| Martin Milner | ... | Tod Stiles / ... (116 episodes, 1960-1964) | |
| George Maharis | ... | Buz Murdock / ... (82 episodes, 1960-1963) | |
| Glenn Corbett | ... | Lincoln Case / ... (32 episodes, 1963-1964) |
Series Directed by | |||
| David Lowell Rich | (21 episodes, 1961-1963) | ||
| Arthur Hiller | (12 episodes, 1960-1962) | ||
| James Sheldon | (10 episodes, 1961-1963) | ||
| Alvin Ganzer | (9 episodes, 1960-1964) | ||
| Philip Leacock | (7 episodes, 1960-1963) | ||
| Elliot Silverstein | (5 episodes, 1960-1961) | ||
| Allen H. Miner | (5 episodes, 1963-1964) | ||
| Tom Gries | (4 episodes, 1962-1963) | ||
| George Sherman | (3 episodes, 1962-1963) | ||
| Robert Gist | (3 episodes, 1962) | ||
| Robert Ellis Miller | (3 episodes, 1963) | ||
| Roger Kay | (2 episodes, 1960) | ||
| William A. Graham | (2 episodes, 1961-1962) | ||
| Walter Grauman | (2 episodes, 1962-1963) | ||
| Allen Reisner | (2 episodes, 1963-1964) | ||
| James Goldstone | (2 episodes, 1963) | ||
| Ralph Senensky | (2 episodes, 1963) | ||
| Jeffrey Hayden | (2 episodes, 1964) | ||
Series Writing credits | ||
| Stirling Silliphant | (115 episodes, 1960-1964) | |
| Herbert B. Leonard | (114 episodes, 1960-1964) | |
| Howard Rodman | (7 episodes, 1960-1964) | |
| Leonard Freeman | (6 episodes, 1961-1963) | |
| Larry Marcus | (4 episodes, 1962-1963) | |
| Alvin Sargent | (4 episodes, 1963-1964) | |
| Will Lorin | (3 episodes, 1961-1962) | |
| Frank L. Moss | (3 episodes, 1961-1962) | |
| Arnold Manoff | (3 episodes, 1963-1964) | |
| Frank Chase | (2 episodes, 1962) | |
| Shimon Wincelberg | (2 episodes, 1963) | |
Series Produced by | |||
| Herbert B. Leonard | .... | executive producer / producer (115 episodes, 1960-1964) | |
| Leo Davis | .... | supervising producer / producer (53 episodes, 1962-1964) | |
| Leonard Freeman | .... | producer (29 episodes, 1961-1962) | |
| Sam Manners | .... | associate producer (24 episodes, 1960-1961) | |
| Herbert E. Stewart | .... | associate producer (22 episodes, 1961-1963) | |
| Leonard Katzman | .... | associate producer (19 episodes, 1962-1963) | |
| Mort Abrahams | .... | producer (16 episodes, 1962-1963) | |
| Jerry Thomas | .... | associate producer (8 episodes, 1961-1962) | |
| Robert Bassler | .... | producer (2 episodes, 1960) | |
Series Original Music by | |||
| Nelson Riddle | (113 episodes, 1960-1964) | ||
Series Cinematography by | |||
| Jack A. Marta | (89 episodes, 1960-1964) | ||
| Irving Lippman | (23 episodes, 1961-1963) | ||
| Fred Bentley | (2 episodes, 1961) | ||
Series Film Editing by | |||
| Jack Gleason | (84 episodes, 1960-1964) | ||
| Harry Coswick | (41 episodes, 1960-1963) | ||
| Milton Shifman | (21 episodes, 1960-1961) | ||
Series Art Direction by | |||
| John T. McCormack | (114 episodes, 1960-1964) | ||
Series Set Decoration by | |||
| William F. Calvert | (30 episodes, 1961-1963) | ||
| Morris Hoffman | (24 episodes, 1962-1964) | ||
| Sidney Clifford | (3 episodes, 1962) | ||
| Henry LaBous | (2 episodes, 1962) | ||
Series Makeup Department | |||
| Abe Haberman | .... | makeup artist (97 episodes, 1960-1964) | |
| Guy Del Russo | .... | makeup artist (5 episodes, 1964) | |
| Mike Maggi | .... | makeup artist (4 episodes, 1964) | |
Series Production Management | |||
| Sam Manners | .... | in charge of production / executive in charge of production (87 episodes, 1961-1964) | |
| Lawrence Werner | .... | post-production supervisor (79 episodes, 1961-1964) | |
| Leonard Katzman | .... | production supervisor (15 episodes, 1960-1962) | |
| Max Stein | .... | production manager / production supervisor (4 episodes, 1961) | |
Series Second Unit Director or Assistant Director | |||
| Max Stein | .... | assistant director (57 episodes, 1960-1964) | |
| Leonard Katzman | .... | second unit director / assistant director (56 episodes, 1960-1964) | |
| Sam Manners | .... | second unit director / second assistant director (17 episodes, 1960-1961) | |
| Bill Lukather | .... | assistant director (17 episodes, 1961-1962) | |
| Bruce Bilson | .... | assistant director (16 episodes, 1962-1963) | |
| Michael Messinger | .... | assistant director (5 episodes, 1961-1962) | |
Series Art Department | |||
| Arthur Wasson | .... | property master (101 episodes, 1960-1964) | |
| Lloyd Bradley | .... | property master (6 episodes, 1961) | |
Series Sound Department | |||
| Paul Franz | .... | sound mixer (114 episodes, 1960-1964) | |
| Jim Bullock | .... | sound effects editor (111 episodes, 1960-1964) | |
| Jack Jackson | .... | sound effects editor (22 episodes, 1962-1963) | |
| Sid Lubow | .... | sound effects editor (22 episodes, 1963-1964) | |
Series Special Effects by | |||
| Ira Anderson Jr. | .... | special effects (63 episodes, 1960-1964) | |
| Daniel Hays | .... | special effects (14 episodes, 1963-1964) | |
Series Camera and Electrical Department | |||
| Harold Sanders | .... | key grip (106 episodes, 1960-1964) | |
| Virgil Thompson | .... | gaffer (106 episodes, 1960-1964) | |
| Robert Johannes | .... | camera operator (69 episodes, 1960-1963) | |
| James Goss | .... | camera operator (39 episodes, 1962-1964) | |
| Val O'Malley | .... | camera operator (30 episodes, 1960-1961) | |
| Howard Winner | .... | second unit photographer (12 episodes, 1963-1964) | |
| Frank Tallman | .... | aerial photography (2 episodes, 1961) | |
Series Casting Department | |||
| Marion Dougherty | .... | eastern casting executive (17 episodes, 1963-1964) | |
Series Costume and Wardrobe Department | |||
| Charles Arrico | .... | costumer / wardrobe master (102 episodes, 1960-1964) | |
| Forrest T. Butler | .... | wardrobe master (7 episodes, 1960) | |
| Ed Lossman | .... | costumer (5 episodes, 1963) | |
| Laura Lou Bates | .... | wardrobe: women (2 episodes, 1961) | |
Series Editorial Department | |||
| Aaron Nibley | .... | supervising film editor (114 episodes, 1960-1964) | |
| Lawrence Werner | .... | editorial supervisor / post-production supervisor (11 episodes, 1961-1963) | |
Series Music Department | |||
| Nelson Riddle | .... | composer: theme music / conductor (116 episodes, 1960-1964) | |
| Jack Lee | .... | musician contractor / music contractor / ... (115 episodes, 1960-1964) | |
| Ed Forsyth | .... | music supervisor (114 episodes, 1960-1964) | |
| Gil Grau | .... | orchestrator (102 episodes, 1961-1964) | |
Series Transportation Department | |||
| Alfred Schultz | .... | transportation captain (103 episodes, 1961-1964) | |
Series Other crew | |||
| Willetta Leonard | .... | assistant to producer / assistant to the producer (115 episodes, 1960-1964) | |
| Jack Gannon | .... | script supervisor (113 episodes, 1960-1964) | |
| Howard Rodman | .... | story supervisor / story editor (63 episodes, 1960-1962) | |
| John D. Benson | .... | location manager (59 episodes, 1962-1964) | |
| Harold Schneider | .... | location manager / production coordinator (7 episodes, 1960) | |
| Robert Maharis | .... | location manager (7 episodes, 1961-1962) | |
Series Thanks | |||
| Cluff Peterson | .... | special thanks (1 episode, 1960) | |
| W.E. Webb | .... | special thanks (1 episode, 1960) | |
| Ray Gassner | .... | Sunshine Baby through the courtesy of (1 episode, 1963) | |
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| Southland Tales | The Best Years of Our Lives | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | "Earth: Final Conflict" | The Last Chase |
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You may add a new episode for this TV series by clicking the 'add episode' button
I have been living in Asia for the past 32 years so I don't know if
reruns of "Route 66" have ever been running on television in the States
over the past 3 decades. But 20 years ago when I read Alvin Toffler's
prediction in The Third Wave that the future would see professionals
not loyal to any one company but working with an honest fervor at a
given task and then moving on to the next worthy challenge, my
impression was, "this guy is describing the world of Buz and Tod on
'Route 66'." In an era when America was composed of white collar
office workers and blue collar union members, all working towards a
pension, 'Route 66' was a breath of fresh air, an escape, and a
challenge to try something different as well as a reminder that one
should move on not with a sense of despair but with a feeling of
jubilation and wonder at what is over the next hill. Against the
current economic climate in both Japan and the U.S.A., such a reminder
is especially needed today. Let's move on with a sense of jubilation
and wonder. And to help us do it, bring back the "Route 66" series.