A woman in a hideous Japanese mask refuses to remove it or give her name, as she riles up a Texas town after arriving to stage a memorial for a long-dead girl. Buz is fascinated by the scorned young ...
Tod and Linc, driving through rural Vermont, become lost and have car trouble. They encounter an elderly farmer who helps them. He is widowed with no children and lives with no conveniences such as ...
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
Only fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after "On the Road" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a "vast wasteland," in 1961, but "Route 66" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing "In the Heat of the Night," traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only ... Written by
The show was originally to be called The Searchers, which would have made a lot more sense, but producers feared there would be confusion with the very popular John Wayne western by that name that came out four years earlier. See more »
Rt 66 was such a breath of fresh air. I have been a movie buff all my life and after seeing all the backlot tv shows from the mid fifties to 1960, this show had my eyes wide open. Everything was on location and the production values were as good as any theatrical movie. Some of the story lines toward the end of the run were stupid but the values were always there. Most of the time I would watch the show to see how good location filming done quickly could be done so good. I think the producer owned or had owned Republic Studios who were the best at making movie serials and that would explain a lot. In watching reruns it is surprising how little the Corvette was actually seen in some episodes. After this, I found backlot shows to be very cheap, boring entertainment.
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