While doing a story on the intrusion of surreptitious surveillance in peoples' private lives, a television reporter rents some surveillance equipment to get a feel for what it's like to spy... See full summary »
James A. Watson Jr.
Lucas Tanner changes careers after a grievous personal tragedy, taking up teaching in suburban St. Louis. He approaches it in an idealistic fashion, rebeling against the rules that keep him from connecting to the students.
Hoping to cure his violent seizures, a man agrees to a series of experimental microcomputers inserted into his brain but inadvertently discovers that violence now triggers a pleasurable response his brain.
Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
T. Hewitt Edward Cat is a retired acrobat (also a retired thief) who has become a bodyguard. He works out of his friend's cafe, El Casa del Gato, where he uses his skills to protect his ... See full summary »
The religious nature of the program attracted a wide variety of actors and directors such as; Jeff Hunter, Ed Asner, Jack Albertson, Beau Bridges, Carol Burnett, Ron Howard, Cindy Williams, Patty Duke, Ann Jillian, Wesley Eure, Bob Hastings, Cicely Tyson, Ricky Kelman, Jack Klugman, Robert Lansing, Randolph Mantooth, Walter Matthau, Deborah Winters, Bob Newhart, Bill Bixby, John Ritter, Michael Shea, Martin Sheen, Marc Daniels, Arthur Hiller, Norman Lloyd, Delbert Mann, Ted Post, Jay Sandrich, and Jack Shea, and writers Rod Serling, John T. Dugan, Lan O'Kun, and Michael Crichton. See more »
The series was produced in the United States, and nearly all of its episodes were set there, but the animated opening credits show cars driving on the left-hand side of the road. See more »
Insight is one of television's lost classics, an anthology series that successfully explored religious and spiritual themes while (usually) avoiding a heavy-handed approach. Considering the quality of the writing, direction, and acting in this series, it is amazing that it has not achieved a greater degree of popularity; it's regular use of symbolism, surreal images, and rather inventive plot and narrative devices should have guaranteed it a place in television history alongside other excellent anthologies such as The Twilight Zone and The Outer Limits. The series dabbled in every format from comedy and satire to fantasy and speculative fiction to deliver it's modern-day morality plays. At times light-hearted and humorous, at other times downright chilling, it was always effective in it's delivery. And who can forget the Reverend Kieser's narrative intros that suggested a cross between Sermonette and Rod Serling's narrations?
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