Dave and Brown find a dead man on the trail. They take him to a cattle camp, where he meets an old friend of his. But when Dave's friend gets drunk and picks a fight with Dave, Dave has no choice but...
An unexperienced Eastener busts himself into a group of horse catchers. Despite all advice he continues to look at his gun as a fancy accessoire, ignores the rules of the men and consequently finds ...
Dave has been searching for quite a while for his old flame, a girl named "Jeff", who he finds working in a saloon as a prostitute and singer under the thumb of ex-prizefighter Denny Lipp. Yet, when ...
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private... See full summary »
Powell served as host and, in early shows at least, occasional star in this dramatic anthology. It was his last television series and contained his last filmed acting (episode: 'The ... See full summary »
One episode of this series, "Line Camp," was the basis for the feature film Will Penny (1967). The episode and the film were both written and directed by Tom Gries. See more »
[a Mexican bandito bars Dave way out of town]
[the gunslinger nods]
Sure you do, you miserable hind end of a coyote. Just tryin' to be agreeable. Now look here what I got for you
[Dave unsheathes his rifle]
See? Ain't it purdy? How'd you like to have that, you bushwhackin' hamstringer?
[as the gunslinger reaches for the rifle Dave smacks him with the rifle butt]
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a lonesome cowboy (brian keith) travels the old west
Sam Peckinpah had been active on such early TV adult westerns as Gunsmoke and The Rifleman, but he hoped to and dreamed of creating the most authentic TV cowboy show of all. Originally to have been titled "The Lone Westerner," it finally reached network TV in the fall of 1960, and lasted maybe thirteen weeks before being unceremoniously canceled. Meanwhile, Bonanza - the most stupid and least realistic western of all time - was allowed to continue even though it didn't initially score in the ratings. But I'm off track. The Westerner was every bit as good as Peckinpah (who wrote some episodes, directed others) wanted it to be. Attention to historic detail was fabulous, and it had the kind of grim, no-nonsense qualities that made Gunsmoke so terrific during its first three seasons - when it was, briefly, the High Noon of TV westerns rather than the corny folksy show it all too quickly degenerated into. Keith had a John Wayne kind of quality that served the show admirably while that underrated character actor John Dehner played his sometimes sidekick, Burgundy Smith. Throw in the dog from Old Yeller (here called Brown, which was his real name) and some intriguingly anecdotal tales, all very anti-heroic, and you had a show that captured the escapades of an ordinary saddle tramp in a way that no other did. Tom Gries, who later mounted the magnificent western movie Will Penny, tried out some of the plots and characters of that 1968 film here. Look for such later Peckinpah stock company members as Warren Oates in the varied casts.
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