| Photos (See all 11 | slideshow) | Videos (see all 3) |
| Charles Herbert | ... | Buck Zorba | |
| Jo Morrow | ... | Medea Zorba | |
| Martin Milner | ... | Benjamen Rush | |
| Rosemary DeCamp | ... | Hilda Zorba (as Rosemary De Camp) | |
| Donald Woods | ... | Cyrus Zorba | |
| Margaret Hamilton | ... | Elaine Zacharides | |
| John Van Dreelen | ... | Van Allen | |
| rest of cast listed alphabetically: | |||
| John Burnside | ... | Ghost (uncredited) | |
| William Castle | ... | Himself (uncredited) | |
| David Hoffman | ... | Messenger (uncredited) | |
| Roy Jenson | ... | Ghost (uncredited) | |
Directed by | |||
| William Castle | |||
Writing credits | ||
| Robb White | (written by) | |
Produced by | |||
| William Castle | .... | producer | |
Original Music by | |||
| Von Dexter | |||
Cinematography by | |||
| Joseph F. Biroc | (director of photography) (as Joseph Biroc) | ||
Film Editing by | |||
| Edwin H. Bryant | (as Edwin Bryant) | ||
Art Direction by | |||
| Cary Odell | |||
Set Decoration by | |||
| Louis Diage | |||
Makeup Department | |||
| Helen Hunt | .... | hair stylist | |
| Ben Lane | .... | makeup supervisor | |
| Richard Cobos | .... | makeup artist (uncredited) | |
| Hazel Keats | .... | hairdresser (uncredited) | |
Second Unit Director or Assistant Director | |||
| Max Stein | .... | assistant director | |
| Robert Robinson | .... | assistant director (uncredited) | |
Art Department | |||
| Max Frankel | .... | second propman (uncredited) | |
| Harry Hopkins | .... | prop master (uncredited) | |
| Jim Meehan | .... | lead man (uncredited) | |
Sound Department | |||
| Harry D. Mills | .... | sound (as Harry Mills) | |
| Charles J. Rice | .... | sound supervisor | |
| Eldon Coutts | .... | recordist (uncredited) | |
| Sol Jaffe | .... | mikeman (uncredited) | |
| Andy Payne | .... | cableman (uncredited) | |
Special Effects by | |||
| Richard Albain | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Al Becker | .... | key grip (uncredited) | |
| Robert Coburn | .... | still photographer (uncredited) | |
| Clarence Eubank | .... | best boy (uncredited) | |
| Emil Oster | .... | camera operator (uncredited) | |
| James Saper | .... | assistant camera (uncredited) | |
Other crew | |||
| Dona Holloway | .... | associate to producer | |
| Charlsie Bryant | .... | script supervisor (uncredited) | |
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| Halloween 5 | The Innocents | Thir13en Ghosts | The Fog | The Amityville Horror |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
13 Ghosts has stood the test of time well, as have most of Castle's films. While much is made of the gimmick of seeing the ghosts with 3d glasses, the movie itself is well made and not just a vehicle to carry the gimmick. Seeing the movie on television or video without the 3d glasses (but with the ghosts visible) makes you realize this is a well made film.
The scene where the father encounters the ghosts for the first time in the hidden room is quite spooky, and the special effects are almost hypnotic to watch. The story behind the ghosts being in the house is developed quite well, and makes the ghosts themselves more enjoyable. The ghosts range from almost comical to truly frightening, and it is fun to wait and see what kind of spirit you will encounter next.
The house itself is a rather nice piece of real estate, and I'm sure some people have driven around Los Angeles trying to find it. Martin Milner plays the lawyer who facilitates the will giving the family the house, and it is interesting to see him in his pre-Adam 12 days.
13 Ghosts is definitely worth watching, especially around Halloween. While some may find the plot and idea less than satisfying, I found it to be very spooky. And you really do get to see all 13 ghosts!