A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
Favraux, an unscrupulous banker, receives a threatening note, signed by "Judex", demanding that he pay back the people he has swindled. He refuses, and apparently dies after a midnight ... See full summary »
In order to get rid of his troublesome son François, Maître Gérane manages to have him committed to a mental hospital owned by Dr. Varmont, a supporter of traditional treatments, in ... See full summary »
When he learns his days are numbered old count Hervé de Kéraudren decides to hide in a secret alcove and to die there, just to annoy his heirs. As a result of his body not being found the ... See full summary »
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane, whose face has been entirely spoiled in a car crash. All the experiments fail, and the victims die, but Génessier keeps trying.... Written by
Originally released in the US in an edited version titled "The Horror Chamber of Dr. Faustus" - an odd title considering there's no one named Dr. Faustus in the film. See more »
In her first scene, Christiane says that her father has removed all the mirrors from the house. But when the doctor carries an unconscious Edna out of the parlor, their reflections can be seen a mirror beside the fireplace. See more »
This is one of those oddities that makes an interest in cinema worthwhile. Like the equally atmospheric Carnival of Souls, it was made by a director whose primary activity lay in documentaries, and can very much be regarded as a 'one-off'.
Franju's vision is at once beautiful and emetic: on the one hand, we have the stunning face of Edith Scob, the weird sight of her masked figure running into the night, the sequences which are held for longer than seems natural; on the other hand, arguably the most nauseating operation scenes committed to film (and somehow more unpleasant for being in black and white). The atmosphere is one of quiet poetry, but the juxtaposition with horror makes it unusual and effective. A connoisseur's delight. 9 out of 10. See it, if you can stomach it.
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