Ursula leaves the convent where she was educated, to start living with her uncle, the count Ribera, and her aunt Florentine. When she arrives, she is confronted with a local drama: a ... See full summary »
Famed American playwright Phillip Hannon is in London making revisions to his play currently running in the West End. He is doing this mundane work rather than write a new play since he has... See full summary »
The story of president Andrew Jackson from his early years, the film begins when he meets Rachel Donaldson Robards. The plot concentrates on the scandal concerning the legality of their ... See full summary »
The title is a misnomer :actually ,it's the male character who had a mysterious past -revealed to the doctor at the end of the movie.
Henry Hathaway has always been one of my favorite American directors :he has always been eclectic ("lives of a Bengal lancer" and "Pete Ibbbetson" the same year!);here an interesting example of the way the director has almost totally mastered the style of Douglas Sirk's melodramas (particularly "all that heaven allows" and "all I desire").
Susan Hayward was perfect as ever as the widow whereas Stephen Boyd was trying to get rid of that "Messala skin" ,a thing he could never achieve:he gives as a effective performance ,very nice when he appears for the first time,then oddly turning into a crude brute before redeeming himself ;whatever he plays ,he is convincing.
In fact,the worst character is the brat :his biological father disappears in the first minutes and the relationship with his son is underwritten;thus he sometimes appears selfish and even cruel (the pitchfork);ditto for Mary:she seems to be only concerned by her own pain,and it takes the words of a doctor -who becomes a true shrink-to make her feel that others too had a raw deal in their past .
Nice use of the locations and of the animals feeling the fire in the forest.
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