Three teenagers find a briefcase with a beat-up old can in it. They throw away the can and pawn the suitcase. When they read in the papers that the can was full of uncut heroin and belonged... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might... See full summary »
Eva Marie Saint,
Mordecai Jones is a rural con artist (a 'flim-flam man') who takes on a young army deserter; Curley as his protege, and teaches him the tricks of the trade. Sheriff Slade is in hot pursuit ... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Cyborg law enforcer RoboCop protects the citizens of Detroit by taking on a powerful drug syndicate, while a renegade OCP executive tries to create a new, superior RoboCop using a crime lord as its subject.
Teen-age sweethearts, Benjie Whitney and Ann Howel, decide to elope to Mexico. Jamie Forbes, insane itinerant oil-field worker, who has killed his boss, runs on to them when they run out of gas and forces them to take him with them. On the way, he murders a blonde woman, at a gas station, who resents his attentions. Once in Mexico, he forces his attentions on Ann, while holding Benjie at bay with a switch-blade knife. Written by
Les Adams <email@example.com>
It is one of the earliest films of EMPIRE STRIKES BACK's director. Irvin Kershner came from the TV networks, don't forget it. Later, he made some dramas, such as this very one, and other more important features like EYES OF LAURA MARS, NEVER SAY NEVER AGAIN, and a MAN CALLED HORSE sequel. This little movie is a juvenile delinquency one, we can consider it as this. It was the kind of topic very often shown in these days of late fifties and early sixties. REBEL WITHOUT A CAUSE was still in minds of every movie maker: screenwriter, director, producers.
The tale of a young rebel, employee on a oil well field, who accidentally kills his boss and who has to run away...
Yes, we have seen this a thousand times before. I won't tell further, I think it is useless. The young couple the young hood meets and guess what...
A rare film, although.
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