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5 Branded Women (1960)

 -  Drama | War  -  15 March 1960 (USA)
6.5
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Ratings: 6.5/10 from 277 users  
Reviews: 12 user | 2 critic

Five Yugoslav women who consorted with the German occupiers are publicly humiliated and banished by the Yugoslav partisans but they take up arms to fend for themselves.

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Cast

Cast overview, first billed only:
...
Jovanka
...
Ljuba
...
Daniza
...
Marja
Carla Gravina ...
Mira
...
Velko
...
Captain Eric Reinhardt
...
Branco
Alex Nicol ...
Svenko
...
Sargeant Paul Keller
Gérard Herter ...
Col. von Elm
Romolo Valli ...
Mirko
Sidney Clute ...
Milan
Teresa Pellati ...
Boja
Pietro Germi ...
Partisan commander
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Storyline

Yugoslav partisans grimly crop the hair of a village quintet of women believed to have consorted with the occupational Nazis. Four, for various reasons, have indeed - and their seducer is a lone, swaggering sergeant whom the partisans briskly emasculate. Escorted out of town by the sheepish Nazis, the forlorn ladies link up, patriotically and romantically, with a band of tough mountain guerrillas. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

An Epic Story of Love and War...AND VENGEANCE! See more »

Genres:

Drama | War

Certificate:

See all certifications »
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Details

Country:

|

Language:

Release Date:

15 March 1960 (USA)  »

Also Known As:

Five Branded Women  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Lee Remick turned down one of the main roles. See more »

Connections

Referenced in Prisoner: Cell Block H: Episode #1.4 (1979) See more »

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User Reviews

 
Yes, sometimes flawed and stiff, but overall important and moving
28 May 2012 | by (United States) – See all my reviews

5 Branded Women (1960)

This is a pretty amazing film right from the start, and it doesn't let up. It's a horrifying war movie with five women the victims and sometimes heroes in it. It shows the brutality of guerrilla fighters against the German army, and it shows WWII in Yugoslavia, without an American or Russian in sight. It's even well made, filmed in wide screen black and white in 1960, and it stars several absolute marquee actresses.

In many ways this is an unusual and necessary and brave movie, and the American director, Martin Ritt, had already proved his abilities with serious themes. So why does it have such a low reputation? Yes, it gets a little preachy sometimes, and it doesn't seem completely believable in a few instances of high drama. There is a good but merely good directing and editing, so the events are sometimes oddly lackluster, or maybe held at a distance and made slightly false.

But some of these complaints are only moderately true. And even more, there are themes here that are completely counterbalancing and make it worth the viewing. I don't mean for action film war scenes, but for the interior of war, and for another side to the rotten, expansive Nazi decade. This does not romanticize the situation, and in fact there is no romance to hook the viewer at all (which is no flaw, but may explain a certain lack of success with audiences). That is, it's not actually a very warm or entertaining movie. If you take at all seriously what is happening to these women you'll be horrified, and for a Hays Code era movie (though an Italian Dino de Laurentiis production, which helped), it pushes the tender envelope just enough.

To be sure, there is some really good acting here. The lead male is the unlikely leading male actor who I have grown to really like, Van Heflin. When he first appears he seems overblown, but as the movie continues he settles into his role as a weary, determined rebel leader in the mountains really well. (The one other man plays a German, Richard Baseheart, and he doesn't get enough to do, unfortunately, because his presence if important.)

The five women have all been accused of "sleeping with the enemy," loosely called fraternizing. I won't even give away the start of the movie here because it comes as a shock, but it's fair to say the women are forced into a world of their own. They don't trust each other in particular, but they gradually come to need each other to survive. Among them are some huge talents: Jeanne Moreau (between her two most famous films, "Elevator to the Gallows" and "Jules and Jim") and Barbara Bel Geddes (famous as the second woman in "Vertigo" but more amazing in the great Ophuls film, "Caught").

But it's the less known Italian actress Silvana Mangano (married to the producer) who has the leading part and who gives the most involved and critical performance--she represents the trap of young women in the war the best, wanting love, hanging on the idealism, not understanding (or refusing to accept) the brutality that comes with war beyond the front lines.

As the war moves from the town to camps in the hills (it was filmed in Italy and Austria) to run-ins with the enemy and back to town for a big finale, the drama is great. Maybe the overall theme was so huge and so laced with forbidden elements it was impossible, in 1960, to make a truly fair and wrenching movie. But Ritt has tried. If this isn't a lost masterpiece, it's still a really excellent WWII film and should be on short lists along with the usual films that also, on close watching, have their limitations.

You could easily slam the content here for what it doesn't do, for the things Ritt doesn't say through the story. (The New York Times review from 1960 does exactly that, very nicely.) In fact, the story is begging to be remade, without limitations, and we'd get a harrowing and beautiful story that really bothers the viewer directly. Instead, so far, we have a movie whose ideas bother the viewer, which is something a little more indirect.


4 of 6 people found this review helpful.  Was this review helpful to you?

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