A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
Favraux, an unscrupulous banker, receives a threatening note, signed by "Judex", demanding that he pay back the people he has swindled. He refuses, and apparently dies after a midnight ... See full summary »
Late 19th Century New France. On a misty, early spring morning the body of a young woman is found in a forest clearing, her face and wrists bandaged. Her body laid to rest on a thick bed of... See full summary »
When he learns his days are numbered old count Hervé de Kéraudren decides to hide in a secret alcove and to die there, just to annoy his heirs. As a result of his body not being found the ... See full summary »
After Thérèse is acquitted of trying to poison her husband, Bernard Desqueyroux, she recalls the events that lead to her being charged. At the beginning of her marriage to Bernard, the only... See full summary »
In order to get rid of his troublesome son François, Maître Gérane manages to have him committed to a mental hospital owned by Dr. Varmont, a supporter of traditional treatments, in ... See full summary »
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane, whose face has been entirely spoiled in a car crash. All the experiments fail, and the victims die, but Génessier keeps trying.... Written by
The film made its debut in Paris on March, 2nd 1960. See more »
In the initial surgery scene, Doctor Génessier makes cuts around the face and eyes of the young woman (Edna). When he and Louise remove the face, there are suddenly marks and a hole cut around the mouth. See more »
Along with THE SHINING, THE BRIDE OF FRANKENSTEIN and PSYCHO, the best horror film ever made. Franju forsakes the usual signifiers of the genre - hurtling pace, quick editing, signalling music, hysterically scary scenes - in favour of a pace as funereal and petrified as its heroine's face. A soul-chilling film, seeped of all emotion, its scientific subject matter belies a timeless, complicated, non-judgemental Gothic fable about the destruction of innocence, the carelessness of masculine authority and the exploitation of women (especially in art). The many paralells with VERTIGO (the source novel was written by the same writers), the startling tree and animal imagery, the suspended dream logic and the perverse comic sense ensure this film as a classic, and makes one yearn for more Franju.
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