| Pierre Brasseur | ... | Docteur Génessier | |
| Alida Valli | ... | Louise | |
| Juliette Mayniel | ... | Edna Grüber | |
| Edith Scob | ... | Christiane Génessier | |
| François Guérin | ... | Jacques Vernon | |
| Alexandre Rignault | ... | Inspector Parot | |
| Béatrice Altariba | ... | Paulette | |
| Charles Blavette | ... | L'homme de la fourrière (as Blavette) | |
| Claude Brasseur | ... | Un inspecteur | |
| Michel Etcheverry | ... | Le docteur Lherminier - médecin légiste / Forensic surgeon | |
| Yvette Etiévant | ... | La mère (as Yvette Etievent) | |
| René Génin | ... | Emile Tessot | |
| Lucien Hubert | ... | Un homme au cimetière | |
| Marcel Pérès | ... | Un homme au cimetière | |
| rest of cast listed alphabetically: | |||
| France Asselin | ... | (uncredited) | |
| Charles Bayard | ... | Un homme à la conférence (uncredited) | |
| Gabrielle Doulcet | ... | Une admiratrice (uncredited) | |
| Corrado Guarducci | ... | (uncredited) | |
| Brigitte Juslin | ... | (uncredited) | |
| Charles Lavialle | ... | Le concierge (uncredited) | |
| Max Montavon | ... | (uncredited) | |
| Jimmy Perrys | ... | Un homme à la morgue (uncredited) | |
Directed by | |||
| Georges Franju | |||
Writing credits | ||
| Jean Redon | (novel) | |
| Pierre Boileau | (adaptation) (as Boileau-Narcejac) & | |
| Thomas Narcejac | (adaptation) (as Boileau-Narcejac) & | |
| Jean Redon | (adaptation) & | |
| Claude Sautet | (adaptation) | |
| Pierre Gascar | (dialogue) | |
Produced by | |||
| Jules Borkon | .... | producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Eugen Schüfftan | (as Eugen Shuftan) | ||
Film Editing by | |||
| Gilbert Natot | |||
Production Design by | |||
| Auguste Capelier | |||
Art Direction by | |||
| Margot Capelier | |||
Costume Design by | |||
| Marie Martine | (gowns) (as Marie-Martine) | ||
Makeup Department | |||
| Georges Klein | .... | makeup artist | |
| Marcelle Testard | .... | hair stylist | |
Production Management | |||
| Margot Capelier | .... | assistant production manager | |
| Pierre Laurent | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Claude Sautet | .... | assistant director | |
Art Department | |||
| Claude Moesching | .... | assistant art director | |
| Jacques Mély | .... | assistant art director | |
| Albert Volper | .... | set dresser | |
Sound Department | |||
| Antoine Archimbaud | .... | sound | |
Special Effects by | |||
| Charles-Henri Assola | .... | special effects (as Henri Assola) | |
Camera and Electrical Department | |||
| Pierre Brard | .... | assistant camera | |
| Jean-Louis Castelli | .... | still photographer | |
| Robert Schneider | .... | camera operator | |
Editorial Department | |||
| Denise Natot | .... | assistant editor | |
Music Department | |||
| Maurice Jarre | .... | musical director | |
Other crew | |||
| Ginette Diamant-Berger | .... | script supervisor | |
| Marcel Lesourd | .... | animal trainer | |
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| Kings & Queen | La corta notte delle bambole di vetro | Torso | Persepolis | Deep Red |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb France section |
Along with THE SHINING, THE BRIDE OF FRANKENSTEIN and PSYCHO, the best horror film ever made. Franju forsakes the usual signifiers of the genre - hurtling pace, quick editing, signalling music, hysterically scary scenes - in favour of a pace as funereal and petrified as its heroine's face. A soul-chilling film, seeped of all emotion, its scientific subject matter belies a timeless, complicated, non-judgemental Gothic fable about the destruction of innocence, the carelessness of masculine authority and the exploitation of women (especially in art). The many paralells with VERTIGO (the source novel was written by the same writers), the startling tree and animal imagery, the suspended dream logic and the perverse comic sense ensure this film as a classic, and makes one yearn for more Franju.