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Eyes Without a Face (1960)

Les yeux sans visage (original title)
Unrated | | Drama, Horror | 24 October 1962 (USA)
A surgeon causes an accident which leaves his daughter disfigured, and goes to extremes to give her a new face.

Director:

Writers:

(novel), (adaptation) (as Boileau-Narcejac) | 4 more credits »

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Cast

Complete credited cast:
...
...
Juliette Mayniel ...
Alexandre Rignault ...
Inspector Parot
Béatrice Altariba ...
Paulette (as Beatrice Altariba)
Charles Blavette ...
L'homme de la fourrière (as Blavette)
Claude Brasseur ...
Un inspecteur
Michel Etcheverry ...
Le docteur Lherminier - médecin légiste / Forensic surgeon
Yvette Etiévant ...
La mère (as Yvette Etievent)
René Génin ...
Emile Tessot
Lucien Hubert ...
Un homme au cimetière
Marcel Pérès ...
Un homme au cimetière (as Marcel Pères)
François Guérin ...
Jacques Vernon (as Francois Guerin)
...
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Storyline

After causing an accident that left his daughter Christiane severely disfigured, the brilliant surgeon Dr. Génessier works tirelessly to give the girl a new face. He does so however by kidnapping young women and attempting face transplants. He has been woefully unsuccessful to date. The doctor's world begins to collapse around him when his daughter realizes just what he has been doing. Written by garykmcd

Plot Summary | Plot Synopsis

Genres:

Drama | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

24 October 1962 (USA)  »

Also Known As:

The Horror Chamber of Dr. Faustus  »

Box Office

Opening Weekend:

$19,628 (USA) (31 October 2003)

Gross:

$52,709 (USA) (28 November 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Director Georges Franju never considered the film to be a horror story, but instead felt it was tale of "anguish." See more »

Goofs

There are actually two different Citroen DS cars used in the film as the Doctor's car. One, presumably a DS21, has two spotlights built into the bodywork by the headlights and chrome trim, including a driver's wing-mirror (see 10:00 as he arrives with no lights and 12:50 as he leaves a few minutes later using headlights and spotlights, another continuity gaff in itself). At 12 :50 and 14:16 the DS with spotlights is seen but at 17:19 it has changed to one with no spotlights and no wing-mirror, presumably a DS19. Though its front plate is "7769-GR75", when the Doctor puts it into the garage, the rear plate reads "2923-GR75" and the assistant's Citroen Diane has the plate "7769-GR75" on the front. At 32:18 the Diane has "2923-GY75" on the rear and at 32:55 the same on the front, which was its registration when first seen near the start of the film. Finally, at 54:49 it's back to the DS with spotlights. See more »

Quotes

Louise: She trusts you this time. I trust you.
Doctor Génessier: Me, I'm hoping, that's all.
See more »

Connections

Referenced in Ringu 0 (2000) See more »

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User Reviews

 
Dark, desolate and diverting
6 April 2003 | by (Virginia) – See all my reviews

This film is dark and somber with a spare, eerie music score that suits perfectly the macabre, surreal story. A brilliant but deranged surgeon, having caused his daughter's disfigurement in a car accident, loses touch with reality and tries to restore her beauty in a most repulsive manner. Undeterred by failure, the mad doctor continues his gruesome work, hoping to find a miracle cure that will reconstruct the girl's facial features and also relieve him of his tremendous burden of guilt. The once-lovely girl realizes that she will never enjoy a normal life or see her beloved fiancé again, and her mute telephone calls to him just to hear his voice show how empty and lonely her life has become. There are some scenes that are horribly graphic but quite well done and a few moments that are poignant and touching amid the cruelty and butchery of the movie's central theme. Each character in this grim, unhappy feature is victimized in some fashion, but in spite of its subject matter, this cult classic is lean, first-rate storytelling.


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