Neil Brock is a young social worker in the slums of New York City; his boss is Frieda Hechlinger; and Jane Foster is the office secretary. This dramatic series features stories about child ... See full summary »
George C. Scott,
Dr. Alexander Brown (Martin Sheen) arrives in Las Vegas, awarded for his recent medical invention. An ex-G.I. tells Brown he was a test subject during the 1950's, exposed to atomic bomb ... See full summary »
A teenage delinquent who goes on a drunken joyride is left in jail overnight by his parents in the hope that he might learn a lesson from it. But events follow which result in the boy ... See full summary »
While doing a story on the intrusion of surreptitious surveillance in peoples' private lives, a television reporter rents some surveillance equipment to get a feel for what it's like to spy... See full summary »
James A. Watson Jr.
The religious nature of the program attracted a wide variety of actors and directors such as; Jeff Hunter, Ed Asner, Jack Albertson, Beau Bridges, Carol Burnett, Ron Howard, Cindy Williams, Patty Duke, Ann Jillian, Wesley Eure, Bob Hastings, Cicely Tyson, Ricky Kelman, Jack Klugman, Robert Lansing, Randolph Mantooth, Walter Matthau, Deborah Winters, Bob Newhart, Bill Bixby, John Ritter, Michael Shea, Martin Sheen, Marc Daniels, Arthur Hiller, Norman Lloyd, Delbert Mann, Ted Post, Jay Sandrich, and Jack Shea, and writers Rod Serling, John T. Dugan, Lan O'Kun, and Michael Crichton. See more »
The series was produced in the United States, and nearly all of its episodes were set there, but the animated opening credits show cars driving on the left-hand side of the road. See more »
Insight is one of television's lost classics, an anthology series that successfully explored religious and spiritual themes while (usually) avoiding a heavy-handed approach. Considering the quality of the writing, direction, and acting in this series, it is amazing that it has not achieved a greater degree of popularity; it's regular use of symbolism, surreal images, and rather inventive plot and narrative devices should have guaranteed it a place in television history alongside other excellent anthologies such as The Twilight Zone and The Outer Limits. The series dabbled in every format from comedy and satire to fantasy and speculative fiction to deliver it's modern-day morality plays. At times light-hearted and humorous, at other times downright chilling, it was always effective in it's delivery. And who can forget the Reverend Kieser's narrative intros that suggested a cross between Sermonette and Rod Serling's narrations?
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