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IMDb > Adua e le compagne (1960)

Adua e le compagne (1960) More at IMDbPro »

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Overview

User Rating:
7.5/10   130 votes
MOVIEmeter: ?
Up 6% in popularity this week. See why on IMDbPro.
Writers:
Ruggero Maccari (screenplay)
Ruggero Maccari (story)
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Contact:
View company contact information for Love a la Carte on IMDbPro.
Release Date:
16 September 1960 (Italy) more
Genre:
User Reviews:
There are so many moments where this could easily have become sentimental and doesn't more (4 total)

Cast

  (Credited cast)

Simone Signoret ... Adua Giovannetti
Sandra Milo ... Lolita
Emmanuelle Riva ... Marilina (as Emmanuele Riva)
Gina Rovere ... Caterina Zellero, detta Milly
Claudio Gora ... Ercoli
Ivo Garrani ... L'Avvocato - Adua's ex-customer
Gianrico Tedeschi ... Stefano
Antonio Rais ... Emilio
Duilio D'Amore ... Brother Michele
Valeria Fabrizi ... Fosca (as Valeria Fabrizzi)
Luciana Gilli ... Dora - Piero's lover (as Gloria Gilli)
Enzo Maggio ... Calypso - Stefano's colleague
Roberto Meloni (as Roberto Melone)
Nando Angelini ... (credit only)
Marcello Mastroianni ... Piero Salvagni
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Additional Details

Also Known As:
Adua and Company
Adua and Her Friends (USA) (festival title)
Hungry for Love (UK)
Love a la Carte (USA)
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Runtime:
106 min | UK:125 min | Argentina:128 min
Country:
Language:
Sound Mix:
Certification:
Finland:K-16 | Argentina:16 | UK:12 (video rating) (2004) | UK:X (original rating)
Company:

Fun Stuff

Soundtrack:
La Paloma more

FAQ

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4 out of 5 people found the following review useful.
There are so many moments where this could easily have become sentimental and doesn't, 20 January 2007
8/10
Author: christopher-underwood from Greenwich - London

Very fine, gloriously black and white, very well acted drama involving four girls who decide to pool their resources and run a restaurant together when their brothel is closed down. There are so many moments where this could easily have become sentimental and doesn't and is much to the director's credit that this looks so good throughout. The jazz soundtrack is a great help as are the snatches or 'real life' - the steam trains rushing below car dealer Mastroianni's window, the fine moment in the main street when he passes off Signoret's failing car to another whilst slipping her into one more. But the best of all such sequences is the final shot upon the cobblestoned street in the pouring rain and without a cloying close-up, we all know exactly what the facial expression is. As I say all the acting is good but Signoret particularly puts in another excellent performance where she ranges from sexy to sad and energetic to dejected, but perhaps best of all her verbal onslaught upon 'the landlord'.

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Related Links

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