Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
Col. Mike Kirby picks two teams of crack Green Berets for a mission in South Vietnam. First off is to build and control a camp that is trying to be taken by the enemy the second mission is to kidnap a North Vietnamese General.
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boys want to get his attention they decide to rob... See full summary »
In 1836 General Santa Anna and the Mexican army is sweeping across Texas. To be able to stop him, General Sam Houston needs time to get his main force into shape. To buy that time he orders Colonel William Travis to defend a small mission on the Mexicans' route at all costs. Travis' small troop is swelled by groups accompanying Jim Bowie and Davy Crockett, but as the situation becomes ever more desperate Travis makes it clear there will be no shame if they leave while they can. Written by
Jeremy Perkins <email@example.com>
John Wayne partially financed this film himself. During shooting, the film was delayed due to various production problems. Wayne was under so much pressure, he smoked cigarettes almost non-stop when not acting. See more »
When Travis tells everybody to go to their battle posts, Crockett and Bowie leave together, but when Crockett gets to his post, Bowie is already there. See more »
Majestic and poignant, a glorious and mighty epic that will last down through the ages. Mr. Wayne never intended to make a documentary, but rather as he said in many interviews at the time, that he considered it one of the greatest stories of heroic American "folklore". Of course it is based on one of the valiant battles ever fought on this planet, but of course all that remains of that horrible slaughter, are letters, accounts of survivors from both armies ( and yes, diaries that are very likely accurate, if not totally honest, by participants). The point is
anyone that makes a movie, book, article based on history - had
better have videotape or audio, to prove their accounts, or they will be torn to shreds by the nitpickers, that weren't there but love to complain, and not create. John Wayne wanted to preserve a moment of human dignity and ferocious battle action, between 2 forces that were destined to crash in this massacre. 1 side, the Alamo defenders, were the vanguard of democracy that was spreading across the West, first with mountain men and trappers, then the fighting pioneers that were determined to continue to the Pacific, in the spirit of Daniel Boone and Lewis and Clark. And the Mexican Army was defending it's land against what it came to think, were pirates and invaders. Santa Anna was a monstrous leader who lost so much that the young Mexican Republic, barely had a chance to start, after getting the Spanish out after hundreds of years. John Wayne bet everything on his values, American values - instilled in him on the prairies of Iowa, where he still heard cavalrymen and Union Army veterans, tell of a country they helped build, and passed it on to young Marion Morrison, before his family migrated to California, and his destiny to become one of the great symbols of America. By getting into the movie business, and studying at the elbow of the great rugged directors of the early years
Walsh, Wellman, Hathaway, Hawks and the great poet of the Western
movie - John Ford. Who passed onto Duke the great motto - When the legend becomes fact, film the legend. Which Wayne did in a gigantic fashion, with "The Alamo". By hiring the very best composer of huge western themes, mixed with stirring and heartfelt emotion -- Dimitri Tiomkin, he assured audiences of rousing background to his great cameraman, Bill Clothier's fabulous and stunning cinematography -- like dropping back into history at such a pivotal moment. And if John Wayne's effort was not flawless, step up and invest millions into your own version of that timeless story. To say he had a ton of courage, is an understatement, for those who can appreciate greatness, now luckily available to us in DVD and tape forms, to pass on to our ancestors, the work of a man dedicated, come hell or high water, to preserve his big, bold monumental vision, for all generations to come. And for Americans, and all freedom loving peoples - to respect and forever "REMEMBER THE ALAMO".
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