Huckleberry Finn, a rambunctious boy adventurer chafing under the bonds of civilization, escapes his humdrum world and his selfish, plotting father by sailing a raft down the Mississippi ...
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Huckleberry Finn, a rambunctious boy adventurer chafing under the bonds of civilization, escapes his humdrum world and his selfish, plotting father by sailing a raft down the Mississippi ... See full summary »
In Missouri, during the 1840s, young Huck Finn fearful of his drunkard father and yearning for adventure, leaves his foster family and joins with runaway slave Jim in a voyage down the Mississippi River toward slavery free states.
Courtney B. Vance,
Based on the classic book by Mark Twain, comes the story of the renowned young rascal: Huckleberry Finn. When Huck sets out on an adventure down the Mississippi River, he comes across a ... See full summary »
The adventure unfolds as Tom Sawyer and Huck Finn - Tom's friend from the streets - witness a murder in the graveyard. Tom and Huck flee to Jackson Island and make a pact never to tell ... See full summary »
Jake T. Austin,
Huckleberry Finn, a rambunctious boy adventurer chafing under the bonds of civilization, escapes his humdrum world and his selfish, plotting father by sailing a raft down the Mississippi River. Accompanying him is Jim, a slave running away from being sold. Together the two strike a bond of friendship that takes them through harrowing events and thrilling adventures. Written by
Jim Beaver <email@example.com>
The four songs included in the film were originally intended for an M-G-M Technicolor musical version of "Huckleberry Finn" which was supposed to have been filmed in 1952, but was never made. It was supposed to have starred Dean Stockwell as Huck, William Warfield (fresh from his triumph as Joe in Show Boat (1951)) as Jim, and Gene Kelly and Danny Kaye as the two con men. The film was abandoned because Kelly wanted to take advantage of a tax deal that required that he work in Europe for eighteen months. See more »
At the end of the movie when Huck gets back to the raft after speaking to Jim for the last time, the raft is tied to the pier with rope. Huck didn't tie the raft to the pier when he jumped off the raft to go to Jim. See more »
Purists of Mark Twain will find fault with this adaption of Huckleberry Finn, but I like it and I think it captures the charm of Twain and the moral lessons he was trying to teach.
Small town America, it's strengths and weaknesses is a subject done to death in novels, plays and film. I myself just did a review of This Boy's Life which has some of the same themes as Huckleberry Finn. Hannibal, Missouri of the 19th century sure had more charm than Concrete, Washington of the 20th century. Yet Eddie Hodges as Huck Finn had to leave it to fulfill his destiny as surely as Leonard DiCaprio had to leave Concrete.
In fact the most riveting performance in this film is Neville Brand as Huck Finn's Pap. He's as bigoted and narrow-minded, though more explicitly racist than Robert DeNiro in This Boy's Life. Today we would call someone like Neville Brand, trailer park trash.
Because the two are on screen for nearly the whole time, the players essaying the parts of Huck and Jim have to be good and have good chemistry. Archie Moore who was the reigning Light Heavyweight Champion when this was made delivers a great performance as the runaway slave Jim. As does Eddie Hodges as Huck. One theme of Twain's that remains intact is Huck's growth as a human being after being thrown together with Jim who he now sees as a person instead of property.
In fact MGM put together an excellent supporting cast for tyro players Eddie Hodges and Archie Moore. Tony Randall and Mickey Shaughnessy as con men King and Duke are a joy to watch. The whole movie is.
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