A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
Favraux, an unscrupulous banker, receives a threatening note, signed by "Judex", demanding that he pay back the people he has swindled. He refuses, and apparently dies after a midnight ... See full summary »
Late 19th Century New France. On a misty, early spring morning the body of a young woman is found in a forest clearing, her face and wrists bandaged. Her body laid to rest on a thick bed of... See full summary »
In order to get rid of his troublesome son François, Maître Gérane manages to have him committed to a mental hospital owned by Dr. Varmont, a supporter of traditional treatments, in ... See full summary »
After Thérèse is acquitted of trying to poison her husband, Bernard Desqueyroux, she recalls the events that lead to her being charged. At the beginning of her marriage to Bernard, the only... See full summary »
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane, whose face has been entirely spoiled in a car crash. All the experiments fail, and the victims die, but Génessier keeps trying.... Written by
Initial releases of the film were met with negative reactions from film critics. One French critic stated the film was "in a minor genre and quite unworthy of his (Franju's) abilities." Franju responded by saying that the film was his attempt to get the minor genre to be taken seriously. See more »
When she's not wearing it, Christiane's mask is very thick and heavy and would only seem to cover her face. When she puts it on, however, it is very thin, close-fitting, and seamlessly covers her jawline and the underside of her chin, revealing that the mask itself is a prop while the actress probably wears a combination of makeup and prosthetics. See more »
George Franju's "Yeux Sans Visage" is extremely slow yet absolutely riveting. The direction is masterful and Pierre Brasseur is superb as the dedicated doctor whose love for his daughter leads him to commit unspeakable crimes.
The cold, sinister atmosphere of the film will seep into your bones and you may find it hard to look at the screen when the central skin-removal operation takes place - this is an extraordinarily grisly sequence for its time, lent all the more power by the cold, matter-of-fact direction and acting.
In a film full of haunting images, you will find the last one unforgettable.
Why can't modern directors make horror films as good as this? It deals with a potentially lurid, gory subject-matter with masterly subtlety and skill.
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