A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the ... See full summary »
A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots ... See full summary »
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane, whose face has been entirely spoiled in a car crash. All the experiments fail, and the victims die, but Génessier keeps trying.... Written by
Director John Carpenter once suggested that selecting the mask that Michael Myers wore in Halloween (1978) was influenced by Edith Scob's mask in this film. See more »
There are actually two different Citroen DS cars used in the film as the Doctor's car. One, presumably a DS21, has two spotlights built into the bodywork by the headlights and chrome trim, including a driver's wing-mirror (see 10:00 as he arrives with no lights and 12:50 as he leaves a few minutes later using headlights and spotlights, another continuity gaff in itself). At 12 :50 and 14:16 the DS with spotlights is seen but at 17:19 it has changed to one with no spotlights and no wing-mirror, presumably a DS19. Though its front plate is "7769-GR75", when the Doctor puts it into the garage, the rear plate reads "2923-GR75" and the assistant's Citroen Diane has the plate "7769-GR75" on the front. At 32:18 the Diane has "2923-GY75" on the rear and at 32:55 the same on the front, which was its registration when first seen near the start of the film. Finally, at 54:49 it's back to the DS with spotlights. See more »
George Franju's "Yeux Sans Visage" is extremely slow yet absolutely riveting. The direction is masterful and Pierre Brasseur is superb as the dedicated doctor whose love for his daughter leads him to commit unspeakable crimes.
The cold, sinister atmosphere of the film will seep into your bones and you may find it hard to look at the screen when the central skin-removal operation takes place - this is an extraordinarily grisly sequence for its time, lent all the more power by the cold, matter-of-fact direction and acting.
In a film full of haunting images, you will find the last one unforgettable.
Why can't modern directors make horror films as good as this? It deals with a potentially lurid, gory subject-matter with masterly subtlety and skill.
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