Gringo miner Gallager is caught up in the Mexican revolution of 1910-11 when corrupt administrator Ruiz appropriates his mine. Gallager saves the life of guerilla leader Raquel, then finds ... See full summary »
Ned Bannon comes across rustlers and is shot and left for dead, but is found in time by a wagon train heading for California. When he recovers he becomes suspicious of the two outsiders who... See full summary »
In 1864 Cavalry Captain John Hayes reluctantly follows orders to become the civilian boss of the Overland Stage Line, which keeps the flow of Western gold to the Union and will help it win the Civil War. Headquarters for the stage line is a small Colorado town with Southern sympathizers who will do anything they can to sabotage his mission. Resistance to his efforts is led by former friend ad colleague Clay Putnam, who has taken advantage of Hayes' absence and married his former sweetheart. Written by
While Christy is reminiscing about the Overland Stage with Hayes, he reminds him that they worked together on the line for twenty years. Before that, he says, he worked for the Pony Express. As the year is 1864, that would push his Pony Express experience to 1844 or earlier if you subtract Hayes' Civil War service. The actual Pony Express only was in operation for one year, from 1860 to 1861. See more »
You walk out of this house and you go out the way you came in... with nothing but the clothes on your back! I wouldn't depend on goin' to Hayes either... cause Mace is gonna kill him... if he already hasn't.
I love you, Clay. I guess I know I always will... but if you let anything happen to John Hayes, I swear I'll see you hang!
[Goes up the stairs]
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Agree with other viewers that "Westbound" is the least of the seven Budd Boettcher/Randolph Scott westerns. But the assured work of both Director Boettcher and Star Scott take this up a notch or two from the run-of-the-mill fifties oater. Nice work too from Michael Pate as the arch villain (watch the way he moves). And it's good to see Virginia Mayo, even in a throwaway role. In most other respects, though, this just isn't up to Boettcher's other work with Scott, and the fact Boettcher dismissed and virtually disowned it is no surprise. The movie lacks the tough, lean feel that makes the others real classics that can be seen over and over. One viewing is enough for "Westbound."
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