Daniel Hays | .... | special effects (uncredited) | |
Stunts | |||
| Bill Babcock | .... | stunts (uncredited) | |
| Buff Brady | .... | stunts (uncredited) | |
| Jim Burk | .... | stunts (uncredited) | |
| Joe Canutt | .... | stunts (uncredited) | |
| Tap Canutt | .... | stunts (uncredited) | |
| Philip Crawford | .... | stunts (uncredited) | |
| Harry Froboess | .... | stunts (uncredited) | |
| Glen Gamble | .... | horse master (uncredited) | |
| Fred Graham | .... | stunts (uncredited) | |
| Bob Harris | .... | stunts (uncredited) | |
| Bill Hart | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
| Tom Hennesy | .... | stunts (uncredited) | |
| Tex Hill | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Leroy Johnson | .... | stunts (uncredited) | |
| Eddie Juaregui | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Bob Morgan | .... | stunts (uncredited) | |
| Boyd 'Red' Morgan | .... | stunts (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
| Rudy Robbins | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Bob Rose | .... | stunts (uncredited) | |
| Bill Shannon | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
| Gibb Stepp | .... | stunts (uncredited) | |
| Ted White | .... | stunts (uncredited) | |
| Bill Williams | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
| Thomas Worrell | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bernie Abramson | .... | still photographer (uncredited) | |
| Denver Pyle | .... | set photographer (uncredited) | |
Casting Department | |||
| Tom Rosselle | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Ann Peck | .... | costumer | |
| Edward McDermott | .... | wardrobe (uncredited) | |
Music Department | |||
| Murray Spivack | .... | music recordist | |
| Dimitri Tiomkin | .... | conductor | |
| Robert Tracy | .... | music editor | |
| Vinton Vernon | .... | music recordist | |
| Laurindo Almeida | .... | musician: guitar (uncredited) | |
| Manuel Emanuel | .... | orchestrator (uncredited) | |
| Jimmie Haskell | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Lucie Svehlova | .... | orchestra leader (Prometheus re-recording ) (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
Other crew | |||
| Frank Beetson Jr. | .... | technical supervisor (as Frank Beetson) | |
| Jack Pennick | .... | technical supervisor | |
| Michael Wayne | .... | assistant to producer | |
| Russell Birdwell | .... | unit publicist (uncredited) | |
| J. Frank Dobie | .... | technical advisor (uncredited) | |
| Hank Fine | .... | publicist (uncredited) | |
| Jim Henaghan | .... | aide: John Wayne (uncredited) | |
| Jim Henaghan | .... | unit publicist (uncredited) | |
| Billy Jones | .... | horse wrangler (uncredited) | |
| Burt Kennedy | .... | production associate (uncredited) | |
| Robert E. Morrison | .... | production associate (uncredited) | |
| Lon Tinkle | .... | technical advisor (uncredited) | |
| Milton Weiss | .... | publicist (uncredited) | |
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| The Alamo | The Alamo: Thirteen Days to Glory | The Green Berets | The Last Samurai | Kansas Raiders |
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| Full cast and crew | Company credits | External reviews |
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This grand, over blown piece of Hollywood historical fable making is one the old Hollywood's last gasps. Its an old Hollywood star vehicle done at the start of the modern film era. Its far from realistic, but its a hell of a fun ride. In its full form its a grand epic that may not be one of the greatest films ever made but certainly in the second ring.
When the film was originally released this ran well over three hours. MGM wasn't thrilled, and hacked 40 minutes out of it for general release, despite numerous Oscar noms. Much of the subtler shades to the story went leaving a huge bloated and wrong headed tale of heroism at the Alamo.I can't really recommend the shorter version because its not very good. This is the version that was the only one you could see for years and its colored many peoples feelings towards the film which is a shame since its not a fair depiction of the events at the Alamo or the intentions of John Wayne.
The footage was thought lost until a print was discovered about ten or fifteen years ago and released to video and laserdisc. To see the full version is to have a night and day experience. Here in the full version we have real characters and not cartoons. The events suddenly have a weight missing from the shorter version. This is the version that should be seen, however the current DVD release of the Alamo by MGM is, the short release version of the film. That's a shame since since the missing minutes are the difference between a 9 out of 10 and a 6 out of 10.
If you can manage to see the full, uncut version do so, its worth the investment of time and popcorn.