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"The Andy Griffith Show"
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"The Andy Griffith Show" (1960) More at IMDbPro »TV series 1960-1968

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Release Date:
3 October 1960 (USA) See more »
Widower Sheriff Andy and his son Opie live with Andy's Aunt Bee in Mayberry NC. With virtually no crimes to solve, most of Andy's time is spent philosophizing and calming down his cousin Deputy Barney.
Plot Keywords:
Won 6 Primetime Emmys. Another 7 wins & 5 nominations See more »
(282 articles)
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User Reviews:
The Life and Times of Sheriff Andy Taylor See more (52 total) »


 (Series Cast Summary - 4 of 197)

Andy Griffith ... Sheriff Andy Taylor (249 episodes, 1960-1968)

Ron Howard ... Opie Taylor (210 episodes, 1960-1968)

Frances Bavier ... Aunt Bee Taylor / ... (177 episodes, 1960-1968)

Don Knotts ... Deputy Barney Fife / ... (143 episodes, 1960-1968)

Series Directed by
Bob Sweeney (80 episodes, 1960-1963)
Lee Philips (60 episodes, 1965-1968)
Alan Rafkin (27 episodes, 1964-1967)
Coby Ruskin (18 episodes, 1964-1965)
Don Weis (9 episodes, 1960)
Richard Crenna (8 episodes, 1963-1964)
Jeffrey Hayden (8 episodes, 1963-1964)
Howard Morris (8 episodes, 1964)
Earl Bellamy (7 episodes, 1963-1964)
Peter Baldwin (7 episodes, 1965-1968)
Gene Reynolds (3 episodes, 1961)
Theodore J. Flicker (3 episodes, 1965)
Sheldon Leonard (2 episodes, 1960-1965)
Charles Irving (2 episodes, 1963)
Gene Nelson (2 episodes, 1964)
Aaron Ruben (2 episodes, 1964)
Lawrence Dobkin (2 episodes, 1965)
Series Writing credits
Arthur Stander (249 episodes, 1960-1968)
Jack Elinson (34 episodes, 1960-1966)
Harvey Bullock (31 episodes, 1961-1966)
Charles Stewart (29 episodes, 1960-1962)
James Fritzell (29 episodes, 1961-1964)
Everett Greenbaum (29 episodes, 1961-1964)
Sam Bobrick (19 episodes, 1964-1967)
Bill Idelson (19 episodes, 1964-1967)
Frank Tarloff (9 episodes, 1960-1962)
Lawrence J. Cohen (9 episodes, 1964-1966)
Fred Freeman (9 episodes, 1964-1966)
Ben Gershman (8 episodes, 1961-1962)
Leo Solomon (8 episodes, 1961-1962)
John Whedon (8 episodes, 1963-1964)
Bob Ross (8 episodes, 1964-1968)
Fred S. Fox (7 episodes, 1961-1967)
Aaron Ruben (7 episodes, 1962-1968)
Art Baer (7 episodes, 1964-1966)
Ben Joelson (7 episodes, 1964-1966)
Dick Bensfield (7 episodes, 1967-1968)
Perry Grant (7 episodes, 1967-1968)
Seaman Jacobs (7 episodes, 1967)
Michael Morris (7 episodes, 1967)
Sidney Morse (5 episodes, 1962-1967)
R.S. Allen (5 episodes, 1962)
Arnold Margolin (5 episodes, 1966-1967)
Jim Parker (5 episodes, 1966-1967)
Joseph Bonaduce (5 episodes, 1967-1968)
Doug Tibbles (5 episodes, 1967-1968)
John L. Greene (4 episodes, 1962-1966)
Richard Powell (4 episodes, 1964-1965)
Irving Elinson (3 episodes, 1961-1966)
Paul David (3 episodes, 1966)
Stan Dreben (3 episodes, 1966)
Benedict Freedman (2 episodes, 1961)
John Fenton Murray (2 episodes, 1961)
Ronald Axe (2 episodes, 1966-1967)
Ron Friedman (2 episodes, 1966-1967)
Budd Grossman (2 episodes, 1966-1967)
Pat McCormick (2 episodes, 1966-1967)
Howard Merrill (2 episodes, 1966)
Earl Barret (2 episodes, 1967-1968)
Robert C. Dennis (2 episodes, 1967-1968)
Kent Wilson (2 episodes, 1967-1968)
James L. Brooks (2 episodes, 1968)

Series Produced by
Sheldon Leonard .... executive producer (249 episodes, 1960-1968)
Aaron Ruben .... producer (159 episodes, 1960-1965)
Richard O. Linke .... associate producer (126 episodes, 1960-1964)
Bob Ross .... producer (90 episodes, 1965-1968)
Jerry Jameson .... associate producer (60 episodes, 1965-1967)
Jay Sandrich .... associate producer (32 episodes, 1964-1965)
Danny Thomas .... executive producer (8 episodes, 1963)
Series Original Music by
Earle Hagen (249 episodes, 1960-1968)
Pete Carpenter (14 episodes, 1966-1967)
Carl Brandt (4 episodes, 1967-1968)
Series Cinematography by
Sidney Hickox (249 episodes, 1960-1968)
Series Film Editing by
Tom Stevens (32 episodes, 1964-1968)
Ben Ray (28 episodes, 1964-1966)
Bob Lewis (17 episodes, 1964-1968)
Marshall Neilan Jr. (16 episodes, 1961-1962)
Alan Jaggs (15 episodes, 1963-1964)
Robert Fritch (12 episodes, 1960-1963)
Bud S. Isaacs (2 episodes, 1960)
Bud Molin (2 episodes, 1961-1966)
Leon Selditz (2 episodes, 1963)
Joseph Gluck (2 episodes, 1964)
Robert Moore (2 episodes, 1965-1966)
Series Casting by
Ruth Burch (186 episodes, 1960-1966)
Fred Roos (60 episodes, 1966-1968)
Mike Fenton (30 episodes, 1966-1967)
Series Art Direction by
Kenneth A. Reid (235 episodes, 1960-1968)
Harold Michelson (48 episodes, 1965-1967)
Howard Campbell (26 episodes, 1967-1968)
Ralph Berger (14 episodes, 1960-1961)
Walter Holscher (12 episodes, 1965)
Rolland M. Brooks (11 episodes, 1961)
Series Set Decoration by
Ken Swartz (126 episodes, 1961-1965)
Harry Gordon (101 episodes, 1961-1968)
Robert Priestley (21 episodes, 1960-1961)
Series Costume Design by
Stanley Kufel (121 episodes, 1964-1968)
Robert O'Dell (64 episodes, 1962-1964)
Bob Christenson (31 episodes, 1961-1962)
Ann Helfgott (22 episodes, 1960-1961)
Marge Makau (6 episodes, 1961)
Florence Albert (5 episodes, 1965)
Series Makeup Department
Lee Greenway .... makeup artist (249 episodes, 1960-1968)
Eva Kryger .... hair stylist (183 episodes, 1962-1968)
Carmen Dirigo .... hair stylist (31 episodes, 1961-1962)
Eleanor Edwards .... hair stylist (15 episodes, 1961)
Donna McDonough .... hair stylist (3 episodes, 1964)
Series Production Management
Frank E. Myers .... production manager (219 episodes, 1960-1967)
Ronald Jacobs .... production supervisor (154 episodes, 1963-1968)
Argyle Nelson .... production supervisor (64 episodes, 1960-1962)
Edward M. Hillie .... production manager (30 episodes, 1967-1968)
Series Second Unit Director or Assistant Director
Robert Saunders .... assistant director (186 episodes, 1962-1968)
Bruce Bilson .... assistant director (58 episodes, 1960-1962)
Buddy Messinger .... assistant director (4 episodes, 1962)
Series Art Department
Reggie Smith .... property master (248 episodes, 1960-1968)
Ideal Dottini .... construction coordinator (60 episodes, 1966-1968)
Series Sound Department
Charles David Forrest .... sound engineer (122 episodes, 1960-1964)
Robert Reeve .... re-recording editor (94 episodes, 1960-1963)
Eldon Campbell .... sound engineer (93 episodes, 1964-1968)
Victor Guarnier .... sound editor (52 episodes, 1966-1968)
Dick Maier .... re-recording editor / sound editor (32 episodes, 1964-1966)
Max M. Hutchinson .... sound engineer (32 episodes, 1964-1965)
Dick Le Grand .... re-recording editor (31 episodes, 1963-1964)
Gene Corso .... sound editor (30 episodes, 1965-1966)
James M. Falkinburg .... sound editor (30 episodes, 1965-1966)
Leonard Davison .... sound editor (8 episodes, 1966)
Series Editorial Department
Joseph Gluck .... supervising editor (72 episodes, 1960-1964)
Ben Ray .... supervising editor (41 episodes, 1965-1968)
Jerry Jameson .... editorial supervisor (30 episodes, 1967-1968)
Series Music Department
Herbert W. Spencer .... composer: theme music (214 episodes, 1960-1968)
Donn Cambern .... music editor (69 episodes, 1963-1966)
Alan Jaggs .... music editor (63 episodes, 1961-1962)
Ken Johnson .... music editor (53 episodes, 1964-1967)
Mark Southern .... music editor (30 episodes, 1967-1968)
Ed Norton .... music editor (10 episodes, 1965)
John Mick .... music editor (7 episodes, 1966)
Lloyd Young .... music editor (2 episodes, 1966)
Series Transportation Department
Frank Khoury .... driver (2 episodes, 1962)
Series Other crew
Aaron Ruben .... story consultant (124 episodes, 1960-1964)
Bob Ross .... script consultant / story consultant (119 episodes, 1964-1968)
Hazel W. Hall .... continuity (108 episodes, 1960-1964)
Joel Swanson .... assistant to producer / production assistant (105 episodes, 1963-1968)
Rosemary Dorsey .... continuity (85 episodes, 1965-1968)
Jay Sandrich .... assistant to producer (63 episodes, 1961-1963)
Ronald Jacobs .... assistant to producer (32 episodes, 1960-1961)
Kay Thackery .... continuity (32 episodes, 1964-1965)
Fred S. Fox .... script consultant / story consultant (30 episodes, 1966-1967)
Mitch DeWood .... assistant to producer (26 episodes, 1966-1967)
Mike Fenton .... assistant to producer (18 episodes, 1965-1966)
Dorothy Aldworth .... continuity (6 episodes, 1964)
Pat Miller .... continuity (3 episodes, 1967)
Marjorie Mullen .... continuity (2 episodes, 1962)
Mollie Kent .... continuity (2 episodes, 1963)
Jane Ficker .... continuity (2 episodes, 1965)

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Andy of Mayberry" - USA (rerun title)
"T.A.G.S." - International (English title) (informal short title)
See more »
30 min (249 episodes)
Black and White (1960-1965) | Color (1965-1968)
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Australia:G | Canada:G (Manitoba/Nova Scotia/Quebec) (video rating)

Did You Know?

The final season of the show was pretty much a setup for its replacement, "Mayberry R.F.D." (1968).See more »
Errors made by characters (possibly deliberate errors by the filmmakers): In the first half of the first season there is a sign in the drug store above a shelf which said "Enlargments" a misspelling of "Enlargements" which was seen corrected later.See more »
Andy Taylor:[on the phone] If you don't want magazine subscriptions or your septic tank pumped out, there's a sign you can get that says no peddlers or agents.
Andy Taylor:Well, sure that applies to septic tank pumpers... sure. Now take down those disease signs, Nelvin.
See more »
Movie Connections:
Fishin' Hole ThemeSee more »


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45 out of 45 people found the following review useful.
The Life and Times of Sheriff Andy Taylor, 9 January 2004
Author: lugonian from Kissimmee, Florida

THE ANDY GRIFFITH SHOW (CBS, 1960-1968) is not only Andy Griffith's first TV show, but his best. Griffith, who made his mark on Broadway, TV and screen adaptation of NO TIME FOR SERGEANTS, might have turned that into a weekly comedy series. Instead, Griffith was offered an original premise about the life and times of a southern sheriff in Mayberry. With the show's opening shows off a father and his young son walking towards the pond with fishing poles carried over their shoulders to whistling score, "The Fishing Hole," it's become one of those rare cases where a series, lasting eight successful seasons, to resume that same basic introduction. There were some minor changes over the years where it converted from black and white to color, and the growth of the sheriff's young son. During its eight seasons, this wholesome sit-com not only centered upon Sheriff Andy Taylor (Andy Griffith), but on the citizens of Mayberry, North Carolina. Naturally a series with such a lengthy run would go through some dramatic or necessary changes, such as the loss of certain characters, (Deputy Barney Fife), and addition of others (Goober Pyle, Howard Sprague), having one basic show with two different formats.

Andy Taylor is described as an easy-going, sometimes laid back sheriff seldom in complete uniform, unlike his bumbling deputy, Barney Fife, who not only dresses accordingly, ranging from tie, hat and a gun in his holster containing one bullet.going strictly by the book of the law. Together Andy and Barney team up for some humorous police work with Andy playing the straight man, and Barney providing his quota of laughs. At times, Barney becomes the bumbling fool in the eyes of the people. It is up to Andy to prove them wrong by helping Barney restore his confidence usually by giving Barney the credit actually due to the sheriff himself. Aside from their professions in keeping law and order in Mayberry, certain episodes would set focus on their personal lives, particularly on Andy, a widower/ father to his young son named Opie (Ronny Howard), cared for at home by his matron Aunt Bee (Frances Bavier). The first season to THE GRIFFITH SHOW did find Andy romantically involved with Ellie Walker (Elinor Donahue), the lady druggist. Seasons two and three found Andy sporadically having new love interests. By the time he acquired one in Helen Crump (Aneta Corsaut), Opie's school teacher, Andy lost his strong Southern accent for more natural tone. As for Barney, he's a carefree bachelor with his heart set on Thelma Lou (Betty Lynn). Unlike Andy (who would make Helen his bride in the premiere spin off series of MAYBERRY RFD in 1968), Barney would never marry.

After five seasons of black and white episodes, the remaining three seasons converted to color. Aside from that change, the Barney Fife character was gone, but not forever, making occasional returns once or twice a year for old times' sake. During Barney's absence, Andy acquired a substitute deputy, Warren (Jack Burns), written out of the show after 12 episodes, leaving Andy to sheriff about town alone and deputy position permanently vacant. With passage in time, Andy's police work would become less frequent, having ts main focus more on Andy's home-life and citizens of Mayberry. Otis (Hal Smith), the town drunk, would eventually be phased out.

While normally programs such as this losing a key supporting character such as Don Knotts would suffer in the ratings, THE ANDY GRIFFITH SHOW continued to prosper for the next three years, becoming the number one show by the time Griffith gave up his badge by the end of the eighth season (1968). By then, the show acquired additional characters to the lineup: Goober Pyle (George Lindsay), Howard Sprague (Jack Dodson) and handyman, Emmett Clark (Paul Hartman), who replaced by Floyd, the Barber (Howard McNear), upon his death during the 1967-68 season; Clara Jackson, later Edwards (Hope Summers), Bee's closest friend; all new characters part of the Mayberry family.

What has become the secret to the success of THE ANDY GRIFFITH SHOW? Was it the father and son relationship between Andy and Opie, (who affectionately calls addresses him as "Paw.")? The chemistry between best friends Andy and Barney? Or the now familiar faces and classic characters who took part as citizens of Mayberry that made the show special? One thing for sure, there's nothing dated about THE ANDY GRIFFITH SHOW. It could be set anywhere at anytime, since it hardly dealt with issues or political issues of the day.

During its initial years, THE ANDY GRIFFITH SHOW played funny without becoming too silly, except in some cases with the wild and crazy Ernest T. Bass (Howard Morris). The final years dealt more on serious issues without getting overly sentimental, though some early ones, "Opie the Birdman" (1962) and "Aunt Bee's Romance" (1964) went strictly on the dramatic side. The final three seasons moved towards a more wholesome, down to earth setting, even modernizing Aunt Bee from homemaker to independent woman acquiring both a driver's and pilot's license, and the teenage Opie having new friends (Johnny Paul and then Arnold), interests in girls and becoming part a rock and roll band.

While the Andy Taylor character had been originally introduced in an episode of MAKE ROOM FOR DADDY (1959) starring Danny Thomas, characters introduced on THE GRIFFITH SHOW spawned spin-offs as well: Gomer Pyle (Jim Nabors), for GOMER PYLE, USMC, and Sam Jones (Ken Berry) for MAYBERRY, RFD.

After THE ANDY GRIFFITH SHOW ended its run in 1968, it has never gone from view. Many of its 249 episodes in reruns have become favorites, even classics, especially those involving Barney Fife. These and other shows can still be seen and appreciate in its seasonal package on DVD or TVLand. (****)

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