| Photos (See all 52 | slideshow) | Videos (see all 4) |
| Jean Seberg | ... | Patricia Franchini | |
| Jean-Paul Belmondo | ... | Michel Poiccard / Laszlo Kovacs | |
| Daniel Boulanger | ... | Police Inspector Vital | |
| Henri-Jacques Huet | ... | Antonio Berrutti | |
| Roger Hanin | ... | Carl Zubart | |
| Van Doude | ... | Himself | |
| Claude Mansard | ... | Claudius Mansard | |
| Liliane Dreyfus | ... | Liliane / Minouche (as Liliane David) | |
| Michel Fabre | ... | Police Inspector #2 | |
| Jean-Pierre Melville | ... | Parvulesco the Writer | |
| Jean-Luc Godard | ... | The Snitch | |
| Richard Balducci | ... | Tolmatchoff | |
| André S. Labarthe | ... | Journalist at Orly | |
| François Moreuil | ... | Journalist at Orly | |
| rest of cast listed alphabetically: | |||
| Liliane Robin | ... | Minouche | |
| Gérard Brach | ... | Photographer (uncredited) | |
| Philippe de Broca | ... | A Journalist (uncredited) | |
| José Bénazéraf | ... | (uncredited) | |
| Jean Domarchi | ... | A Drunk (uncredited) | |
| Jean Douchet | ... | A Journalist (uncredited) | |
| Raymond Huntley | ... | A Journalist (uncredited) | |
| Louiguy | ... | (uncredited) | |
| Michel Mourlet | ... | (uncredited) | |
| Guido Orlando | ... | (uncredited) | |
| Madame Paul | ... | (uncredited) | |
| Raymond Ravanbaz | ... | (uncredited) | |
| Jean-Louis Richard | ... | A Journalist (uncredited) | |
| Jacques Serguine | ... | (uncredited) | |
| Jacques Siclier | ... | (uncredited) | |
| Virginie Ullmann | ... | (uncredited) | |
| Emile Villion | ... | (uncredited) | |
Directed by | |||
| Jean-Luc Godard | |||
Writing credits | ||
| Jean-Luc Godard | (screenplay) uncredited | |
| François Truffaut | (story) | |
Produced by | |||
| Georges de Beauregard | .... | producer | |
Original Music by | |||
| Martial Solal | |||
Cinematography by | |||
| Raoul Coutard | |||
Film Editing by | |||
| Cécile Decugis | |||
Makeup Department | |||
| Phuong Maittret | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Pierre Rissient | .... | assistant director | |
Art Department | |||
| Clément Hurel | .... | poster artist | |
Sound Department | |||
| Jacques Maumont | .... | sound | |
Camera and Electrical Department | |||
| Claude Beausoleil | .... | camera operator | |
Editorial Department | |||
| Lila Herman | .... | assistant editor | |
Other crew | |||
| Claude Chabrol | .... | technical advisor | |
| Suzon Faye | .... | script supervisor (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
This is the one that started it all. With the story of a man on the run calling himself Laszlo Kovacs (a cinematographer of the time), Jean-Luc Godard arrived in the movies (well, on the production end, at least). This also more than his typical film essay. The story by Francois Truffaut makes for a terrific Godard script (the Truffaut stamp makes it comparable to SHOOT THE PIANO PLAYER). Jean-Paul Belmondo does well in the Kovacs role, humanizing our bad-guy hero right up to the slam-bang finish. Jean Seberg is his conflicted lover who must... well, just watch. A landmark of the French New Wave, which is one of the most important movements in cinema. Vastly superior to the 1983 BREATHLESS with Richard Geer and Fassinder's homage THE AMERICAN SOLDIER. This is guaranteed to be like few movies you've seen before (unless, of course, you're a fan of the New Wave). BREATHLESS is also very memorable for its music and unusual photography. Shows how European film brought out the importance of character in film and raised it to new heights (whereas in American film, a close-up is the closest you'll get to character development). This is a must for any film student and for anyone who just loves movies.