A search for a winning lottery ticket in his dead father's grave causes Sardonicus' face to freeze in a horrible grimace, until he forces a doctor to treat his affliction--with even more ... See full summary »
In 1947 England, a plastic surgeon must beat a hasty retreat to France when one of his patients has ghastly problems with her surgery. Once there, he operates on a circus owner's daughter, ... See full summary »
Reclusive Dr. Zorba has died and left his eerie mansion to his penniless nephew Cyrus Zorba and his family. Along with the house, the Zorba family has also inherited the occultist's collection of 12 ghosts, who can only be seen through Zorba's special goggles. The family members, their lives at risk upon the discovery that Dr. Zorba's fortune lies hidden somewhere in the house, receive aid from unexpected quarters as the threat to their lives is revealed. Written by
Doug Sederberg <email@example.com>
William Castle was able to get popular child actor Charles Herbert to play Buck by offering to give him top billing. Charles Herbert would appear in this and two other features in this year before roles in features completely dried up. He would complete his career in television roles. See more »
When the wind starts to blow at 06:42 after Buck makes his birthday wish you can see from 06:45 to 06:46 that it is blowing from behind Mrs. Zorba and toward Medea, who is sitting across from Mrs. Zorba, consistent with the flames on the birthday candles blowing toward Medea as they are extinguished at 06:44. However, at 06:00 a large fire place was shown behind Mrs. Zorba (which appeared in an earlier scene at 05:12) rather than the double window with a phone and phone book sitting in front of it shown from 06:42 to 06:43 to be the source of the wind. At 08:30 Medea is kneeling by the phone with the double window to her left reading from the phone book and talking to her father who is returning from answering the front door, but for this window to have been behind Mrs. Zorba, the film frames must be flipped horizontally so that the window would be to her right. Without the frame-flip, this window would have to be in the position of the single window shown from 06:45 to 06:46 without a phone and phone book sitting in front of it. See more »
There's furniture and books and most of it I haven't even seen yet.
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This film by William Castle about a family of four moving into a house professed to have no fewer than 13 ghosts is a great deal of fun. Donald Woods is Cyrus Zorba, a paleontologist down on his luck. His furniture has just been removed from his flat and his wife and two children, Medea and Buck, seem used to being in continual dire financial straits. While sitting on the floor for Buck's birthday party, a creepy message comes telling Cyrus to see a lawyer in the morning. Cyrus and wife Rosemary Decamp go and discover that Cyrus has inherited a huge mansion from his Uncle Plato as well as a package containing some weird type of glasses. It seems that Uncle Plato collected ghosts. The rest of the story details what life is like in this house that has these ghosts. I did not have the pair of glasses so cannot tell you what it looked like in Illusion-O, but I bet it was even more fun. Castle always seems to do a good job at creating entertaining, fun films, though none of them ever seem to be much more than that either. The mystery is not hard to figure out at all. The acting is good all around with youngster Charles Herbert giving a nice performance as Buck. Woods is good as the family patriarch and Jo Morrow is just beautiful as daughter Medea. Martin Milner plays Ben the lawyer. And as a retainer in the house is Elaine, played by none other than Margaret Hamilton(always a joy to see her). When Ben first arrives at the house to see how the Zorbas are doing, Buck says "ring the bell and you'll see a witch." Of course the witch reference goes throughout the whole film as Hamilton looks witch-like and this is one marvelous inside gag about her Wizard of Oz performance. The effects for the film are pretty tame and very hokey, but this film is just good, old-fashioned fun. I liked it from beginning to end. If you loved the new one and decide to go back and see the old one - you will be very disappointed. Just as I was disappointed having seen the old one and moving to the new one. They have nothing except some threadbare incidentals in common and a producer named Castle(though a different first name for each).
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