A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Michel Poiccard, an irresponsible sociopath and small-time thief, steals a car and impulsively murders the motorcycle policeman who pursues him. Now wanted by the authorities, he renews his relationship with Patricia Franchini, a hip American girl studying journalism at the Sorbonne, whom he had met in Nice a few weeks earlier. Before leaving Paris, he plans to collect a debt from an underworld acquaintance and expects her to accompany him on his planned getaway to Italy. Even with his face in the local papers and media, Poiccard seems oblivious to the dragnet that is slowly closing around him as he recklessly pursues his love of American movies and libidinous interest in the beautiful American. Written by
Gabe Taverney (email@example.com)
According to Jean-Pierre Melville, Godard asked him for consultation during the post-production stage because the first edit was too long for distribution. Melville suggested Godard remove all scenes that slowed down the action (his own turn as novelist Parvulesco included). But instead of excluding entire scenes, Godard cut little bits from here and there. This led to the "jump cut" technique this movie introduced. Melville declared the result to be excellent. See more »
During street shots, countless passersby keep on staring into the camera, revealing the shots to be made without appropriate filming barriers and not using extras for pedestrians. See more »
"If you don't like this film...then you can get stuffed!"
"À Bout de Soufflé" aka "Breathless", was the first full-length film directed by the controversial Jean-Luc Godard, and the first film of his long career that I've had the chance to see so far. "Breathless" is the landmark film of the Nouvelle Vague (New Wave), when young filmmakers such as François Truffaut thrilled the audiences and shocked the Establishment.
Although some people may not be as impressed with "Breathless" structure as they were in 1960, it remains a terrific, breathtaking film experience and has aged wonderfully. Such masterpieces live up to the hype and time, even though they're not as technically impressive as they were 40 years ago, and they're still powerful thanks to what great films consist of: passion. As another user rightfully stated, we have to look at "Breathless" from a historical point: it's different from any other previous film. Godard was truly a visionary and an incredibly talented, passionate "auteur".
"Breathless" plot is rather simple: Michel Poiccard/Laszlo Kovacs (Jean-Paul Belmondo), our anti-hero, is a young criminal on the run from the police, after stealing a car and killing a cop. He has an affair with a beautiful young American, Patricia (Jean Seberg), an aspiring journalist who sells the New York Herald Tribune in the middle of the Champs Élysées (her first scene here was paid a tribute by Eva Green in Bertolucci's "The Dreamers"), and is also expecting Michel's baby. Patricia helps Michel to dodge the police, while they steal cars together in order to raise money for a trip to Rome. But when you want to "vivre dangereusement jusqu'au bout" - or, live dangerously till the end, things may end up not so well.
When you see Belmondo touching his lips, trying to imitate Humphrey Bogart's trade mark, Seberg walking on the Élysées as lovely as a girl can be, the unforgettable final moments...you don't worry about theories on why this is a classic. "À Bout de Soufflé" is Cinema.
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