À bout de souffle (1960)

Director:

Jean-Luc Godard

Writers:

Jean-Luc Godard (screenplay)
François Truffaut (story)

Release Date:

7 February 1961 (USA)

Genre:

Crime | Drama | Romance | Thriller

Tagline:

The film that was banned for 4 years. Why..? (original Finnish poster tagline)

Plot:

A young car thief kills a policeman and tries to persuade a girl to hide in Italy with him.

Plot Keywords:

Car | Policeman | Sociopath | Love | Journalism

Awards:

Nominated for BAFTA Film Award. Another 3 wins & 1 nomination

Cast

Jean-Paul Belmondo	...	Michel Poiccard
Jean Seberg	...	Patricia Franchini
Daniel Boulanger	...	Police Inspector Vital
Jean-Pierre Melville	...	Parvulesco
Henri-Jacques Huet	...	Antonio Berrutti
Van Doude	...	Himself
Claude Mansard	...	Claudius Mansard
Jean-Luc Godard	...	An Informer
Richard Balducci	...	Tolmatchoff
Roger Hanin	...	Cal Zombach
Jean-Louis Richard	...	A Journalist
rest of cast listed alphabetically:
Liliane David	...	Liliane
Jean Domarchi	...	A Drunk
Jean Douchet	...	A Journalist
Raymond Huntley	...	A Journalist
André S. Labarthe	...	A journalist
François Moreuil	...	A journalist
Liliane Robin	...	Minouche

Also Known As:

Breathless (UK) (subtitle) (USA)
By a Tether (UK) (informal title)

Runtime:

90 min

Country:

France

Language:

French | English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Finland:K-12 (1996) | Finland:K-16 (1964) | Singapore:PG | South Korea:12 | Portugal:M/12 | Argentina:13 | Australia:PG | Chile:14 | Finland:(Banned) (1960) | Sweden:15 | UK:PG | USA:Unrated | West Germany:18 (bw) (nf) | Germany:16

Filming Locations:

11 rue Campagne Première, Paris 14, Paris, France

Company:

Les Productions Georges de Beauregard

Trivia:

This film is dedicated to Monogram Pictures.

Quotes:

[first lines]
Michel Poiccard: After all, I'm an asshole. After all, yes, I've got to. I've got to!

Movie Connections:

Referenced in In the Strangest Places (2005)

"It's silly, but I love you. I wanted to see you, to see if I'd want to see you."

I finally did it. I finished watching À bout de souffle. I kept putting it off because I usually have problem when everybody tells me that such and such film is the epitome of its era or it breaks all the rules, starts the revolution, and reinvents the cinema. That's why, probably, I cannot like Citizen Kane - try to watch the arguably best film ever made - you will be under a lot of pressure.

Well, À bout de souffle does not put you under the pressure, it takes you for a ride, and you follow for 90 minutes its incredibly young characters, common crook (Jean-Paul Belmondo) and his American free-spirited girlfriend (Jean Seberg) on their journey on the streets of 1960-th Paris along with Raoul Coutard's legendary camera. I am not going to tell here how great the camera work was, how fantastic the music score and the views of Paris were - the fans of the film know that already. They also know about the beginning of French New Wave, and how it influenced the future cinema. I just want to say that the movie was made over forty years ago - the smoking was cool back then, and Belmondo made smoking look very sexy. Belmondo fascinates me in this film. I've seen him in a lot of later movies - he's always been good (I recommend Le Magnifique, 1973 and Le Professionnel,1981 ) - but in À bout de souffle he is not just good - he is embodiment of cool, his face changes its expression every moment, you can not take your eyes off him. Is it me or he does remind the very young Mick Jagger - not commonly handsome but irresistible and sexy? He and young (she was 21 at the time) Jean Seaborg made one of the best screen couples ever. My favorite scenes:

Michel drives the stolen car in the beginning of the film, and he starts to talk to us, the audience. The day is nice, the sun is shining, and the life is beautiful...

Michel and Patricia drive in the convertible. The wind plays with her short hair. We only see the back of her head and her neck. Michel tells her that he loves the girl with a beautiful neck, wrists, knees, but she is a chicken...

Patricia comes to the hotel to find Michel in her bed. They start talking about nothing and about very serious things. They smoke, she tries to find a good place for her new poster, and he wants to sleep with her. In the end of the scene, his face, he looks at her - there is love in that look...

There is more - I am sure everyone who saw it has his/her favorite scenes.