Gurney finds that he's seen as nothing more than a performing machine, the characters he's created wonder what's going to become of them, and the cast decide to have a bit of a rave in their last ten...
Gurney wonders why he even needs words when he spots his dream girl, a spare comes in handy when a Love-at-First-Sight test goes wrong, and asking a husband about his choice of mate sees him abandon ...
A group of children are told about a land where people can be their best, a wedding guest is left puzzled when a lady friend has a change of heart, and rubbing a tinker's pot forces Gurney to take a ...
Martin is a committee man. He has numerous schemes and committees organised around the neighbourhood. He is so obsessive about every detail of everything he does he is driving his long ... See full summary »
A small time thief is recruited by a mobster to help with the racketeering. He doesn't like the job, but with the mob on his back, a femme fatale in his bed and a sick friend to care for, he will have to keep all his wits about him.
With his life crumbling around him in a dingy holiday camp, middle-aged female impersonator, Sherry.Sheridan stays rooted in the past,but will his son Alan, and long-suffering wife Mary, stay with him?
A pioneering comedy series, postmodernist before there was such a thing, and a wonderful demonstration of Anthony Newley's genius in the art of self-mockery.
The Newley character, playing the lead in a ghastly domestic soap opera, suddenly walks off the set in disgust, but to his horror finds he can't escape the cameras.
A slight, pathetic figure in a shabby raincoat, he wanders about London - seen and unseen - talking to himself, a dog, a dustbin, dancing with a girl who's come down from an advertising poster... He's looking for some answers, but finds the world is surreal, absurd, trivial and bewildering. Like Alice.
The theme tune - wistful but jaunty - (which Newley summons up with a piano-playing action of the hand) - expresses his character unforgettably.
The series probably altered the history of comedy, and forty years on we still get allusions to it in advertisements.
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