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5 Branded Women (1960)

 -  Drama | War  -  15 March 1960 (USA)
6.5
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Ratings: 6.5/10 from 251 users  
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Yugoslav partisans grimly crop the hair of a village quintet of women believed to have consorted with the occupational Nazis. Four, for various reasons, have indeed - and their seducer is a... See full summary »

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Title: 5 Branded Women (1960)

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Cast

Cast overview, first billed only:
...
Jovanka
...
Ljuba
...
Daniza
...
Marja
Carla Gravina ...
Mira
...
Velko
...
Captain Eric Reinhardt
...
Branco
Alex Nicol ...
Svenko
...
Sargeant Paul Keller
Gérard Herter ...
Col. von Elm
Romolo Valli ...
Mirko
Sidney Clute ...
Milan
Teresa Pellati ...
Boja
Pietro Germi ...
Partisan commander
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Storyline

Yugoslav partisans grimly crop the hair of a village quintet of women believed to have consorted with the occupational Nazis. Four, for various reasons, have indeed - and their seducer is a lone, swaggering sergeant whom the partisans briskly emasculate. Escorted out of town by the sheepish Nazis, the forlorn ladies link up, patriotically and romantically, with a band of tough mountain guerrillas. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

All The Savage Ravishing Passions of War!

Genres:

Drama | War

Certificate:

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Details

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Language:

Release Date:

15 March 1960 (USA)  »

Also Known As:

Five Branded Women  »

Filming Locations:


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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)
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Did You Know?

Trivia

Vera Miles had her head shaved for her role in this film, which resulted in having to wear a wig for her role in Psycho (1960). (In fact, except for Barbara Bel Geddes, who wore a wig, all of the actresses playing the title characters had their heads shaved.) See more »

Connections

Referenced in Delighting in Contrasts (2005) See more »

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User Reviews

High-Level Exploitation Film
11 July 2008 | by (New York, NY) – See all my reviews

I saw this film on television when I was about 11 or 12 and it made a deep impression on me. While I had little understanding of war and certainly no personal experience of it, it pointed out the danger of isolation in the midst of endless violence and the horror of rejection for what would in peacetime have been regarded as a youthful transgression.

The casting of Vera Miles and Barbara Bel Geddes among the European actresses was a clear ploy to make this film resonate with American audiences whom during this period were more accustomed to light, frivolous films. Films of a more serious and thoughtful nature were mostly coming from Europe. At the dawn of the 60s this was a shocking exploitation film, preying on women's feelings of vanity, Americans' collective puritanism about sex, and our waning jingoism. It would be interesting to see how audiences would react to it now.


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