6 items from 2016
While you’re busy narrowing down your Father’s Day gift this year to a tie or… um, well, a different tie, your friends at TVLine have a present for you: It’s a countdown of Television’s Best Dads.
RelatedSummer TV Schedule: 110+ Dates to Save in June and July
Since this is a Current Series Edition, you won’t find famous fathers like My Three Sons‘ Steve Douglas, The Brady Bunch‘s Mike Brady or The Cosby Show‘s Cliff Huxtable on the list. But the countdown does include, among others, the top pops from The Real O’Neals, »
In a few weeks, with the arrival of Captain America: Civil War, one more superhero film will march on the box office and swallow the planet’s culture whole. And once again, we will ask: how long can this go on? Not long ago, a person could go to the multiplex in the middle months of the year and barely glimpse a superhero. 10 years ago, in between Superman and X-Men, there was still plenty of room for pirates, cars, spies, and gangsters. 20 years ago, there wasn’t a cape to be found in the movie theaters and we made do with aliens, tornadoes, hard-charging lawyers, and Renée Zellweger. These days, however, from March to September, you can’t go near the multiplex without getting slapped in the face by an airborne cape. Nothing lasts forever, of course, but the superhero genre has already far outlived fad status. So how long »
- Richard Rushfield
The icon-establishing performances Marilyn Monroe gave in Howard Hawks’ Gentlemen Prefer Blondes (1953) and in Billy Wilder’s Some Like It Hot (1959) are ones for the ages, touchstone works that endure because of the undeniable comic energy and desperation that sparked them from within even as the ravenous public became ever more enraptured by the surface of Monroe’s seductive image of beauty and glamour. Several generations now probably know her only from these films, or perhaps 1955’s The Seven-Year Itch, a more famous probably for the skirt-swirling pose it generated than anything in the movie itself, one of director Wilder’s sourest pictures, or her final completed film, The Misfits (1961), directed by John Huston, written by Arthur Miller and costarring Clark Gable and Montgomery Clift.
But in Don’t Bother to Knock (1952) she delivers a powerful dramatic performance as Nell, a psychologically devastated, delusional, perhaps psychotic young woman apparently on »
- Dennis Cozzalio
His son, Tony, told the New York Times that Sheldon died of complications from cancer at his Manhattan home.
Sheldon once estimated that he directed about 1,200 episodes of television over his long career. Among them are 44 episodes of “The Millionaire,” an entire season of “The Bing Crosby Show” and several episodes of “Room 222,” “Love, American Style,” “That Girl,” “The Fugitive” and “My Three Sons.” He also directed the pilot of “Family Affair.”
His career also included six episodes in the second and third seasons of “The Twilight Zone,” featuring such classics as “I Sing the Body Electric” and “A Penny for Your Thoughts.” He helmed an episode of “Batman” in 1966, featuring Julie Newmar as Catwoman.
The helmer had a unique role in the career of James Dean, »
- Alex Stedman
“I need him like the ax needs the turkey!”
The Lady Eve screens this Saturday morning, February 13th at The Hi-Pointe Theater (1005 McCausland Ave., St. Louis, Mo 63117) as part of their Classic Film Series.
Barbara Stanwyck should have been court-ordered to keep a safe distance from any future cast member of My Three Sons. In Double Indemnity she cons the future Pa Douglas (Fred McMurray) into a deadly scheme. In the 1941 Preston Sturges comedy The Lady Eve, she messes with William Demarest, Uncle Charley himself, by whisking gullible Henry Fonda from under his protective glare.
Fonda plays the young heir to the Pike’s Pale Ale brewery fortune, who prefers spending his time chasing snakes in South America while his guardian Muggsy (Demarest) looks on. On a boat for home, young Pike catches the eye of Jean Harrington (Stanwyck) who sets out to scam the boy but winds up falling in love with him instead. »
- Tom Stockman
Mike Minor, whose hunky, dashing “Petticoat Junction” character Steve Elliott was memorably introduced at the beginning of season four, crashing next to the train tracks as “Petticoat’s” trio of beauties are bathing in the water tower, died Jan. 28. He was 75. His sister-in-law Marlene Duerr Dedderson confirmed the news on Facebook.
After the crash of Elliott’s plane, Billie Jo asks the family, “Do you think we’ll get to keep him?” while the family stands over the crop duster, who’s been knocked out.
Steve Elliott was a character on “Petticoat Junction” from fall 1966 until the series ended in 1970. Elliott married Betty Jo on the show — and Minor married Linda Kaye Henning, who portrayed Linda Jo in 1968. (Henning and Elliott were married for five years.)
- Carmel Dagan
6 items from 2016
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